Le mystère des 13

Historically speaking this film serves as an invaluable precursor to Anthony Shaffer's ingenious THE WICKER MAN, starring Edward Woodward and Christopher Lee. Taken on its own, however, EYE OF THE DEVIL is an effective but wildly uneven film.

The story deals with a wealthy French nobleman (David Niven) who is called back to his ancestral castle when the crops fail. Due to his erratic behavior regarding this summons, wife Deborah Kerr becomes increasingly worried about Niven's safety. Against his orders, Kerr takes her children to his ancestral castle, where she witnesses many strange and eerie religious rites. The question then becomes, will Kerr be able to rescue Niven from a ritual sacrifice, and -- indeed -- does he wish to be saved?

Owing to its erratic production history, it's not surprising that EYE OF THE DEVIL is a bit rough around the edges. The story is obtuse, and the characters under-developed, but director J. Lee Thompson employs an intriguingly arty approach that keeps one alert throughout. Thompson makes excellent use of Ernest Haller's mobil camerawork, most notably in a memorable race-against-the-clock climax. Additionally, the score is excellent, and the cast is well above average for this sort of thing. In the lead roles, Kerr and Niven are effective and restrained, but it is the supporting cast that really impresses: Donald Pleasence, his head shave completely bald, as a sinsiter cleric; David Hemmings as a seemingly evil youth; and especially Sharon Tate as Hemmings' enchantingly sensual/wicked sister.

In the end, EYE OF THE DEVIL cannot be considered a great film. It is, however, an above average diabolical thriller, and as such can be recommended to horror fans. My rating: *** out of ****

Before I started watching 'Eye of the Devil', I already wondered why this film isn't mentioned more often. The film seems to have a pretty solid and horrifying plot (based on a novel by Philip Loraine) and it's blessed with an all-star cast. Sir David Niven (The Pink Panther series, Casino Royale) - here at the top of his success - plays the lead role and there are supportive roles for class actors like Donald Pleasance (The Great Escape, Halloween), Deborah Kerr (The Innocents, Qua Vadis), David Hemmings (Blowup, Profondo Rosso), Flora Robson (The Sea Hawk, Beast in the Cellar) and the stunningly beautiful Sharon Tate (Fearless Vampire Killers, Rosemary's Baby). Niven stars as vineyard owner marquis Philippe de Montfaucon. He's asked to return to his castle because of yet another disappointing season. Although he requested them not to, his wife and children soon join him at the remote rural estate. Every employee there acts mysteriously and even the loyal Philippe all of a sudden seems to keep secrets to his beloved wife Catherine. Intrigued by the strange behavior of her husband and the overload of eccentric characters wandering around the estate, Catherine starts her own investigation and discovers that the Philippe's bloodline always followed bizarre and old pagan rituals (even involving blood sacrifices) in order to save the crops. Although she fears for her husband and children, Catherine doesn't succeed in convincing Philippe to leave…

The premise of Eye of the Devil is terrific occult substance and the film features several haunting and extremely atmospheric sequences. Unfortunately the elaboration of the script is uneven and often very confusing. Although beautifully shot, there are several parts in this film that are redundant and the 'mystery' is a bit overstressed. Sharon Tate (you won't believe how sensual she is here) has a stylish and grim sequence in which she turns a toad into a pigeon, but I fail the see how this carefully built up feature was essential to the film?

The weird thing about 'Eye of the Devil' is that it seems to borrow elements from other British horror milestones. The terrified Deborah Kerr trying to resolve a mystery and to protect her children strongly reminds you about 'The Innocents' (some of the camera-work and the eerie black and white photography increase the connection between the two films) and the caped 'apostles' wandering through the forests makes you think back to Roger Corman's 'The Masque of the Red Death'. Something else to ponder about is the rather large similarity between this film and the absolute cult-favorite 'The Wicker Man'. Although this latter one is much more stylish and gripping, it more or less disappointed me to see this OLDER film handling about the same topic. I always considered 'The Wicker Man' to be one of the most unique and original movies ever made and now I find out this a more sophisticated update of J. Lee Thompson's 1967 film? Perhaps there you have the reason why this film is a bit downgraded and overlooked! The Wicker Man is often labeled as part of the greatest British films ever made, so I guess all the fans don't like to hear that it might have been inspired by another – more anonymous – Brit horror film.

