Bates Motel

Many years before the more recent 'Bates Motel' TV series, this television movie was made to cash in on the "Psycho" brand name and try to kick start a series. It's the kind of sequel that both ignores previous entries and fudges with the original mythology a bit. Bud Cort stars as Alex West, who'd been incarcerated at the same mental asylum as Norman. When Norman dies, he leaves the infamous motel & house to Alex. Alex, despite having been in this institution for most of his life, vows to make a go of things, helped by people like Henry Watson (Moses Gunn) and a tough talking young woman named Willie (Lori Petty). While the motel is given a flamboyant makeover, strange & supernatural occurrences take place.

For a while, this is a fairly appealing story (concocted by director / executive producer Richard Rothstein), anchored by Corts' engaging performance, although it wouldn't be for "Psycho" and Hitchcock purists. It threatens to derail upon Petty's introduction into the picture, although after a while it's clear what her purpose is, and the character becomes more tolerable. The part where it REALLY begins to derail is in the final third, where Rothstein and company waste time with a subplot about a depressed "older" woman named Barbara Peters (Kerrie Keane) and her interactions with various youngsters, including one played by a young Jason Bateman. It truly goes to pieces with the hysterical, 'Scooby Doo' type ending. (Followed by Cort breaking the fourth wall just before the end credits roll.)

When you see the makeover that the Bates Motel gets, you'll likely cringe, and realize that progress (a big theme of this tale) isn't always a good thing.

The acting is sincere enough to keep the thing watchable, along with solid performances by such familiar faces as Gunn, Gregg Henry, Robert Picardo, and Lee de Broux. Kurt Paul, who plays Norman here, was a stuntman on the second and third "Psycho" features.

Certainly worth a look for curiosity's sake, but it in no way compares to other entries in this series.

Five out of 10.

As someone who really loves his horror films but will delve into other genres this film is something I went into watching with an open heart. The name never said Psycho to me or anything to do with the actual Psycho franchise but then again it doesn't need to be a part of the franchise because it's got a completely new story of its own. Let's move onto the cast, the cast is a bit of a weird line up but then again I think that's what made me continue watching it and yes it's actually got a story to it and tries to take helm from Alfred Hitchcock's Psycho franchise. I know I'm not really reviewing this movie and explaining much about it and that's because I don't really know what to say, what I will say is…. If you can grab a copy of this very rare film just watch it for the way it plays out, you may just enjoy, I know I did, maybe you'll book a night at the Bates Hotel just like myself.

As other reviewers have mentioned: This made for TV film is a pilot for a TV series that never materialized nor is this film in any way a part of the "Psycho" franchise. This has become a stand alone "fanboy" type of film - so I've heard.

I DO NOT recommend this film to fans of the "Psycho" film series nor would I recommend this film to fans of comedy films. Watch this film ONLY out of curiosity and do not expect anything near the "Psycho" film series because this is far, far away from them. There are only very loose connections to the "Psycho" franchise.

Several things wrong with this film: It's not funny (I only got a couple of laughs out of it in the beginning), irritating characters, and the story does not make any since at all - the whole "1950s" thing with the ghost saving the woman's life should have been left out of this film - would have been much better with out it.

I got this film via Amazon in the "4-Movie Midnight Marathon Pack: Psychos" - a worthwhile collection even though I am not fond of "Bates Motel"... it's still worth having in a Psycho collection for the sheer novelty of it.

3/10

I've been getting bugged for years for copies of this film -- since it hardly ever got played after it bombed on TV back in '87. As a piece of Psycho history, I taped it in '87 and foolishly let people know that I had a copy.... I'm so glad Sci-fi is airing it so I don't have to sit through it anymore. Made as a potential pilot for an anthology series, the movie flopped badly and a show never materialized. Anthony Perkins (Norman Bates himself) boycotted the production. Not that he really needed to, since the public hated it as much as he did....

I'd like to say this film is awful. But I can't really say that, since I've seen so much worse. But as an attachment to the Psycho films, it IS awful. It ignores the two sequels that had been made and even makes mistakes based on information from the original. Bud Cort gives a mind-numbingly dumb performance as the friend of Norman's who inherits the motel after his death. You never really have sympathy for him 'cause he just plays it so dumb. Lori Petti, who I usually love, is rather annoying as the squatter that befriends him. She does an okay job with her part, but the problem is that all the main parts were poorly written. We get more than half of the way through the movie, focusing on Cort and Petti trying to get the motel running again, and then we enter the first of the Twilight-Zone-ish stories: a woman who wants to kill herself is befriended by some strange teens. The writing and acting in this segment isn't bad, but after sitting through the Cort/Petti story, it hardly seems worth it.

There's really only one creepy segment in the film -- the presence of the woman in black at Mrs. Bates funeral (but the discovery of her corpse is nonsense, since they found her body in the basement in the original film). The whole Jake Bates story seemed like it was jammed in so they could add a few more scares, though the scares fell flat. And the black-and-white segment at the film's climax could have been great -- if they hadn't went the Scooby-Doo unmask-the-villain route -- but as another reviewer wrote, it seemed to be the inspiration for "Scream 3" (which I love, by the way).

Though the film is a piece of Psycho history, I wouldn't really recommend it to anyone, except maybe fans of the actors -- even then it wouldn't get a strong recommendation....

I don't know what a lot of these posters are bitchin' about. What the H E double hockey sticks did they expect from a pilot for a TV series? Did they really to see Norman Bates on social security still running around in drag knocking off people in the shower or something of the like? Wouldn't that get boring after an episode or two? With that being said, I thought the creative way they blended the Bates story with some new mystery and a ghost story set a pretty good stage for some decent TV. Guess it was all that closed mindedness and lack of vision from the pubic that stopped that from happening. It's bad too, we could have had another 80s cult show.