Le mal par le mal

I remember when this movie came out. Seeing the music video on MTV of Bob Dylan singing away about the street life made me incredibly excited. I pictured a movie that would be like THE WARRIORS -- all gang fights, sexy chicks, and endless pounding rock music.

Years later, I rented the film, and it was really like that -- for about two minutes during the opening credits. After that it becomes almost a Saturday Night Live sketch of a comedy, showing Eighties teens with silly hair dragging their sorry behinds through the swamp whining like toddlers while a stereotypical Indian brave keeps grunting stuff like "Teamwork!" and "Survive!" A CLOCKWORK ORANGE this ain't, folks. It's more like ANGELS WITH DIRTY FACES, mixed with THE BREAKFAST CLUB, mixed with LORD OF THE FLIES.

The film makers apparently couldn't decide what they were going for. The teen angst clashes with the gun battles, and the adult level crimes (including a creepy Harvey Weinstein style rape) just get shrugged off in a hail of bullets. The Indian is supposed to be the hero they all look up to, but he's never more than a cardboard cutout of stoic Injun virtue. He's really Injun Joe from TOM SAWYER, only played as a good guy.

They even work a spin on the famous scene of Tom getting all his old buddies to take turns painting the fence!

The people who rag on BAND were probably the same who bought Don Johnson sport coats in the 80s and are now ashamed. You trendy-then now-pretentious fools, it's not supposed to be freakin' Shakespeare! BAND is a stylish 80s flick with plenty of heart, action and coolness. It's the ultimate fantasy for 15-year-olds. Five troubled 'yoots' are sent to an experimental last-chance program in the Everglades run by Joe, a mysterious Miccosukee Indian/Nam Era elite commando. (See? Already off to a good start)! Joes lays it down: learn to live in this wilderness or die. The 2nd half of the movie (and 'program') takes place in a Miami ghetto run by local drug lord LARRY Fishburne, replete with cute lil' lines buzzed in the sides of his high-top fade. (There's also an underaged Lauren Holly to consider, long before that drooling idiot Carey came and went).

War ensues in the hood as Joe trains the yoots to fight. Purists and prudes can shove it...when Dorcey's machine gun lights up the street from the roof of the feel-good 80s pastel renovated crackhouse it's a spinal moment. The characters don't have to be 'deep' cause they're all the way likable and automatic gold star for the guest appearance of a vulcan cannon (aka "that's a goddam minigun!") If you don't dig this flick, YOU'RE OUT OF MIAMI!

When I was a kid, I used to watch BAND OF THE HAND all the time because it always came on HBO. I know it's a cheesie movie, but there's something about it that makes it cool. Is it the fact that Bob Dylan sings the theme song? Is it future star Laurence Fishburne in an embarrassing pre-fame role as a drug lord? Or is it the cool shootout's on the playground and the drug factory? Whatever the case, it's a neat nostalgic piece from the Reagan-era anti-drug Zeitgeist, and it just equals cool.

"Band of the Hand" has no trouble standing on its own; it's jammed with plot, the cast is colorful, and the very notion of using society's rejects to clean up the streets somehow fits right in with the time. That sort of DIY community- outreach angle mixed with coming-of-age urban drama . . . and "Lord of the Flies"? How the hell do you pull that off? I enjoyed this because it does pull it off, and you'd be surprised at how well that's done. Also, that's one hell of a soundtrack.

But the best way I can describe this movie is "Miami Vice-adjacent", which suits me perfectly. This has the feeling of an episode from the show's first couple of seasons. Most of the cast are carry-overs from the series (as well as the filmmakers), and it captures the gritty style, whether you're sweating to death in the 'glades or staying alive on the neon streets. All of it's seedy, and none of it's especially light - even though we're talking about a teen movie. In its own way, this is a treasure.

7/10

I found this movie in a video store shelf when I was 14. At the time, this movie was phenomenal. This movie gives you a very nostalgic feel of what the 1980's would be like in Miami. I am a very big 80's buff so this was a definite for my collection. I am very pleased to see they released it on DVD. What really makes this movie neat is that at the time, almost all of the actors were unknown, with the exception of James Remar. This movie is based upon the many programs that were employed to straighten up troubled minors and make them realize the value of life. Unfortunately, many of those programs were cut because of mismanagement, lack of funding, or were bogus boot camps run by abusive individuals. I do believe with the right people, a program like this can work, and that is what this movie portrays. Although this plot is fictional, it still leaves you with that feeling of "Wouldn't it be great if this actually worked". This movie was one of the first '80's films I can recall to touch racism, drug trafficking, assault weapons, gang warfare, and the effect it had on the youth at the time and put a positive spin on the outcome. One more thing, Bob Dylan and the Heartbreaker's (from Tom Petty) recorded a song for this movie specifically that cannot be found anywhere else. It is called "Hell Time" and it is pretty awesome. The rest of the soundtrack could use some work as they did not include Mr. Mister or Prince. If you enjoyed the Miami Vice series or if your a big action packed '80's buff, I highly recommend this movie whether you rent it once or add it to your collection as I did.