Neige sur Beverly Hills

They tried to make Less than zero into a movie, but they had to censor some parts, probably too hard for the movie. But the success of the novel was the traumatizing things that happened to Clay and his friends, and if you censorship that in order to make a 'watchable' movie, you are going to fail.

Let's remember that in the novel there are the rape of a twelve year old, a pimp injecting heroin into Julian's arm, and a dead boy of an overdose in an alley. You lose all that in the movie by censuring it. And I'm not defending the horrible things that happened in the book, I'm just saying that Less than zero was kinda of a morbid reading.

Another thing they ignored (and it couldn't be because of censorship) was the ad that said 'DISSAPPEAR HERE', that constantly followed Clay through the city.

Having lived right in Hollywood and been addicted to crack myself I am impressed by how darn true it really is. Sure, the acting may lack and the directing could be better... I remember watching this in '87 when I was in high school and an innocent young girl. After watching this again (and being drug free for 2 years now) I am floored at how close to reality this film is. It is stylized, but it is a film after all. The desperation, the loneliness, the hopelessness, all were captured and imprinted on film. Until you have walked the walk and talked the talk this film may be cheesy to you. Once you've walked down those same streets (literally!) this film is a reminder to me of what can happen if I make those same choices again. I laughed and I cried.

What saddens me most is that hindsight is 20/20 for Mr Downey. I've read that he allegedly WAS high and using during the filming.

I lived in L.A. in the Eighties and remember the club scene with a chill. From Eddie Nash's joint on Hollywood Blvd[The Seven Seas] to Club Lingerie to the small venues in Long Beach and Orange County, this movie catches the ennui like a manic firefly in a jar. From the 'powder' in the ladies' room to casual sex, it shows it as it was--callow and shallow and a line/hit away from degradation and death.

It's heart-breaking to watch Robert Downey Jr.'s character surrender his dignity to a free base pipe. Other posts complain about the James Spader's performance, but he was dead on. Pushers are not nice people. This is an early cinematic example of truth about the nature of drug addiction. Are you frightened? NOT FRIGHTENED ENOUGH!

Scare yourself straight tonight. Watch 'Drugstore Cowboy', 'Less than Zero', and 'Rush'.

Here's hoping that Robert Downey Jr.'s talent will not be eclipsed by his addiction. He's an amazing actor. ['Chaplin' & 'Restoration' alone earned him a place in cinematic history.]

Still plenty of relevant themes in this one. They could probably do a remake with some success. Robert Downey Jr obviously the breakouts are in this. It also introduced me to a great song, hazy shade of Winter.

To keep this review short, sweet and to the point, this film completely missed the point that the novel made. As a 25 year old, I consider the novel one of the defining works of my generation and I had hopes for the film adaptation to be remotely faithful to that. It wasn't. In all fairness to the plot, it has been a couple of years since I read the novel, but it is clear that much was discarded in translation with the intention to present the film in the light of an anti-drug piece. The novel however was far more nihilistic than that and focused on the banality life for the over privileged elite. As I recall, several elements were retained in the film from the novel, but it felt like two completely different stories. I'm generally kind to adaptations and remakes in regards to view them independently of the work in which they're based, but this one was such a let down that I had a hard time not yelling at the television. That said, the film itself, ignoring the novel as much as humanly possible, was pretty middle of the road. The storytelling was shallow and clear-cut with little left up to the imagination and aside from a young Robert Downey Jr and James Spader, acting performances were marginal. It would be interesting to see this film remade by a director (and screenplay writer) that actually retains the vision that Ellis painted so vividly in his novel, but until then take this film with a grain of salt and read the novel instead. I give it a very generous 6/10.