Common Threads: Stories from the Quilt
- 1989
- 1h 19m
IMDb RATING
8.1/10
1.2K
YOUR RATING
A collection of profiles of people dead from AIDS who are remembered in the AIDS Memorial Quilt.A collection of profiles of people dead from AIDS who are remembered in the AIDS Memorial Quilt.A collection of profiles of people dead from AIDS who are remembered in the AIDS Memorial Quilt.
- Directors
- Writers
- Stars
- Won 1 Oscar
- 5 wins total
Gregg Baker
- Self - News Reporter
- (archive footage)
Gary Bauer
- Self - Policy Advisor to the President
- (archive footage)
Robert Bazell
- Self - News Reporter
- (archive footage)
Kevin Boyle
- Self - News Reporter
- (archive footage)
Edward Brandt
- Self - Assistant Secretary for Health
- (archive footage)
Tom Brokaw
- Self - News Reporter
- (archive footage)
Bobbi Campbell
- Self
- (archive footage)
David C. Campbell
- Self
- (archive footage)
Marcus A. Conant
- Self
- (archive footage)
- (as Marcus A. Conant M.D.)
James Curran
- Self - Center for Disease Control
- (archive footage)
- (as James Curran M.D.)
Bolton Eckert
- Self - News Reporter
- (archive footage)
- (as Barton Eckert)
Jerry Falwell
- Self - Moral Majority Leader
- (archive footage)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
10TrevorJD
On the 20th Anniversary of World AIDS Day I sat down and watched this profoundly moving documentary that packs as much of an emotional wallop now as it did when I first saw it back in the very early 90's I cried my eyes out. It was a time when many of my friends and acquaintances were suffering and dying from AIDS and many others were living with HIV. A time before combination therapy and drugs - for those who are able to access and afford them - helped prolong the lives of people living with HIV. The 'storytellers' are everyday people whose lovers, friends or family died of AIDS and who found an outlet to remember them and deal with their grief through the Quilt project. Their stories are inspirational, and the film beautifully constructed. Highly Recommended.
This documentary accomplishes what most films sent out to do; move and transform audience members. What we have here is a remarkable movie which managed to change the way people viewed the AIDS crisis.
The success of the film's impact lies in its structural simplicity; we hear from the survivors of AIDS victims in ways which humanize their suffering.
Much has been written about the haunting musical score.
I had one slight problem with the film; its Amnerican-centric message. I wish the filmmakers would have paid more attention to the subject matter by giving us more of a world-view. This would have increased the film's credibility.
However, this is a quibble. What we have here is a motion picture which gives lasting testament to the personal courage exhibited by both victims and survivors.
The success of the film's impact lies in its structural simplicity; we hear from the survivors of AIDS victims in ways which humanize their suffering.
Much has been written about the haunting musical score.
I had one slight problem with the film; its Amnerican-centric message. I wish the filmmakers would have paid more attention to the subject matter by giving us more of a world-view. This would have increased the film's credibility.
However, this is a quibble. What we have here is a motion picture which gives lasting testament to the personal courage exhibited by both victims and survivors.
Every life has a story. Here are a few of the stories of people who died from AIDS, told by their survivors.
More than three quarter of a million Americans have died from AIDS since we began to notice it, about forty years ago. Worldwide, the figure seems to be a bit more than 40 million. Do a little math, and we as a nation look lucky. Human lives are not measured statistically, and people do not die by nations, but individually. Try to speak of the enormity of something, saying eighty million people have died from AIDS, or 6.9 million from COVID-19 or what have you and the horror and sadness gets lost in the the crowd. But one by one, with those they leave behind to assess the values of those lives. "My son died"; "My lover died"; "My friend Jim died": these are the words that make me weep. That's why this movie is so effective.
More than three quarter of a million Americans have died from AIDS since we began to notice it, about forty years ago. Worldwide, the figure seems to be a bit more than 40 million. Do a little math, and we as a nation look lucky. Human lives are not measured statistically, and people do not die by nations, but individually. Try to speak of the enormity of something, saying eighty million people have died from AIDS, or 6.9 million from COVID-19 or what have you and the horror and sadness gets lost in the the crowd. But one by one, with those they leave behind to assess the values of those lives. "My son died"; "My lover died"; "My friend Jim died": these are the words that make me weep. That's why this movie is so effective.
I was on staff at the Names Project during the making of this film and am honored to have been so. This film won the 1989 Academy Award for Feature Documentary. As has been stated by others, this is not an easy film to see, but I would encourage anyone who wants a greater understanding of the devastating impact of AIDS to view it. To have worked in the Names Project workshop and seen firsthand the care and love poured into each panel of the quilt was both a privilege and, ultimately, a devastating experience. Some of the people I worked with there are now gone - died of AIDS themselves - and I still think of them and miss them. See this film.
As for the comment about a world view, the film does mention some worldwide statistics. However, one of the main points of the film is that the United States government was abysmally slow in its response to the AIDS epidemic - so there is a reason for the focus on the U.S.
As for the comment about a world view, the film does mention some worldwide statistics. However, one of the main points of the film is that the United States government was abysmally slow in its response to the AIDS epidemic - so there is a reason for the focus on the U.S.
I was actually looking for something else today when I came across this. I remember seeing this several years ago & still recall it clearly. I've never been a big bobby McFerrin fan, but the theme music that he came up with is deeply human and touching. It accents the somber tone of the presentation extremely well. I remember sitting there struck silent by the magnitude of human suffering expressed in the form of those quilts. If more filmmakers had the kind of heart those two have, the world would be a better place for all of us. Gay and Straight alike.
Did you know
- TriviaThe documentary was the first project of Dolly Parton and Sandy Gallin's Sandollar Productions not to feature Parton (having previously produced her A Smoky Mountain Christmas (1986) and Dolly (1987)). Subsequent projects from their company included Steve Martin's Le père de la mariée (1991), Le père de la mariée II (1995), and Father of the Bride Part 3 (ish) (2020) trilogy, Une lueur dans la nuit (1992), Sabrina (1995), L'amour en équation (1994), and Buffy, tueuse de vampires (1992).
- Quotes
Narrator: It took Rock Hudson's death to capture America's attention. By that time, AIDS had already killed 15 thousand of other Americans. Rock Hudson is the most famous name in the giant quilt, a memorial to ten thousand names of men, women and children who came along very different roads to the same fate.
- ConnectionsFeatured in 62nd Annual Academy Awards (1990)
- SoundtracksCommon Threads
Written and Performed by Bobby McFerrin
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- Общие темы: Истории с квилта
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By what name was Common Threads: Stories from the Quilt (1989) officially released in Canada in English?
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