IMDb RATING
6.3/10
19K
YOUR RATING
Chicago singles meet in a bar, live together and call it love. Based on David Mamet's play Sexual Perversity in Chicago.Chicago singles meet in a bar, live together and call it love. Based on David Mamet's play Sexual Perversity in Chicago.Chicago singles meet in a bar, live together and call it love. Based on David Mamet's play Sexual Perversity in Chicago.
- Awards
- 1 win total
Jim Belushi
- Bernie
- (as James Belushi)
Rosanna DeSoto
- Mrs. Lyons
- (as Rosana De Soto)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Judging by the ratings, i must be in the minority here. Myself, I liked this movie allot. Sorta brings back memories of my early 20's when i lived with a woman and trying to balance the party scene with the friends. Belushi's character is a riot. The scenes at the local watering spot brought back memories of my old hangouts. Also the fighting sequences seem to ring true with me. Who should clean the apartment, can each others friends deal with each other, still going out and having fun but being in a serious relationship. Its one of the 80's movies i still like to watch. Unlike others that i used to like back than like Sixteen candles or Pretty in Pink which i have scene lately and I'm like, this is garbage. I didn't have sandwich night, we had invite everyone over and party night.
Underrated relationship comedy from the 80s, from the play "Sexual perversity in Chicago" from late 70s. The dilemmas,insecurity,tension,friends etc rings true even today
didn't like the remake since I think Kevin Hart is annoying
The original can still be enjoyed and laughed at, Bernie and Joan balance of with some tension& drama and bring comedy
In 1980's Chicago two attractive young people develop a very 1980's relationship. After falling into bed together on their first meeting they progress through a tentative relationship to moving in together, moving out again, and then possibly to some sort of reconciliation.
The film was made contemporaneously with the period it is set in and is one of those films that evoke their particular time with well-observed accuracy. Demi Moore and Rob Lowe deliver strong performances as the articulate, successful and confused - central characters, with Moore in particular able to reflect on the developing crises with astute asides.
The film possibly has two structural problems. First, it is too long. Boy endlessly prostrating himself in front of Girl he has sent packing gets tedious, and the tension regarding what may happen starts to dissipate.
Secondly, the more-or-less mandatory Best Friend characters are almost too strong. Lowe's buddy James Belushi is a chauvinist slob, but also a bit of a charmer - and with some of the best lines. Moore's confidante Elizabeth Perkins may be something of a shrew, but a damned attractive one. These two take an intense dislike to each other from the start, and as the main romance stalls their relationship becomes by far the more interesting one with its vague possibility that such a sparky loathing just might lead to something more positive - if pretty combustible!
The film was made contemporaneously with the period it is set in and is one of those films that evoke their particular time with well-observed accuracy. Demi Moore and Rob Lowe deliver strong performances as the articulate, successful and confused - central characters, with Moore in particular able to reflect on the developing crises with astute asides.
The film possibly has two structural problems. First, it is too long. Boy endlessly prostrating himself in front of Girl he has sent packing gets tedious, and the tension regarding what may happen starts to dissipate.
Secondly, the more-or-less mandatory Best Friend characters are almost too strong. Lowe's buddy James Belushi is a chauvinist slob, but also a bit of a charmer - and with some of the best lines. Moore's confidante Elizabeth Perkins may be something of a shrew, but a damned attractive one. These two take an intense dislike to each other from the start, and as the main romance stalls their relationship becomes by far the more interesting one with its vague possibility that such a sparky loathing just might lead to something more positive - if pretty combustible!
This movie is extremely entertaining and moving. Neither Demi Moore nor Rob Lowe has ever looked better (and you get to see plenty of them). The last scene never fails to get me, and the whole movie rings incredibly true on being in love. Hell, Demi Moore even looks and acts like a girlfriend I had when I was a little bit younger. This is a funny, smart movie that stays with you forever, and I will pay it the ultimate compliment: We are lucky it was made. Vastly underrated on this site, About Last Night is a ten.
This is a romance based on a David Mamet play but Mr. Kazurinski and his companion produced the adaptation that we see in the movie. Fortunately I'd say, for not so many people would like the bitterness of the original. Instead, we have much of the sarcasm but with a not so expected happy ending. Personally I find the story very simple, real and humane. It is from the simple things than we are able to look higher.
Did you know
- TriviaActor Rob Lowe recalled that when his agent sent him the script by messenger, "a strange thing happened. I started reading it in the bathtub. I was only going to skim the first few pages. But by page 73, the water was cold, and I was totally into the character. We hadn't even discussed whether I'd do the picture . . . but I knew that nothing could stop me".
- GoofsThe end of the movie apparently takes place when the softball team has a spring practice. However, we see that the leaves are changing.
- Alternate versionsDespite the fact that India takes issues with sex, the film was never released in India during the '80s, but the film was given a 'U' (unrestricted) certificate for television showings only in the Chennai region in 2007. It is clearly unknown if it was cut or uncut.
- Soundtracks(She's the) Shape of Things to Come
Written and Performed by John Oates
Courtesy of Arista Records, Inc.
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- ¿Te acuerdas de anoche?
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $8,500,000 (estimated)
- Gross US & Canada
- $38,702,310
- Opening weekend US & Canada
- $3,152,469
- Jul 6, 1986
- Gross worldwide
- $38,702,310
- Runtime1 hour 53 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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Top Gap
By what name was À propos d'hier soir... (1986) officially released in India in English?
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