IMDb RATING
6.3/10
19K
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Chicago singles meet in a bar, live together and call it love. Based on David Mamet's play Sexual Perversity in Chicago.Chicago singles meet in a bar, live together and call it love. Based on David Mamet's play Sexual Perversity in Chicago.Chicago singles meet in a bar, live together and call it love. Based on David Mamet's play Sexual Perversity in Chicago.
- Awards
- 1 win total
Jim Belushi
- Bernie
- (as James Belushi)
Rosanna DeSoto
- Mrs. Lyons
- (as Rosana De Soto)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I know I know you look at the cast and say "Geez, another a brat pack movie from the 80's". However, this movie is really good. The scariest part is how accurate the movie is in portraying the challenge to find true love among young twenty something's in the eighties. All of which still applies today. Did David Mamet know something thirty years ago that we didn't? Even the four main characters and the different personalities they have are easy to relate too and understand because they are all people that we know or once used to know!!!!! Danny (Rob Lowe), a restaurant supply salesman, and Debbie (Demi Moore), an art director at an advertising agency, meet at a baseball game and later link up at a singles bar in Chicago. He's a handsome guy used to one-night stands; she's having an affair with her boss but is looking for something more romantic and less sleazy.
After a one-night stand at Danny's apartment, Debbie tells him, "It's been a slice of heaven." She returns to her place where she lives with Joan (Elizabeth Perkins), a kindergarten teacher whose smart ass tongue discourages most men. Meanwhile at work, Danny's buddy Bernie, a Neanderthal barbaric like fellow (played beautifully by Jim Belushi) who sees himself as a lady killer, queries his friend about his date with Debbie.
The affair continues, and Debbie decides to move in with Danny. Living together proves to be a difficult experience for them. They try out plenty of new positions for sex, but find that coping with each other's habits, quirks, and expectations is far more challenging. Danny's passivity and inability to open up bother Debbie. At one point, he discovers her looking through his private possessions for clues to his past life.
Debbie, of course, wants them to be a couple, while Danny, hiding behind the myth of the independent male, doesn't want to tie himself down and so ends up treating Debbie as nothing more than a live-in sexual object. And if there isn't enough tension between them, Bernie and Joan are constantly trying to sabotage their relationship. Thus the beginning of the end starts when Danny and Debbie use the "L" word after a steamy night of passion. Danny's frustrations with his career spill over into his relationship with Debbie. More frustrations come about with his best friend Bernie giving him a hard time about being with Debbie, losing touch with his own free spirit partier identity and a lack of communication with Debbie. This ultimately leads to a gut wrenching break up scene followed by Danny's painful attempts to get Debbie back after he finally realizes that what he had was special and now wants back what he has lost.
As I was watching this movie I found myself squirming in my seat while these characters struggle to relate to each other. It wasn't very difficult for me to remember that I had gone through the same heartbreaking downfall of a good relationship in my early twenties due to my lack of communication and inexperience regarding matters of the heart like Danny in the movie. And how difficult it can be to move on. My only peace of mind comes at the end when Danny and Debbie decide to start courting again. This time with the realization that they were both unrealistic and naive and that they will be better to each other because of the painful lessons learned. The voices inside Danny, Debbie, Bernie, and Joan speak volumes about the loneliness, anger, self-hate, and fear of men and women who remain perplexed about themselves and the opposite sex. About Last Night is a provocative portrait of young adults. A very underrated movie and a must see.
After a one-night stand at Danny's apartment, Debbie tells him, "It's been a slice of heaven." She returns to her place where she lives with Joan (Elizabeth Perkins), a kindergarten teacher whose smart ass tongue discourages most men. Meanwhile at work, Danny's buddy Bernie, a Neanderthal barbaric like fellow (played beautifully by Jim Belushi) who sees himself as a lady killer, queries his friend about his date with Debbie.
The affair continues, and Debbie decides to move in with Danny. Living together proves to be a difficult experience for them. They try out plenty of new positions for sex, but find that coping with each other's habits, quirks, and expectations is far more challenging. Danny's passivity and inability to open up bother Debbie. At one point, he discovers her looking through his private possessions for clues to his past life.
