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4.8/10
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In a post-apocalyptic America, She, a fierce warrior who leads a women's cult, teams up with two brothers searching for their kidnapped sister. They come across weird cults before standing a... Read allIn a post-apocalyptic America, She, a fierce warrior who leads a women's cult, teams up with two brothers searching for their kidnapped sister. They come across weird cults before standing against the odds to defeat the evil Norks.In a post-apocalyptic America, She, a fierce warrior who leads a women's cult, teams up with two brothers searching for their kidnapped sister. They come across weird cults before standing against the odds to defeat the evil Norks.
Maria Cumani Quasimodo
- Moona
- (as Maria Quasimodo)
David Kirk Traylor
- Xenon
- (as David Traylor)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Supposedly based on the same popular sci-fi novel by H. Rider Haggard which was made into a film in 1935 and 1965 (the latter starring Ursula Andress), but, according to those in the know, it has nothing to do with it (despite claiming otherwise). This is a batcrap crazy post-apocalyptic sci-fi starring Sandahl Bergman (Conan the Barbarian, Red Sonja, Hell Comes to Frogtown). I frequently joked during the movie that there was absolutely no plan as to where this movie was going. They were just making it up as they were going on. The actors would raid the costume and props departments and just come back with whatever weird stuff they could find. There's no other way to explain a giant, bearded man wearing a tutu and a gas mask. The (rather confusing) plot begins with two men (David Goss and Harrison Muller, Jr.) losing their sister to a group of crazy-looking men. They hear that the local goddess She (Bergman) knows where they're taking her, so they considerately kidnap her and make her lead them to their sister. Apparently each small settlement has their own god or goddess, a few of which we'll meet along the way. Accompanied by one of She's chief warriors (Quin Kessler), they make their way across the post-apocalyptic landscape and run into all sorts of zany tribes. One has a god named Godan who has telekinetic powers. The most memorable sequence in the film has an annoying Robin Williams impersonator named Xenon (David Traylor, who is a stand-up comedian who goes by the stage name David Zed) who, when you cut him into pieces, starfish-like, regenerates into multiple Xenons. Don't get me wrong, this movie is pretty terrible. But it plays out like a drug trip, and you'll definitely remember it. I'm really surprised I hadn't heard of it beforehand.
This is an hysterical romp, a mix of Conan and Mad Max, made with a lot of colorful, unfinished ideas, mixed up in a total mess, a bad movie that is fun to watch because you ever know what will come next. In this, it is a great Z-movie, almost fun as Plan 9 from outer space, but if you search for a serious sword and sorcery clone, stay away. For fun of B-movies only
I can sit through some pretty cheesy flicks, and I like Sandahl Bergman, but this movie is one of the most horrendous pieces of garbage I've ever been exposed to. I have apparently blocked most of the movie out of my mind, in order to save myself from ever having to remember the worst parts. But I do remember my reaction, which was, "Oh ... my ... gawd. I had no idea that anything could be so bad."
Ranks right down there on my "Avoid At Any Costs" movie list, alongside "Little Voice" and "Cattle Annie & Little Britches." Run, do not walk, far away from this film. In fact, run away screaming.
Ranks right down there on my "Avoid At Any Costs" movie list, alongside "Little Voice" and "Cattle Annie & Little Britches." Run, do not walk, far away from this film. In fact, run away screaming.
If Monty Python threw together a Road Warrior spoof after a 3 day binge using a paint sprayer weilded by a rhesus monkey as their key script writing tool...
Nah, not quite fair. As many other reviewers have said, this movie manages to be class A cheese. It manages to be sufficiently entertaining to not deserve shredding by Mystery Science Theater 3000 - one needs to hear the incredibly ridiculous dialog without interference!
There is a pretty reasonable supply of eye candy headed up by Sandahl Bergman and her trusty Amazon lieutenant, who also seem to be the only people with any fencing training. Most sword fights involving men are basically aimless waving of cheesy looking weapons.
But the true charm of this effort is the degree of "OMG how can they POSSIBLY top the sheer ludicrousness of THIS bad guy encounter with the next one?" The writers consistently fail to disappoint!
The ending did kind of tick me off - something is left unresolved in direct violation of a prediction from an oracle type near the beginning.
And the landscapes totally violate the Law of Post Apocalyptic Uninhibitable Desert - everything is either small cities or dense forest, a couple of decades after a mutation inducing nuclear holocaust!
Oh - Ms. Bergman's so-so acting in Schwarzenegger vehicles was orders of magnitude better than her sleepwalking through this role
But let such quibbles go. Acceptable outrageously awful mindless fun!
Nah, not quite fair. As many other reviewers have said, this movie manages to be class A cheese. It manages to be sufficiently entertaining to not deserve shredding by Mystery Science Theater 3000 - one needs to hear the incredibly ridiculous dialog without interference!
There is a pretty reasonable supply of eye candy headed up by Sandahl Bergman and her trusty Amazon lieutenant, who also seem to be the only people with any fencing training. Most sword fights involving men are basically aimless waving of cheesy looking weapons.
But the true charm of this effort is the degree of "OMG how can they POSSIBLY top the sheer ludicrousness of THIS bad guy encounter with the next one?" The writers consistently fail to disappoint!
The ending did kind of tick me off - something is left unresolved in direct violation of a prediction from an oracle type near the beginning.
And the landscapes totally violate the Law of Post Apocalyptic Uninhibitable Desert - everything is either small cities or dense forest, a couple of decades after a mutation inducing nuclear holocaust!
Oh - Ms. Bergman's so-so acting in Schwarzenegger vehicles was orders of magnitude better than her sleepwalking through this role
But let such quibbles go. Acceptable outrageously awful mindless fun!
The land of the unused wardrobe, misfits from Ork, Cheeks falling out of loin clothes, war of the pronouns, or what do we settle for after Conan. I really like Sandahl Bergman and wish she had a better agent to get her the parts she deserved. She was the only one who knew how to act in this movie. She could have started her own acting school with the actors from this movie.
Did you know
- TriviaSandahl Bergman insisted on using real swords,
- ConnectionsFeatured in De Kijk van Koolhoven: Post-apocalyptische film (2018)
- How long is She?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- She - Eine verrückte Reise in die Zukunft
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 46m(106 min)
- Aspect ratio
- 1.85 : 1
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