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New York Stories

  • 1989
  • Tous publics
  • 2h 4m
IMDb RATING
6.4/10
21K
YOUR RATING
New York Stories (1989)
A collection of three cinematic short stories that comprise a true movie event. A middle-aged artist obsessed with his pretty young assistant, a precocious 12-year-old living in a hotel, and a neurotic lawyer with a possessive mother make up three Gotham tales.
Play trailer3:14
1 Video
99+ Photos
SatireComedyDramaRomance

A middle-aged artist obsessed with his pretty young assistant, a precocious 12-year-old living in a hotel, and a neurotic lawyer with a possessive mother make up three Gotham tales.A middle-aged artist obsessed with his pretty young assistant, a precocious 12-year-old living in a hotel, and a neurotic lawyer with a possessive mother make up three Gotham tales.A middle-aged artist obsessed with his pretty young assistant, a precocious 12-year-old living in a hotel, and a neurotic lawyer with a possessive mother make up three Gotham tales.

  • Directors
    • Woody Allen
    • Francis Ford Coppola
    • Martin Scorsese
  • Writers
    • Richard Price
    • Woody Allen
    • Francis Ford Coppola
  • Stars
    • Woody Allen
    • Nick Nolte
    • Rosanna Arquette
  • See production info at IMDbPro
  • IMDb RATING
    6.4/10
    21K
    YOUR RATING
    • Directors
      • Woody Allen
      • Francis Ford Coppola
      • Martin Scorsese
    • Writers
      • Richard Price
      • Woody Allen
      • Francis Ford Coppola
    • Stars
      • Woody Allen
      • Nick Nolte
      • Rosanna Arquette
    • 69User reviews
    • 46Critic reviews
  • See production info at IMDbPro
    • Awards
      • 1 win total

    Videos1

    Trailer
    Trailer 3:14
    Trailer

    Photos101

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    + 95
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    Top cast91

    Edit
    Woody Allen
    Woody Allen
    • Sheldon (segment "Oedipus Wrecks")
    Nick Nolte
    Nick Nolte
    • Lionel Dobie (segment "Life Lessons")
    Rosanna Arquette
    Rosanna Arquette
    • Paulette (segment "Life Lessons")
    Marvin Chatinover
    Marvin Chatinover
    • Psychiatrist (segment "Oedipus Wrecks")
    Mae Questel
    Mae Questel
    • Mother (segment "Oedipus Wrecks")
    Mia Farrow
    Mia Farrow
    • Lisa (segment "Oedipus Wrecks")
    Molly Regan
    • Sheldon's Secretary (segment "Oedipus Wrecks")
    Ira Wheeler
    • Mr. Bates (segment "Oedipus Wrecks")
    Joan Bud
    • Board Member (segment "Oedipus Wrecks")
    Jessie Keosian
    Jessie Keosian
    • Aunt Ceil (segment "Oedipus Wrecks")
    Michael Rizzo
    • Waiter (segment "Oedipus Wrecks")
    George Schindler
    • Shandu, The Magician (segment "Oedipus Wrecks")
    Bridgit Ryan
    • Rita (segment "Oedipus Wrecks")
    Larry David
    Larry David
    • Theater Manager (segment "Oedipus Wrecks")
    Paul Herman
    Paul Herman
    • Detective Flynn…
    Herschel Rosen
    • Store Clerk (segment "Oedipus Wrecks")
    Lola André
    • Citizen (segment "Oedipus Wrecks")
    Martin Rosenblatt
    • Citizen (segment "Oedipus Wrecks")
    • Directors
      • Woody Allen
      • Francis Ford Coppola
      • Martin Scorsese
    • Writers
      • Richard Price
      • Woody Allen
      • Francis Ford Coppola
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews69

    6.420.6K
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    Featured reviews

    jwpeel-1

    Loved it! Hated It! Loved It!

    "Life Lessons"

    Nick Nolte plays a Leroy Neimann-style artist living in a New York City Loft and he picks up Arquette promising her "life lessons" Basically, he uses her and spits her out, but there's more to it than just that. Scorcese is his usual brilliant self and Nolte is in a perfectly realized part. Brilliant, though apparently many people didn't think so because they probably can't handle Martin Scorcese's tough style.

