Les ailes d'Honnéamise

"Honneamise no tsubasa" is clearly the masterpiece of Japanese anime. I was lucky enough to see this film for the first time at the cinema, and I feel for those of you who have only been able to see it on video. What you miss is the immaculate artistry of the animation: the detail, the complexity, the invention and most of all the beauty. The opening credits are up there amongst my favourites (Vertigo, Delicatessen) not because of any originality - the use of pictures in credits have been done before (Days of Heaven) - but more because of the use of Japanese water painting of these images. It is also the blending of these images with the right music which makes the credits so exquisite. But also the great thing about this movie for all of us, is the wonderful story that is told. The use of a parallel earth in which the events occur is ingenius, it allows the story to remain in a sense inherently Japanese but also universal. See this film it is a gem

The only frustrating thing about Hiroyuki Yamaga's exhilarating sci-fi anime is that - astonishingly - it has not (yet) been released on region 2. But I would urge all UK manga fans to purchase a region-free DVD player just to watch it - it's that good. Alternatively, order the region-free Blu-ray disc.

Eschewing mecha battles and purple hair, The Wings of Honneamise is an epic poem about peace. One imagines it's the kind of thing Hayao Miyazaki would show his kids once they've grown out of Laputa and Spirited Away (as if that's possible!). Set in an alternate universe, it tells the story of an apathetic young man, Shiro Lhadatt (Leo Morimoto), who signs up to become the first man in space. As the countdown begins, the mission attracts the interest of the public, the media, and finally the military, while a sorrowful religious girl, Riquinni Nonderaiko (Mitsuki Yayoi), attracts the interest of Shiro himself.

It's a fable about the human spirit with echoes of Tom Wolfe's The Right Stuff. Indeed, the climactic message won't take you by surprise - but what fun it is getting there. Yamaga's world is fairly bustling with life, all realised with sumptuous animation and some wonderful retro-modern art direction from Hiromasa Ogura (who would go on to work on manga favourites Ninja Scroll and Ghost In The Shell). Shiro's journey to his destiny is full of incident - flying lessons, explosively malfunctioning equipment, an exciting foot chase from a deceiving assassin - but also complemented with moments of dreamy calm. These peaceful moments are not simply excuses for some pretty ethereal music and absent wandering beneath neon verandas; they speak of Shiro's new sense of reflection, of his growing introspection.

Special mention should be made of Ryuichi Sakamoto's score. Like so much of his work, it is considered, emotive and memorable.

It's the best adult Japanese animation ever made, of that I'm certain. And it really isn't for children - this region 1 release retains an attempted sexual assault scene which was cut (by Manga Video, not the BBFC) for the UK video release. Moreover, the religious and political overtones, combined with the patient pacing, may be somewhat testing upon a younger child's attention span. Teens and older should buy it, love it, and feel inspired.

For all the flaws in this movie (actual or perceived), I have to admit that ending has stuck with me since I first saw the dubbed version five years ago. All that fighting, all that posturing--for what? No one end up caring, no one listens to their pleas for the end of violence. It is very easy to understand how these moviemakers were able to later make Neon Genesis Evangelion, which has many of the same issues (religion, an examination of the belief that some people have that "the way justifies the means," technology and the use and misuse of it by humans, etc.).

The biggest problem I have with the movie is the attempted rape scene and the victim's subsequent forgiveness of the perpetrator (the hero of the movie). I couldn't tell whether the filmmakers were being sarcastic of her religion or if they really felt it was a good thing for her to forgive him--or if they needed that scene at all. I bought the DVD, hoping that the director's commentary would shed more light on the subject--they spend more time discussing how the cels (of the girl naked) were stolen before they could give them to friends than they did explaining the purpose of the scene in the movie.

Another thing is that Wings doesn't completely break out of the anime mold to become a mainstream film--it occasionally slips into anime-style slapstick and there's a few too much insider talk (both in technological aspects and inside jokes).

Beyond that, it is a daring, engrossing but deliberately-paced animated film.

Do not listen to anybody bagging this movie, they do not have the experience with anime to appreciate it. Wings of Honeamise is a pinnacle in Japanese animation, it took anime to it's popularity. It made anime known.

The only way I can describe how this film makes me feel is to compare it to a child watching My Neighbor Totoro. It is animation but not quite what you see everyday. It has a plot but it has subtle and even hidden depth.

To me this film is so good that it ceases to be "just anime" to become film art in the truest sense: it conjures up an imaginary world and makes it real, people have troubles and tribulations and we identify with them, everything comes to conclusion and we are changed by it and for the better.

For people think this is just sunday network cartoons two hours long I recommend watching this alongside Apollo 13 and/or Forrest Gump and try to find the analogies, you'll be surprised.