48 heures de plus

When I was little and saw the first 48 Hours, I thought Eddie Murphy looked pretty scrawny in that suit and that, upon seeing the sequel, he looked a lot more fashionable. Then I realized he was wearing the same suit throughout this movie (I guess he was in a lot better shape). Other than considering this film to be a fairly entertaining rehash of the first, I guess that's my review.

Although I must mention that if someone were to fire a Desert Eagle handgun as close to their face as Andrew Divoff does in the final act of this film, he would probably burn his cheek and deafen himself... but I guess that's just part of Walter Hill's bombastic direction.

Another 48 Hrs isn't a sequel to Walter Hill's 1982 movie "48 Hrs" it's a clone.

Following the theory that success is not to be tampered with, director Walter Hill has paired up convict Eddie Murphy with cop Nick Nolte and poured them in to story little change from the original.

Just like the first movie, Murphy is released from prison and must unwillingly help Nolte solve a crime in 48 Hrs. They happy ending of the first movie is long since gone, and the two don't like each other again. Presumably, so we can have the same bickering banter all movie before the out their differences aside and take down the bad guys as in the first movie. The score is reused from the first movie as is the song 'The Boys Are Back In Town'. As well as all that all the best scenes from the first movie are duplicated here.

To be fair the story has been updated a little bit, Nolte is no longer permanently hungover, his wife has left him and Murphy is out of prison permanently.

Crude, mindless, foul mouthed and violent. This film plods along grabbing every easy laugh along the way.

Not as good as the first one, but a more than watchable movie, staring Eddie Murphy wearing his "I'm only in this for the money" trademark grin.

I agree with most of the past commentators. This film is a half-sequel, half-remake. So many elements were simply copied from the original film. I'm sure the filmmakers considered this homage, but it comes off as a lack of ideas. And we won't even go into the monumental plot holes. Gigantic plot holes. Brobdingnagian plot holes. And while I hadn't previously noted the enormous amount of glass breaking, until reading the comments, yes, I'd have to say they made it more or less a motif of the film. Murphy and Nolte did reasonably well resurrecting their respective characters, and there were some truly funny moments, and truly snappy repartee. But it's not enough to save this one. If you liked the original film (and who didn't) you should probably see this one, just don't have high expectations for it.

Seven years on, a wearied Nolte, hair cropped and the lively sidekick, Murphy re team in this bigger action spectacle. While the original was more restrained, and did take a while to get to where it's going, this however surprisingly much more entertaining, as if the start is anything to go back. Apparently Nolte and Murphy, are in an avenging fire, as Gain's brother wants retribution, and we know Nolte, never losing his character, isn't gonna go down easy. Nolte enlist Murphy's help to catch this angry son of a bitch, and of course he's reluctant as first until Nolte tries blackmailing tactics on him. Murphy who is almost is free as a bird takes up with Nolte after assassination attempts are made on him. Now the angry and avenging return fire and this is where the fun of the movie lies. Even if not liking the original, which was more solid, atmospheric and hard edged, and of better quality, here's one you'll like more with racey punchy action, with an end, very much similar to the original, plus a shock turn involving one of Nolte's very own from the original, which I liked.

Another 48 HRS. is good for one reason and one reason only, Nick Nolte and Eddie Murphy's chemistry together. They work off each other perfectly. This film is not interested in telling a story, it is a mere stage for these two actors to showcase their talent. The film only works when these two are on -screen. When Murphy and Nolte are not on-screen, the film is rather boring. This can be credited to the fact that Nolte and Murphy are so fun to watch that you don't care at all about the rest of characters. Fortunately, Nolte and Murphy are on-screen more than 90% of the time.