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Daniel Karlsson's profile image

Daniel Karlsson

Joined Feb 2001
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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Ratings2.3K

Daniel Karlsson's rating
Le Géant de fer
8.17
Le Géant de fer
Déboires sans boire
6.26
Déboires sans boire
Les Minions
6.46
Les Minions
Snoop Dogg
7.15
Snoop Dogg
Sadhguru
7.26
Sadhguru
Andrew Huberman
6
Andrew Huberman
Stephen C. Meyer
6
Stephen C. Meyer
Jonathan Haidt
5
Jonathan Haidt
Vice-versa
8.17
Vice-versa
Dave Smith & Douglas Murray
6.85
Dave Smith & Douglas Murray
Jordan Peterson
6.65
Jordan Peterson
Neil deGrasse Tyson
6.86
Neil deGrasse Tyson
Elon Musk
8.58
Elon Musk
Francis Foster & Konstantin Kisin
6
Francis Foster & Konstantin Kisin
Le Vagabond de Tokyo
7.16
Le Vagabond de Tokyo
Entr'acte
7.35
Entr'acte
All Ladies Do It
5.24
All Ladies Do It
La montagne sacrée
7.74
La montagne sacrée
Pendez-les haut et court
7.07
Pendez-les haut et court
Glaset i örat
7.68
Glaset i örat
Mel Gibson
6.36
Mel Gibson
Le fleuve
7.47
Le fleuve
Wallace & Gromit: Un sacré pétrin !
7.67
Wallace & Gromit: Un sacré pétrin !
La Princesse et la Grenouille
7.27
La Princesse et la Grenouille
Quentin Tarantino
7.85
Quentin Tarantino

Reviews86

Daniel Karlsson's rating
Le quatrième homme

Le quatrième homme

7.3
8
  • Jul 19, 2019
  • Action-thrilled, well-made - must-see noir

    Very positively surprised; great and original script, very good acting especially by Payne, flawless dialog, good photo, action, romance and suspense, even morals...what more is to ask from a film?

    Payne's voice, expressions and lines seem an early copy of Clint Eastwood in the 1970s. I would be very surprised if Eastwood and potentially also the directors he worked with did not get inspired from Payne here, and potentially in other movies, as an ideal super tough but morally good person.

    Agree with other reviewers that the first half is the best - with impressive suspense, acting, and especially dialog - but it ends quite well too. Overall one of the best of the genre.
    La brique et le miroir

    La brique et le miroir

    7.6
    7
  • Apr 20, 2017
  • Important, powerful yet frustrating cornerstone of early Iranian cinema

    As the other reviews tend to the extreme (vote 1 and 10, respectively), I feel obliged to provide another take at this early Iranian film. My verdict is between those of the other commentators, and they both have valid points. The experience will also depend on your understanding of Iranian history and society.

    Actually the film is rather unique and difficult to judge. It appears amateurish at times, at other times it comes off as a true masterpiece, then there is the overly long and repetitive middle section with the baby which would benefit from cuts in the editing. Indeed the weakness is the overly long scenes and lack of focus. The plot centers on fear and responsibility, apparently influenced by political events of the time. Yet one of the topics would have been sufficient.

    Nevertheless I recommend this film (especially viewed in wide screen in the cinema) for any serious film enthusiast. There are some masterful and moving shots and scenes, not the least the outdoor scenes in Tehran and the scenes at the orphan clinic. For me, the best scenes are at the end, the hypocrisy revealed at the TV store and the ending when the main character leaves everything behind and takes to the road in the sunset.
    Le Dieu noir et le diable blond

    Le Dieu noir et le diable blond

    7.2
    4
  • Sep 1, 2015
  • Not worth watching

    I saw this film on the premise of that it according to critics is the "best Brazilian film of all times". Critics are way too generous to this young auteur influenced by Eisenstein and other masters, mixing genres and styles but only achieving an amateurish, confused, pretentious and quite tasteless work. It is messy, low-budget and is overall not worth watching despite a handful of nice shots and moments. In an accompanying interview to the film, the director Rocha, with Marxist rhetoric, blame European colonists for Latin America's economic problems and justifies the movie's content as "the aesthetics of hunger". To me, more than anything else, it shows the madness of religion and cults and how they attract people in desperation.
    See all reviews

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