Les marais de l'enfer

"Nutriaman:The Copasaw Creature":who could resist watching the film with such glorious title?A giant mutated nutria is terrorizing Louisiana swamps killing various moonshine drinking yokels,trappers and poachers.The Copasaw bayou is seen through the eyes of the monster.Only the pair of scientists know the truth because they want to create some sort of supernutria for the fur industry.Of course their latest experiment goes wrong.The victims are killed by nutria.Nutriaman or the creature from Copasaw bayou is rarely shown.The acting is pretty good and two fat redneck brothers are fun to watch.An enjoyable monster flick.6 nutrias out of 10.

This movie was purchased for 69 cents at a thrift store and we got about 20 minutes into the movie before we agreed that it was a bad watch. That being said, the idea for the movie might be a neat story for a Hollywood remake at some point with someone like Rob Zombie at the helm who might appreciate this sort of camp. Here's the gist, a mutant rodent is out in the swamp killing people. However, a humorous audience will find plenty of 80' s fashion and facial hair to keep you interested for as long as that's your bag. the music is wacky and fun, the cinematography is at times a little "Evil Dead" and the characters keep you missing the Burt Reynolds look. Overall, pretty bad-and not even in a cool way.

This movie is really really borrrrring. I like crappy monster movies, but this one has nothing to offer. No gimmicks, no nudity, no gore, nada. Basically it's a lot of waiting for something to happen and when it does happen (for 2 seconds), you may blink and miss it. There's so little going on in this movie, I stopped listening to it 15 minutes it. The cover shows the only scene of gore in the movie (some ten minutes into it), and you might as well stop it right then, because the only time you ever see the monster (for like 1 second) it turns out to just be a gorilla suit. So if you want to see something campy, don't watch this. It just sucks and is really borring, and a good waste of explosions.

TERROR IN THE SWAMP was most likely greenlighted after the success of LEGEND OF BOGGY CREEK, which spawn a new genre and a slew of films that have to do, more or less, with Bigfoot or Sasquatch, or other such mysterious creatures from the cryptozoology field. Unlike BOGGY CREEK, which, in its amateurish way, really scared the bejesus out of me when I was a kid, TERROR IN THE SWAMP has absolutely no scary scene in it whatsoever. In fact, the Rednecks populating the landscape are more frightening than the poor bipedal hairy thing that lurks in the swamp.

Now, I don't know if this was meant as some sort of post-modern statement by the makers of this film (I doubt it) but if you call a movie TERROR IN THE SWAMP and sell it as a horror film of sorts but the human characters in it are more frightening than the actual monster advertised on the poster, well there's really something wrong here and I call it false advertising. As a fan of Bigfoot, I needed to see this film. But if you're not a Bigfoot completist, skip it. Your time is worth much more than seeing fat Rednecks arguing, drinking moonshine or blowing up mysterious creatures.

Folks in the Louisiana bayou have their hands full after some scientists inject a nutria (basically a swamp rat) with some human hormones which results in Nutriaman, a human sized nutria that likes to kill people. Insert your own "nutria-itious" joke. Somehow I can imagine exactly how this regional oddity came about. Two guys are fishing, one sees a nutria and says, "Dang! Can you imagine if that thing grew to be as big as us?" Tada! This could have been better than it is, but the filmmakers decide to hide the monster and skimp on the exploitation elements, putting it firmly in the company of stuff like DEATH CURSE OF TARTU. The film does a lot of shooting in the swamps but is cheap when we get to land (the sheriff always meets people in the local Ramada Inn dining room!?!). Amazingly, this took two director to make it - Martin Folse, who did nothing else, and Joe Catalanotto, who made something a year later deliciously titled FRENCH QUARTER UNDERCOVER. To the film's credit, it does contain my favorite billing of the year ("And introducing Michael Tedesco as T-Bob"). One also has to appreciate their pimping of the leading man, Billy Holiday, on the VHS cover in an attempt to fool jazz- loving horror fans.