Calme blanc

This great suspense, thriller will have you gripping your seat in every scene. I'm serious. It is one of those that never lets its pace slow down. The realistic plot keeps you thinking, What if that happened to me?, also its not far fetched at all, every scene is acted and directed in a very realistic way, unlike other suspense films which like to stray from reality. The excellent acting, direction and the nail-biting music score keep you tangled up in the suspense filled story, you look past it's minor flaws. It is one of those movies you don't forget. Definitely a must see. Grab onto the arm-rest of your couch before you fall overboard, it's intense. ***1/2 out of ****

I've seen this several times over the years, and I must say this is a really good thriller. It always keeps me interested. Also, since I'm interested in the sea and ships, that's probably part of the reason why I like the movie so much.

A young Nicole Kidman plays Rae, the wife of John Ingram (Sam Neill), who are taking a sailing trip in the Pacific after losing their only son in an automobile accident. They are having fun sailing through the ocean when they come to a sinking schooner with a man paddling frantically towards their boat in a lifeboat. The man, Hughie Warriner (Billy Zane), turns out to be a crazed lunatic, and when John goes off to check the schooner, Hughie kidnaps his wife and his ship. They are in the fight of their life.

Nicole Kidman is both beautiful and talented. She doesn't say much in the movie, but her expressions and actions are well portrayed. Billy Zane is a convincing psychopath and Sam Neill is a good actor also. The cinematography is great and the scenery is really beautiful. The only real problem with the movie is the plot.

The movie's conflict could've easily been resolved had it not been for stupid mistakes. The script relies too heavily on these stupid mistakes. Nicole's character gets numerous chances to kill the psychopath, but she never takes them. And anyone in their right mind wouldn't leave their wife with a stranger to check out a strange ship. The characters' lack of common sense is really what keeps the story moving.

But, these plot holes can be forgiven. The acting is great, the direction is great, the cinematography is great. The script could've used more work, but that is forgivable. If you enjoy thrillers or are interested in the sea and ships, I suggest you check this movie out. You won't be disappointed.

Rating: 8/10

A terrific thriller set on the sea with three fine actors portraying characters of control, resurrection, and unbalance. Sam Neil portrays the fearless, in control naval captain. His abilities combined with the institution of marriage display a refine existence. Compare Neil's abilities with Billy Zane's self induced party boy image who survives by the primitive nature of man and you will see structure verses chaos. Zane's character is sexy and alluring therefore irresistible to sexual stimuli. Nicole Kidman is faced with recovering from the loss of her child; shown, in the start of the film, being thrown out of the front of a car windshield. There, in the dead calm of an open sea, she must resurrect her abilities of courage and strength. She faces off the unbalanced nature of Zane's character using her sexual allure as well but in a very different capacity. It is all about survival using the tools given to you and the tools you acquire. A brilliant thriller set in one location. Directed with sexual tension. ***

I really felt in suspense throughout Dead Calm. Sam Neill as the everyman and Nicole Kidman as his recovering wife were wholly believable as grieving parents taking a vacation to move past their tragedies. Billy Zane as the disturbed third wheel (see Titanic, Head Above Water) in the relationship was also very effective in his role. The suspense builds throughout and leads to a very memorable climax. Recommended, 7/10.

You've got three actors, two old boats, a big ocean, and ninety minutes to fill. So you better have your ducks in a row, otherwise the package is going to sink faster than the proverbial lead balloon. Fortunately, the folks in charge here know what to do, and the void turns into a real nail-biter. Darn near everything but the kitchen sink is thrown into the action, and I may have even seen that float by.

After a 100+ reviews, two comments might be helpful. Note that in the struggle to survive, Hughie's (Zane) main adversary is not the expected other male, John (Neill), Rae's husband. Instead, John spends his time trying to keep his head above water in that broken-down old schooner, a long way from the malevolent Hughie. No, it's up to the girl Rae (Kidman) to save the day any way she can, without the expected masculine help. Good thing, Hughie's got an eye for her "fine-boned head" and certain other features, otherwise she's a dead duck in the first five minutes. Thus, the real contest is a resourceful woman versus an unpredictable man that breaks with the long-established convention of combat "mano y mano". And this departure, I take, to be a reflection of a surging feminist movement then making its way into popular screenplays.

Another sign of the times is the anti-climax "add-on". In the old studio days, killing a guy once was usually enough. Then, after the bad guy was dispatched, the audience could relax and await a return to normalcy for the good guys. However, clever modern filmmakers found they could supply a surprise extra jolt by breaking with convention and bringing the menace back from the apparent dead. That way, the audience can never feel secure enough to relax, and suspense is kept on high right up to fade-out.

The price they pay, however, is moving from a semblance of reality into the realm of cartoon violence. Here, Rae hits Hughie with everything but a laser blast. So how does Hughie, who appears to be a mere mortal like the rest of us, survive to provide that extra jolt. As you might guess, only by departing from reality as the rest of us know it. Thus, the structure of the screenplay migrates from "what could happen" into "what happens only in the movies". And, for me, at least, I'm reminded that this is, after all, only make-believe. Nonetheless, the movie really does accomplish a whole lot with a surprisingly very little.