    The Coppola segment.

    The less said about this, the better. I would rather have brain surgery without an anesthetic than see this again.

    "Oedipus Wrecks"

    The "funny" Woody Allen returns. This is as reminiscent of the best of Allen's "funny films" as it is of his beautifully constructed New Yorker short stories. Mae Questel (the senile grandmother in "National Lampoon's Christmas Vacation" and the voice of Betty Boop and Olive Oyl) is his overbearing Jewish mother and him and to tell you anymore about it would ruin the exquisite comic writing and pacing for you. Needless to say, it is a wonderful comic fantasy wrapped in a witty, almost Freudian comic treatise. In other words, vintage Woody!

    Thank God for video and DVD for you can bypass the painful parts like that rotten Coppola segment. I only wish I had that had that option when I saw this in its original theatrical run.

    And to think that Sofia went on to continue to annoy people on the Silver Screen. For me, her talent is clearly lost in translation.
    8Quinoa1984

    Could've been better, but still

    In New York Stories, three segments are shown back to back, and they are all engaging in their own ways however it's only 2/3 successful as a total motion picture. Martin Scorsese's Life Lessons is a good example of what caliber of work Scorsese had when he made those three student films in the 1960's. It is a film that has a lot of depth, but it is quite worth it for fans of the actors and those who could get interested in Richard Price's story.

    Coppola, director of THE GODFATHER and APOCALYPSE NOW makes Life Without Zoe here, a film that is 180 degrees out of whack from those two movies in that it tells the story of a little rich girl whose best friend is a doorman and revolves around a rich boy's birthday party. In a way, it almost could appeal to kids, but it's the wrong place to put in between a story of artists by Scorsese and a comedy of mother and son troubles by Allen.

    Which brings me to the last short film, Oedipus Wrecks, where Woody plays a character whose mother suddenly out of the blue disappears. This is a good showing of what Woody can do in comedy without having to have a picture length presentation (not that he makes many bad films by the way).

    So, New York Stories is worth checking out for Life Lessons and Oedipus Wrecks, and there could be an audience somewhere for Life Without Zoe, although the biggest flaw of the movie comes that neither one can connect at all outside of the fact that they all take place in New York and are made by New York directors- in short- fascinating and imperfect in some ways. B+
    6maitlandst

    Two out of three ain't bad

    **1/2 of****

    Three completely different short stories told by three of Hollywood's most influential and profilic directors in the most exciting and mythical city on earth. Seems like a shoe in doesn't it? Well almost. Looking forward as I did to the Woody Allen piece "Oedipus Wrecks" the wait was worth it, but still somewhat unsatisfying. This featurette would've been a welcome change of pace for Woody at the time given that he hadn't made a flat-out silly comedy for a while and he manages to make good use of every moment. He has a great cast,(Kavner, Questral are particular standouts) and a genuinely strange premise to work with and the results are a riot, dare I say one of Woody's best. So what's so unsatisfying? As good as "Oedipus Wrecks" is , it still suffers because it has to follow Coppolla's god awful and charmless "Life Without Zoe." Seriously I had absolutely no clue what the hell was going on in this obnoxious, cutesy-poo clinker. Can anyone help me understand why Coppola thought anyone would like this? Sitting through "Zoe" is so emotionally draining that by the time you get to "Oedipus" you're too annoyed and confused to fully enjoy it. As a result Scorsese's "Life Lessons" comes off the best of the three. Nolte and Arquette are flawless and the intensity and friction between them make for an engaging if not distressingly tense 35 minutes.
    6Daniel Karlsson

    Coppola segment drags down otherwise good movie

    Three 40 minutes short films by three of the greatest American directors; Scorsese, Coppola and Allen. I personally like Scorsese's introducing segment the most, Life Lesson. Even if I personally is not a fan of Nick Nolte, the movie has depth and it's just as good as you would expect from a director like Scorsese. Unlike many other directors, Scorsese manages to capture sexual attraction, in this case felt by the main character (Nolte). Freshly photographed and good ending that makes you recall upon your own life. Not a masterpiece but indeed great.

