Douce nuit, sanglante nuit: les jouets de la mort

A young boy sees his father killed by a toy that was anonymously delivered to his house. After that, he is too traumatized to speak, and his mother must deal with both him and the loss of her husband. Meanwhile, a toy maker named Joe Peto builds some suspicious-looking toys, and a mysterious man creeps around both the toy store and the boy's house...but who is responsible for the killer toys? despite being a part five in a weak (With the exception of part four and this one) and dead end series, SNDN5 is a very good horror film that is lifted by a interesting premise and innovative special effects. the acting isn't too bad but rather unimaginative and the script is flat. Other than that, this film is almost perfect. After all, Brian Yuzna produced it. You know it's going to be a winner!!!!!!! 7/10.

Another in-name-only sequel, this time with a "Pinocchio" theme about a toy maker (Mickey Rooney) and his son creating toys that kill people. Interesting premise marred by amateurish performances. Technically well-made, though. My evaluation: ** out of ****.

This film begins with a young boy by the name of "Derek Quinn" (William Thorne) waking up to the sound of a doorbell and, upon going to check it out, finding a Christmas present with his name on it. Naturally, being somewhat excited about this, he immediately tries to open it up but is interrupted by his father who loudly admonishes him and tells him to go back to bed. Curious about what is inside, his father "Tom Quinn" (Van Quattro) then decides to open it up and finds a strange toy inside. Unfortunately, upon further investigation, the toy suddenly springs to life and kills him--while Derek looks on in complete shock from a distance. The scene then shifts to a couple of weeks later with Derek suffering from post-traumatic stress and unable to speak. Although the doctor tells his mother "Sarah Quinn" (Jane Higginson) that he will eventually recover, she still feels sorry for him and, to help cheer him up, takes him to a small toy shop not far from where they live. Not finding anything of interest, they eventually head back home. Not long afterward, the terror begins again. Now, rather than reveal any more, I will just say that this film started off well enough, but it went downhill at the end due to the overacting on the part of Brian Bremmer (as the teenage boy "Pino"). Be that as it may, while I don't consider this to be a good film by any means, it was still better than a couple of others in the series, and I have rated it accordingly.

After subpar sequels 2 to 4, had lowered expectations for this final film in the franchise.

This film is different in comparison to the original but it works in a sense. The plot is creative and makes sense. There is a sense of intrigue as it starts out relatively mysterious and confusing where many things do unfold as the story progresses. Clever twists in the end.

The aspect regarding the toy owner and his creepy teenage son with these killer toys makes for an interesting story. How the intro began regarding the killer toy killing the character left us wanting more.

What ultimately makes this film watchable is not only is the acting passable, the characters are solid and the lead mother and her child son are easy to root for. There are some unique kill scenes, one highlight involving a young teenage man and girl in the bedroom where these killer toys go completely rogue.

A lot better than part 4, also noting that the lead female Kim and the boy Lonnie appear here with lesser roles. Perhaps not on the level of the original but it's certainly at least the second best of the franchise.

The people behind these sequels certainly came up with some insane ideas once they moved away from the whole "killer Santa" routine. This last entry is co-written by director Martin Kitrosser and producer Brian Yuzna. If you recognize Kitrosser's name, that's because he'd co-written the third "Friday the 13th" movie several years previous, but has kept busy in the film business as a script supervisor, and is in fact Quentin Tarantino's script supervisor of choice. His movie is an amusing combination of the genuinely creepy and the genuinely kinky. Toys designed for a deadly purpose have been sent out for years, and killed the father of a traumatized and mute boy, Derek (William Thorne). His concerned mother Sarah (Jane Higginson) comes to suspect either drunken, seemingly kindly toy store proprietor Joe Petto (screen legend Mickey Rooney) or his weirdo son Pino (Brian Bremer, whom you may recognize from "Pumpkinhead", Yuzna's "Society", and / or "Spontaneous Combustion"). Meanwhile, a young man, Noah (Tracy Fraim) is awfully intent on making contact with Derek and Sarah, and what could be his reason? The best of these sequels since Part 2, in this reviewer's humble opinion, it benefits from being so utterly twisted. In fact, right towards the end it features what has to be one of the most disturbing attempted rape sequences committed to celluloid. The special effects are often of the cheesy and tacky variety, yet are reasonably entertaining for this reason. Kitrosser's focus on sex is pretty blatant: at one point he keeps cutting between two separate sex scenes. None too subtle references to a classic children's story are indicative of his whole approach to his movie. The acting is mostly competent enough, with the appropriately cast Bremer coming off the best. Rooney acts his little heart out, as could be expected; regarding his presence here when his was one of the voices demonizing the original movie, it just goes to show what an actor is willing to do when they're desperate enough for a gig. Neith Hunter and Conan Yuzna reprise their roles of Kim and Lonnie from the previous sequel; ubiquitous Clint Howard once again shows up, and plays a character named Ricky, but is only around for one scene. One thing this movie is not is boring, and if your tastes are anything like mine, you're sure to derive some entertainment out of this demented piece of work. Seven out of 10.