Toys

I know several people who think this movie is horrible. I saw a contestant on "Jeopardy" who professed himself to be a movie expert who said that this movie was the worst of all time. I think that "Toys" is a masterpiece of surreal cinema, and I rank it among the greatest 100 movies ever made (My list, of course). The cast is amazing, and LL Cool J is great..I love people who don't like their food to touch! What are the detractors thinking? Maybe they are the morons! Toys RULES, especially the opening scene...I think that this movie's detractors need to view this movie again with open eyes, and see the amazing vision that this movie imparts. It is pure genius.

Barry Levinson brings us a strange tale of a toy factory whose owner passes on and leaves in the hands of his two children (Williams and Cusack), very much children at heart, and his brother (Gambon), a US General with daddy issues. Seeing an opportunity, the General decides to hijack the traditional methods and mentality of the factory and build a new type of tech; war toys, designed to be economically lethal. Finding this out, it is up to our heroes, along with some friends like the General's camoflauge-happy son (LL Cool J) and a copy girl who falls in love with Williams' character, to stop him.

A case of 'wrong place, wrong time', Levinson odd little film is, though not without faults, surprisingly forward thinking about the desensitisation of youth and the dehumanisation of war. Today, that issue is much the rage (how often have we heard COD being called Propaganda/Army Porn or the use of drones), and in a post Columbine world, the idea of a youth perverted by the lack of distinguishing fantasy from reality is very potent, and one feels that 'Toys' would've been better served coming out now.

What's more, this also qualifies as one of the oddest studio films ever; from the Rene Magritte-centric production design to the interesting mix of actors here, though they all fit their roles well. The late Williams is very much the star of the show, and the child-like, jokey nature of this character fits him like a glove. Cusack as his doll-like sister also does well, giving the role a very youthful, almost eternally naive, quality. Joining them is the always superb Gambon as the pompous and crusty General, and he's having quite the ball in the role, and even Cool J as his son isn't half bad either, and actually has some good comic timing, especially given how meticulous his character is about proper military procedures. We even have Yeardley Smith and Jamie Foxx in small background roles.

However, some tonal indecisions, such as going from the dark subject matter to Williams' ad libs and wacky sight gags like a literal smoking jacket or fake vomit recipes, and a laggy climax involving a rather drawn out toy war do deflate things. In fact, that sums up why I believe the film's rep is so uncertain among critics and audiences; who is the target audience of the film? Is it an anti- war/protect our youth's innocence message for adults, or a quirky, oddball adventure for kids? It's like Levinson wants a live-action Ghibli film, but that careful blend of childhood magic and adult themes is off, making for an uneven, though still oddly fascinating, viewing experience.

Honestly, 'Toys' is worth seeing once as a ambitious novelty. It's such an odd mix of ideas, stories and even practices that there is really no movie like it out there, and it's sort of interesting seeing where it'll go or what it'll do next. Sometimes, a unique misfire is better than mediocre success.

As a young child, Barry Levinson's 1992 film "Toys" was one of my favorite movies. At a young age I was fascinated by such a visually beautiful and surreal world that this mostly forgotten and seldom talked about film portrays. While the story of the film, which you can read about in the other reviews, is not the most well put together or best flowing story ever written, the witty comedy and especially the surrealism of it make up for this. Even Roger Ebert wrote in his review "Visually one of the most extraordinary films I've seen, a delight for the eyes, a bright new world."

While "Toys" was a box office flop and panned by critics, if you ask me, they failed to fully indulge themselves in the power of the film and it's special message about peace, joy, and innocence prevailing over war and evil.

If you are a fan of Salvador Dali's work or just a fan of surrealism in general, "Toys" is the perfect film for you. It's hard to think of another film with such vivid set designs that uses surrealism is such a creative and intelligent way. If you are just looking for a good comedy film to watch you might like "Toys" but this film is not for everyone. Approach the film with an open mind and I think you will either "Get It" or you won't.

I'm constantly amazed at how so many wannabe movie buffs can go ga-ga over something as romantic and unreal as Titanic and slam a film that has so many fine artistic points as this one. Well, as me auld Irish Mither used to say, "There's no counting for taste," I suppose but hey! This is a fine little film with a poignant theme, a fun fantasy frolic and some incredible artistic moments. Robin Williams is at his non-goofiest best in this medium. Indeed, his Leslie, the toymaker, is almost underplayed. Joan Cusack is, simply put, always worth the price of admission and then there's Michael Gambon and a glimpse of the late Donald O'Connor. LL Cool is relatively harmless in his role and does not distract from the pace of the film. Put it all together, it works, gang. Don't go in there expecting instant game-boy entertainment. Look. See. Drink in the colors. Smell the textures of contrasting materialistic profitism with creating bits of beauty that can be enjoyed by children of "all ages." Alas, I realize that is a lot to ask for from an audience, but, hey, you flunked on the firt go-round; now, see this one again and give it try.

An eccentric, pacifistic toymaker, Robin Williams, learns to take responsibility and assert himself after his father leaves the family toy factory to his uncle, Michael Gambon, a retired army general, who violates the company philosophy by making war toys. Director Barry Levinson, a sometimes brilliant writer, used his considerable prestige to make this very big film built around this very simple analogy: War is bad/innocence (toys) is good. This film would have had more relevance in 1972 than 1992. As it is, it is two decades too late and two tons too heavy. Worse still, the climax is directly contradicts the theme of the film. Robin Williams is only able to gain the maturity to take control of the company by waging a toy war. Hmmmm, maybe war isn't so bad after all. Still, the film is not a total washout. The sets are quite imaginative, and the film does manage to generate an interesting atmosphere - if you're in the mood for such things. The most interesting thing, however, is the casting of rapper LL Cool J as Michael Gambon's son and Robin Williams' cousin. No explanation is given for the fact that he's African-American. That's a nice touch.