    Coppola's segment "Zoe" is a total disaster. It is beautifully filmed, but the acting and the story is far below good. Better fit for the children's hour on TV. I don't know if the story was supposed to be ironical, a satire of spoiled extremely rich kids on Manhattan, which could be the fact since there were some scenes where the young girl interacts with a homeless man. That could have been a good theme, if it was Coppola's intention, but no matter the case - it just don't work. It is silly and it doesn't feel satirical at all. Another idea is that it was supposed to be funny, a short comedy, however, neither does it work on that layer. It somewhat makes me lose my respect for the director.

    Woody Allen's part however is a pleasant refresher after Coppola's borer. Very funny, typical Allen, good acting from Allen's side and good music.

    Overall rating is a mere 6, dragged down by Coppola. Without his segment I would rate this movie an 8.
    Galina_movie_fan

    New York, New York

    The anthology that include three short films that take place in New York City was made by three great American directors, Martin Scorsese, Woody Allen, and Francis Ford Coppola.

    "Life Lessons" directed by Martin Scorsese, literally took my breath away - it made me want to rewatch all Scorsese's films (with the one exception, GONY, though). What a magnificent work - visually it is as powerful as the painting Nolte's Lionel was painting. Combining in one short film Procul Harum's "A whiter shade of pale" and Puccini's "Nessun Dorma" from "Turandot" was a stroke of genius. This film is an ode to the power of talent; it is about greatness and curse of the gift, not about love to the woman. The best scene of the film and I'd say one of the best ever made about the Artist's work is Nolte triumphantly painting his masterpiece - his love, desire, lust, cries, whispers, tears, and humiliations magically transform with every stroke of his brush into the immortal, triumphant, brilliant work of art. By the time the painting is finished, he would need a new source of inspiration and self-torture, and the cycle will repeat over again. Devilishly clever portrait of an Artist as Not a Young Man. 9.5/10

    I loved Woody Allen's "Oedipus Wrecks" and I think it is very funny and touching. Looks like Allen has met mothers or grandmothers like Mrs. Millstein in real life and his little gem is his love-hate letter to them. In the end, mom always knows what is best for her little boy. Mae Questel and Julie Kavner (Marge Simpson) were wonderful. Woody's face after his mom "disappears" and the scene when he practically makes love to the chicken drumstick are pure delight; also the commentary that New York is used to everything and readily accepts the crazy situation - it is so true. One of the best Allen's films I've seen lately - I am very glad that I finally saw it.

    Larry David ("Seinfeld", "Curb Your Enthusiasm") plays the Theater Manager. It made me think if Estelle Costanza created by David and Mrs. Millstein (Woody's omnipresent mother) have a lot in common in making the lives of their sons miserable and smothering them with their merciless love? 9/10

    Coppola's "Life Without Zoë" was much weaker than Scorsese's and Allan's stories and paled in comparison - this episode "from the lives of the reach and beautiful" was pretty and cute but you can skip it. 5/10

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The performance piece that Steve Buscemi delivers in the Martin Scorsese segment was conceived and written by the actor himself.
    • Quotes

      Lionel Dobie: [When Paulette sees Lionel appearing unexpectedly in Paulette's bedroom] I just wanted to kiss your foot. Sorry, nothing personal.

    • Crazy credits
      Coppola's segment introduces cast and crew members only by their first name during the opening titles.
    • Connections
      Featured in Siskel & Ebert & the Movies: Chances Are/Paperhouse/The 'Burbs/Bert Rigby, You're a Fool/High Hopes (1989)

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    FAQ20

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    Details

    Edit
    • Release date
      • May 17, 1989 (France)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Life Lessons
    • Filming locations
      • Acropolis, Athens, Greece
    • Production companies
      • Touchstone Pictures
      • Jack Rollins & Charles H. Joffe Productions
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $15,000,000 (estimated)
    • Gross US & Canada
      • $10,763,469
    • Opening weekend US & Canada
      • $432,337
      • Mar 5, 1989
    • Gross worldwide
      • $10,763,469
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 2h 4m(124 min)
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

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