Debbie, of course, wants them to be a couple, while Danny, hiding behind the myth of the independent male, doesn't want to tie himself down and so ends up treating Debbie as nothing more than a live-in sexual object. And if there isn't enough tension between them, Bernie and Joan are constantly trying to sabotage their relationship. Thus the beginning of the end starts when Danny and Debbie use the "L" word after a steamy night of passion. Danny's frustrations with his career spill over into his relationship with Debbie. More frustrations come about with his best friend Bernie giving him a hard time about being with Debbie, losing touch with his own free spirit partier identity and a lack of communication with Debbie. This ultimately leads to a gut wrenching break up scene followed by Danny's painful attempts to get Debbie back after he finally realizes that what he had was special and now wants back what he has lost.
As I was watching this movie I found myself squirming in my seat while these characters struggle to relate to each other. It wasn't very difficult for me to remember that I had gone through the same heartbreaking downfall of a good relationship in my early twenties due to my lack of communication and inexperience regarding matters of the heart like Danny in the movie. And how difficult it can be to move on. My only peace of mind comes at the end when Danny and Debbie decide to start courting again. This time with the realization that they were both unrealistic and naive and that they will be better to each other because of the painful lessons learned. The voices inside Danny, Debbie, Bernie, and Joan speak volumes about the loneliness, anger, self-hate, and fear of men and women who remain perplexed about themselves and the opposite sex. About Last Night is a provocative portrait of young adults. A very underrated movie and a must see.
the subject is old, the story is not original. but About last night... has the virtue to be more than part of a long chain. key - the special performance of Demi Moore and Rob Lowe, the spiced roles of Elizabeth Perkins and James Belushi, the music and something else, maybe the courage of scriptwriter and director to do more than a romantic comedy. because, in this case, the evolution of a couple is realistic, charming and perfect mixture between humor and tension, the chemistry between lead actors is seductive and the potential of roles are explored step by step.short, it is a smart manner to present evolution of a couple out of ordinary clichés or moralistic lesson. and this fact is important. and can be the detail who makes this film not only nice but , in a form, original.
Judging by the ratings, i must be in the minority here. Myself, I liked this movie allot. Sorta brings back memories of my early 20's when i lived with a woman and trying to balance the party scene with the friends. Belushi's character is a riot. The scenes at the local watering spot brought back memories of my old hangouts. Also the fighting sequences seem to ring true with me. Who should clean the apartment, can each others friends deal with each other, still going out and having fun but being in a serious relationship. Its one of the 80's movies i still like to watch. Unlike others that i used to like back than like Sixteen candles or Pretty in Pink which i have scene lately and I'm like, this is garbage. I didn't have sandwich night, we had invite everyone over and party night.
Underrated relationship comedy from the 80s, from the play "Sexual perversity in Chicago" from late 70s. The dilemmas,insecurity,tension,friends etc rings true even today
didn't like the remake since I think Kevin Hart is annoying
The original can still be enjoyed and laughed at, Bernie and Joan balance of with some tension& drama and bring comedy
This is a romance based on a David Mamet play but Mr. Kazurinski and his companion produced the adaptation that we see in the movie. Fortunately I'd say, for not so many people would like the bitterness of the original. Instead, we have much of the sarcasm but with a not so expected happy ending. Personally I find the story very simple, real and humane. It is from the simple things than we are able to look higher.
Did you know
- TriviaActor Rob Lowe recalled that when his agent sent him the script by messenger, "a strange thing happened. I started reading it in the bathtub. I was only going to skim the first few pages. But by page 73, the water was cold, and I was totally into the character. We hadn't even discussed whether I'd do the picture . . . but I knew that nothing could stop me".
- GoofsWhen Danny enters the bar on St. Patrick's Day he is soaking wet. When he and Debbie go outside seconds later Danny is completely dry.
- Alternate versionsDespite the fact that India takes issues with sex, the film was never released in India during the '80s, but the film was given a 'U' (unrestricted) certificate for television showings only in the Chennai region in 2007. It is clearly unknown if it was cut or uncut.
- Soundtracks(She's the) Shape of Things to Come
Written and Performed by John Oates
Courtesy of Arista Records, Inc.
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- ¿Te acuerdas de anoche?
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $8,500,000 (estimated)
- Gross US & Canada
- $38,702,310
- Opening weekend US & Canada
- $3,152,469
- Jul 6, 1986
- Gross worldwide
- $38,702,310
- Runtime
- 1h 53m(113 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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