Meurtres sous contrôle

I surely won't say that I was disappointed with my long awaited viewing of Larry Cohen's "God Told Me To", but it wasn't quite what I was expecting. And I mean that as a compliment because the depth and storyline of this film was far more impressive than I hoped it to be. Cohen has always been an imaginative and versatile scriptwriter (It's Alive, Q – The Winged Serpent) but he really surpasses oneself here with this multifunctional shocker! It would be a disgrace to simply categorize "God Told Me To" as a shlock-horror film as it equally covers the fields of detective thriller, pseudo-religious drama and science fiction. The very engaging script starts from a dazzling basic idea (which truly encouraged me to purchase this movie no matter what…) but unexpectedly becomes an ambitious mystery that constantly keeps you guessing. We follow the deeply religious cop Peter Nicholas in his investigation on every day NY citizens that suddenly go wild and commit vile murders. Right before dying, they all confess that God himself ordered them to commit these crimes. In his search for clues, Det. Nicholas stumbles upon supernatural events and connections that are beyond belief. The story is compelling, although very VERY complex. It took me three viewings to really "get" the story and I still have questions to ponder on. Nevertheless, Cohen proves himself to be a master of plotting and even the tiniest sub plot (like the anti-hero cop being torn between his wife and mistress) are sublimely elaborated. I admit I more or less expected this to be a semi-absurd and violent cheapie (like Cohen delivered them before) but it turned out one of the most misunderstood exploitation films of the 70's. Although the film isn't really disturbing, there's a lot of suspense and intrigue. Cult lovers familiar with Cohen's repertoire will be pleased to see that he couldn't resist referring to his blaxploitation roots and that he takes every opportunity to severely criticize American society. The charismatic actor Tony Lo Bianco is terrific in portraying the spirited here and he's partly responsible for a climax you won't forget easily.

Demon aka God Told Me To is extremely strange and weird film by the legendary director/screenwriter. His films are always unique and have a message which has to be found in the core of the film. Some of his films are "easier" to understand (The Stuff, Blind Alley) while others, like Demon, are far more difficult to see through.

Strange killings committed by usual people start to take place, and all the killers have the same line/justification to say to police questioning. Policeman starts to investigate the cases and soon he's too deep in it to get safely back..

I'm not sure if I can actually say what the film's about because it has to be seen many times before it can be fully understood. Main themes are at least duality in everybody's personality (good/bad) and the question that which part is the dominating one. Cohen wants people to stop and think and it is great that that kind of directors exist. He would never do just entertainment without brain. The weirdness of this film comes close to Lynch, but Cohen's work isn't as surrealistic as Lynch's. Demon and other Cohen flicks are highly recommended if you like independent cinema and intelligent and "difficult" films which are not so often produced nowadays.

7 out of 10.

Let me tell you, that if this was a movie that got done with a bigger budget to spend and some more well known names in it, this movie would had been absolutely considered to be a classic one within its genre.

You really probably beforehand don't expect much good to come from this movie. It's a '70's movie with the title "God Told Me To" and the main premise makes it sound as if this is your average typical exploitation flick about a killer on the loose. But you'll be surprised at what sudden turns this movie makes throughout. It actually starts to combine lots of different genre elements, such as horror, thriller but above all things also science-fiction. Here is mostly were the movie start to get interesting and surprising to watch. It's a real refreshingly original movie, that truly deserves some more attention and recognition.

But also simple fact about this movie remains is that it's a quite cheaply done one and you can really tell that. It's the sort of cheap '70's movie that for instance used different camera's, none of which were the same, so the movie its look changes throughout the movie a few times. The interior and exterior shots especially differ. It's cheapness can been seen back in basically about everything, such as also in the directing and acting and this is what mostly harms the movie.

But yet, once you really start to get into this movie, you'll start to forgive the movie for its cheap look and lesser moments. It simply has a great concept and a refreshing approach. This all should be good enough to still make you thoroughly enjoy watching this movie.

The movie can get quite messy and confusing to watch at times but it's hard to say if you can really blame the writer or director for this, since lots of '70's movies were basically just being that way. It also sort of adds to the style and atmosphere of this movie its unlikely and refreshing story and approach.

It's also fun to note that this movie features late comedian Andy Kaufman's first movie appearance. It's really about a 2 second part but it's fun to notice nevertheless.

A surprisingly good and refreshingly original movie.

8/10

http://bobafett1138.blogspot.com/

Larry Cohen the New-York based director (Q-The Winged Serpent , Black Ceasar , Stuff) brings us this oddity. The title was changed to Demon after most television stations refused to run the trailer for the film. A deeply religious cop (Tony lo Bianco) is involved in the investigation of a series of seemingly unrelated sniper killings in the New York area. His investigations however only start when he tracks down a sniper and is given the answer "God Told Me Too" , thats about all I can say without ruining the film and giving away one of the most effective plot twists in years. Andy Kaufman (Latka in TAXI) turns up as a kill crazy policeman at a parade, with lots of other surprises along the way this little known gem is well worth the hunt if you can get a copy on video. And with we have the best of all excuses to watch it.."God Told Me Too"

Trust something this darkly warped to come from the creative juices brewing from the mind of Larry Cohen. The 70s through to the mid 80s was the pinnacle for Cohen, and "God Told Me to" would have to be ranking at the top of his greatest achievements. With a limited budget, Cohen resourcefully constructs a fascinatingly chilling, bewildering and off-kilter little winner. Talk about the strangest film Cohen has ever done, and probably his most ambitiously versatile in the story's ever-changing format of genres! Subtexts aplenty. And they manage some depth too.

The cryptic story is cleverly utilized, as the mystery holds together and the fearful psychological undercurrents of repressed faith make it rather interesting. Though it's so hard to follow due to that fractured story-telling. It shifts from grounded reality to utter weirdness, which has you totally feeling the confusion and frustration that the main protagonist would be going through trying to come to terms with what's going on. So does it make sense? I'm not quite sure, but hell it's entertaining and bizarre. Too much for me to worry about thinking of the bigger picture. But hey it makes great for repeat viewings! Some sequences can unsettle, while others thoughtfully delve into the characters at hand. A compact, but involving script is complicatedly put together and drives hard with an audaciously literal sense. Some of the dialogues actually raise most of the tension than some visual set-pieces involving violence and shocks. Cohen's capably understated direction is well presented and shines with his own distinctive personality, as he ably uses the authentic New York Locations with the use of intimately taut cinematography. He manages to install a haunting air throughout the whole feature, and Frank Cordell's dreamily sombre music score largely complements the atmospheric awe.

A quality cast lend solid performances. Tony Lo Bianco is undeniably excellent in the lead role of a religious NYPD detective. Sandy Dennis and Sylvia Sidney offer strong support. Sam Levene, Al Fann and James Dixon (a Cohen favourite) are also good. Richard Lynch appears in a small, but unusually striking part and Andy Kauffman in an out-of-the-ordinary performance.

Cohen's "God Told Me To" is a loopy, but challenging b-grade exploitation of the highest order. An unforgettable cult gem!