Le meurtrier de l'Illinois

As the IMDb says, this is a true story, but gruesome does not begin to describe it. John Wayne Gacy - the killer clown - was responsible for the deaths of over thirty young men and boys, most of whom were buried under his house at 8213 West Summerdale Avenue, which like not a few other houses of horror, was later demolished. "To Catch A Killer" was released while Gacy was still under sentence of death; he was executed by lethal injection on May 10, 1994. The film does not cover his trial but focuses on the investigation into the disappearance of his last victim, Rob Piest, who herein is called Chris Gant, presumably to protect the family.

The name of the detective who brought Gacy to book is not so disguised, but there is one criticism that can be made of the film in that it panders to the usual film-flam of psychics. Herein, Detective Kozenczak consults a psychic, who gives him in retrospect startlingly accurate information about both the crimes of Gacy and his own personal health. In reality, he did consult a psychic, and as might be expected she provided no meaningful information at all. Kozenczak's unwarranted faith in psychics is a little surprising because in reality he was the one who exhibited not psychic powers but the classic policeman's hunch, in this case that there was something not quite right about Gacy, who had been seen talking to the teenager shortly before he disappeared, never to be seen alive again.

The role of Gacy was alloted to Brian Dennehy, who is no stranger to sinister roles, and here he plays the Jekyll & Hyde Gacy to a tee. We see Kozenczak and his team applying psychological pressure to Gacy that in the end leads to him cracking up partly under the strain and perhaps because what little conscience the man had, finally caught up with him.

This is not a film for thrill seekers but a semi-documentary that apart from the psychic non-incident adheres closely to the facts of the case. This and its length meant it was never likely to win any awards, but this was a film that was clearly made as an historical document rather than for either plaudits or profit.

"To Catch A Killer" is a truly disturbing film. But like other disturbing true stories, this one was done extremely well. It was meant for TV and not the big screen. Brian Dennehy was simply incredible as "John Wayne Gacey" & I feel this is the best role that he has ever played. I had the chance to buy the Laser Disc of this movie,but did'nt & I have regretted it ever since. I hope they will release the DVD of this unforgetable & shocking masterpiece. This movie will have you on the edge of your seat.

In a fine made-for-TV effort, "To Catch A Killer" profiles notorious murderer John Wayne Gacy (played chillingly by Brian Dennehy), his mask of a respected public citizen, the awful secret he kept, and the relentless attempt to expose him. Dennehy's work with the supporting characters is darkly magical and the story reminds you that it's real with every chance. Highly recommended for fans of Dennehy and of good psychological thrillers.

Brian Dennehey BECOMES John Wayne Gacy, as you watch this film you can only imagine the horrible fate of the victims.

The beginning starts out with Robert Piest, well portrayed, who is picked up by Gacy for construction work (this was his method of trolling for young boys). Gacy owned his own contracting company in Des Plaines, Illinois.

The actress who is Piest's mother is heart-rending; as she pleads with the police to take her son's disappearance seriously. In the Chicago area a missing person is nothing new, but it was her birthday and Rob never showed up. ..." He would never run away from home... he is not that type of boy"..., she mentions, and Detective Joe Koczenczak (very well portrayed by Michael Riley) takes notice of the situation.

Dennehey is superb, when the police first visit Gacy's house in Des Plaines, we can feel the menacing evil and rage simmering just below the surface. Gacy shows the police his pictures with Rosalynn Carter, his promotion as manager of Kentucky Fried Chicken, and his "commendations" for contributions to local police and firefighters (a fixation common among sociopaths; they are very high functioning, and socially enjoy manipulating authority figures).

Gacy also apparently used drugs to lure young men to his house, there are several scenes where he uses Qualuudes, and the detectives are following him, realizing the extent of his social connections. What is so horrifying is that, on the surface, Gacy was a well-liked businessman who had many friends. He was not a reclusive psycho who stood out in the crowd.

As Detective Koczenczack becomes more frustrated trying to mount evidence against Gacy he is thwarted many times by D.A. Meg Foster, who cannot make a case if Gacy's rights are violated. The case is interesting and disturbing all the more so because it is true. Margot Kidder also has a cameo as a psychic, who relays to Koczenzack that there are many, many more victims; this will not be an easy case.

The soundtrack at the end, as they are searching for more victims, and pan out over the cemetery, is very haunting. So sad for any of the parents and young men who were affected by this monster, John Wayne Gacy, who was executed in 1994.

Sorry, your time is up.

The answer, their popularity or connection factor with the viewer was off the charts. Producers knew this and often cast one or the other in the most obscure projects, knowing full well that, when push came to shove, the viewers would watch regardless.

With this film, a funny thing happened on the way to what was supposed to be a "casting of convenience." Brian Dennehy gave the performance of his life, at the same time engaging and yet creepy, friendly but dangerous, and the result was that a simple movie became a TV classic almost overnight.

Kid you not. The quality of this film is so good it will, I am guessing, hold its own against any subsequent attempts to biopic Gacey.

Watch it.