Bangkok Hilton

I have just had the luck to see this TV mini again recently. The second viewing just reinforced my impressions from my first viewing a few years ago.

This is Nicole Kidman playing an extraordinary rôle in a great film, before she became another one for the Hollywood heap. Since this film, I have only ever seen her in two better rôles: "The Portrait of a Lady" (qv) and Robert Daldry's astounding masterpiece "The Hours" (qv).

A two-part mini of 90 minutes each, I had to watch the whole three hours in one go: but was not at all tired on either experience. "Bangkok Hilton" does not mess about with unnecessary details, but gets you right into the story from the beginning, especially in the second half which includes those tremendous prison scenes in Thailand's capital, from whence logically the film's title.

Yes, one of Nicole Kidman's earlier works, but one in which you know she was on the road to great things. A few stupidities got in the way - like "Moulin Rouge!" (qv) - but even so, one can now see where she did her spade-work, and "Bangkok Hilton" is one of the best examples.

Granted, the first 20 minutes are somewhat boring, but from there, the film just takes off! A brilliant story (and the basis of films like Breakdown Palace) sets this off from the beginning to the very end.

Nicole Kidman's performance and transformation from a quiet, shy country girl into a tough, cunning prisoner is incredible and so well-done.

Bravo to the actors, producers, directors, to EVERYONE involved in BANGKOK HILTON! Well worth a watch for everybody who likes drama, action, thrillers, romance and for everybody who doesn't!

When I first saw the series, I was 15 years old. Ever since I saw it, the first thing that came to mind whenever I heard the name Nicole Kidman was this series. And it was also something that tended to come up at the dinnertable when we were going back discussing television-shows.

Now, some 17 years later I accidentally stumbled upon the DVD and I was rather reserved about the thought of seeing it again because what else but disappointment was there to gain from seeing something which held a good memory but was surely going to be completely outdated.

Imagine my surprise that although it was rather dated, it had actually aged so well. Another surprise was finding no one less than Hugo Weaving playing a major role in it. An actor I had grown to love ever since I saw him in 'The Interview' and the later classics such as LOTR and the Matrix.

Bangkok Hilton has survived the test of time basically because of the really great acting performances, script, story and ambiance. And apparently this was all that it needed to remain the classic that it has become. And by no means the cinematography, which wouldn't stand a chance against even the average soap opera we see today.

When you compare the story and the screenplay to modern similar tales such as the prison-series OZ, you will find that it is really hopeless out of date. The hell-hole of a jail in which Kidman is kept, is like a Disneyride compared to what the men in Emerald City had to endure in OZ. You will find no 'spooning' practices in Bangkok Hilton if you know what I mean.

Perhaps this is what makes this mini series so great, that it's the story that keeps you on the edge of your seat rather than a form of (graphic) violence which seems to be todays primary ingredient for a success film-wise. Just see Labirinto Del Fauno if you want to check my point. That was a so called 'message movie' with really no message at all but in stead featured a been there done that war-drama and cardboard characters. Nonetheless, that movie was hailed by the public and professional movie critics when all it had to offer was a vapid contrast between fable and really graphic violence replacing what used to be a tale between good and evil and its 'grey zone'.

Bangkok Hilton confirmed what I suspected all along, namely that cinema (although achieving greater technical marvels day by day) is becoming increasingly more banal and formula driven, even in the successful, so called 'art house films'.

I'm sorry for letting this review turn out to be such a rant. Thanks for reading and see Bankok Hilton whenever you get a chance.

cheers!

When I first have seen these Tv-series in Russia, I didn't have an opportunity to see it from the beginning, but I was surprised. It's the best TV-film I have ever seen, and it's Kidman's best performance. KEN Cameron did a great job. So does Grame Revell's fantastic, brilliant score. It grips you so much, you are nervous, it's so WONDERFULLY and realstically acted and directed, you even forget that you're in front of your TV set. By the way, the scenes of Nicole Kidman's redemption were borrowed later by Frank Darabont in his adaptation of Stephen King's "Rita Hayworth and Shawshank Redemption". It's such a pity that this movie was not taken too seriously and it passed by too quickly, and at the same time we have ridiculous bad acted features like Titanic. By the way, I managed to buy a video with these series, and I'm so HAPPY!

It must be the ultimate horror for any backpacker / long distance traveller: you get jailed in a foreign country whose language you do not speak and where you can expect "a fair trial plus a fine hanging", even as an innocent party.

The plot may be somewhat too well constructed. Normally, parents and friends would protest against the arrest of an innocent tourist, especially if the tourist never never had anything to do with drugs.

You bet I look particularly well after my luggage in such countries!

Meanwhile a similar case has taken place in Indonesia: the Australian tourist Schapelle Corby was sentenced to 20 years in jail for drug possession. The scenario was very similar: the defendant insists the drugs were planted, the case is not too solid, but enough for a conviction.