In conclusion: Eye of the Devil is recommended if you're an admirer of complex and ambitious horror tales. Too bad it's a little TOO complex at times, but then there still are the outstanding acting performances and strict directing skills to enjoy. And I can't stress enough how marvelous Sharon Tate looks in this film. This heavenly goddess passed away far too early (damn that Charles Manson) and the few films she starred in should be checked out by everyone who's an admirer of female beauty.

"Eye of the Devil" had a very troubled history. Kim Novak was originally cast as the female lead, but production had to be shut down as she proved inadequate to the role's demands (surprise!) and was let go.

The film is about a French nobleman (played by David Niven) who's family fortune is tied to a small village that makes wine. He's called back to the family chateau as the vineyards have been failing for a few years, an announcement ripe with sinister and mysterious overtones. He tells his wife (Deborah Kerr) not to follow him or bring their two children, but soon she does just that, fearing for his safety.

What follows involves ancient pagan rituals, witchcraft, and deadly family secrets that go back centuries and can be handed down to the next generation.

There's a nice thriller in here somewhere, and director J. Lee Thompson manages some creepy scenes here and there. Best are the scenes with a manipulative and hostile Sharon Tate and/or David Hemmings, and one where Kerr is menaced by a group of hooded figures in the woods. Also the ending is properly disturbing.

But for the most part, the film's atmosphere is gloomy and dank, which kills the suspense. It doesn't help that both Deborah Kerr and David Niven are both too mature at this point to be playing parents of small children. Niven looks mostly distracted and Kerr, while capable in her damsel-in-distress role, does a less interesting variation on her brilliant performance in "The Innocents," though in that case the role was far more complex. As for the late Ms. Tate, I'm convinced her voice was dubbed by another actress, but she does cut a very provocative figure.

The film contains too many characters, and not all the plot makes much sense. This is strictly something for British horror fans to watch out of curiosity, or for devotees of Deborah Kerr.

This one gets a least a 7 just on the camera work: glorious black & white, lots of shadowy scenes shot in a creepy French castle. Add to the mix a gorgeous young Sharon Tate in her screen debut as a freekoid Pagan witchess and you have enough to hold my attention for 90 minutes! I thought it was great all the way around: story line, casting, sets, you name it. Lots to like: Pagan cults, weird ceremonies with dead doves, hooded figures dressed in black, a tomb in the woods, ritual sacrifice, and did I mention that the magnificent Sharon Tate is in this movie? David Niven is outstanding as the grim and proper heir to a cruel pagan tradition designed to save the failing vineyards of his fore fathers. Ignore the IMDb 5.5 average rating -- if you like 60's B&W British creepy chiller/thrillers, watch it!

Curiously solid, little occult psychological thriller that's sinisterly gloomy and consists of a banged-up ensemble cast featuring names like David Niven, Deborah Kerr, Donald Pleasance, David Hemming and Sharon Tate. A wealthy French nobleman returns back to his home town, along with his wife and children to help out with the town's failing vineyard. When there he tries to keep it secret from his wife, but she soon discovers the family tradition of Pagan sacrifice . The professionally classy performances are fitting, especially the support roles with Hemming and Tate really embellishing a creepy presence. Same for a cold-glazed Pleasance. Director J. Lee Thompson's atmospheric touch shows in many frames of this crisp b/w presentation, from the spooky castle, to the watching townsfolk and a disorientating chase scene through the castles nearby forest. It's attractively photographed, where Thompson also goes about providing some frenetic camera angles to lay out the anxiety of the circumstances. Despite some short-lived pockets, tension seems to be replaced by glum atmospherics in what feels like a slow-burn mood piece with a stringently compounded script breathing plenty of mystery and intrigue from that dark secret formula. Some things are not entirely explained, but it gives in to a devilish ending, but it's a very long build up to its foreseeable payoff. Some motions and actions of Kerr's concerned, but caring mother figure were somewhat an irritation. Niven is fine as the man tormented by his ancestral responsibilities, but it doesn't ask too much from him. While Kerr was the opposite with her emotive turn. The music score is melodically haunting in its angelic cues. A wickedly sleepy black mass thriller.

"Drive out of this valley. Never come back.".