Sliding in between the fall of old school kung fu and the enthusiasm for wire-work in the 90's In The Line of Duty (or In The Line of Duty 4 or a variety of other names) is one of the greatest of all kung fu actioners made outside of a traditional setting and one that marvellously bucks the trend for keeping action mostly to a few impressive set pieces rather than spreading it evenly throughout. Here the action comes thick and fast, and as directed and choreographed by Yuen Woo Ping it looks great on screen. Wirework and editing trickery is kept to a minimum and the only impediment to following all the action is its speed and virtuosity that ensures every second of each fight offers up excitement, blink and you're sure to miss a good move and powerful blow. Performances in the fight scenes are at a high from all involved, a young Donnie Yen unleashes a dazzling storm of leg fighting fury, Cynthia Khan melds agility and elegance with her talents in ass whuppery, even in a sad sack role Chor Yuen gets to show off some good moves. There's a fine array of baddies as well, the towering Michael Woods gets a ferocious roof top fight scene whilst John Salvitti excels in an alley confrontation. What plot there is concerns an immigrant (Chor Yuen) who gets accidentally involved with drug dealers and corruption when he is suspected of having a vital tape recording. Fortunately help is at hand from Cynthia Khan's Yeung Lai Ching and Donnie Yen playing the imaginatively named Donny. Further smarts in this line come from Michael Wong playing, yep, you guessed it, Michael Wong. Plot and characters simply aren't an issue in the film though, this is mindless stuff and the sort of film where the plot vanishes into the ether of memory as soon as the film is over but the fighting remains. Occasionally the film makes bizarre feeling forays into comedy, sentiment and police ethics, such interludes are somewhat jarring but never take too long and are approached with such a heart and commitment from the players that its hard to grudge them. There's little more to say since there isn't much to the film, but it is certainly a must see for fans of the genre. The only notable criticism I can make is that the fighting is generally too clean for the amount and force of the blows being exchanged. It means that the fights can go on for a decent quantity of time, allowing maximum showcase of the talents involved, but on the other hand it's somewhat unrealistic as all involved would have been more or less demolished by most of the show-downs. Still, this is only a minor caveat to a wondrously entertaining film. If you like martial arts action and haven't seen this film yet, do yourself a favour and find a copy. You can thank me later
