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The film has garnered mixed reviews, often criticized for its implausible plot and certain technical inconsistencies, yet it stands out as a highly engaging piece of romantic spy entertainment.

One of the most notable aspects of the film is its evocation of 1940s cinema aesthetics. The cinematography and production design meticulously recreate the era, capturing the dramatic flair and stylistic nuances of wartime Europe. The attention to detail in the set design, costumes, and props immerses the audience in the period, providing a visually compelling backdrop to the narrative.

The performances are another highlight. Melanie Griffith, despite some criticism of her German accent, delivers a charming and earnest portrayal of Linda Voss. Her character's transformation from a secretary to an undercover spy in Nazi Germany is rendered with a blend of vulnerability and determination that anchors the emotional core of the film. Michael Douglas, playing the American spy Ed Leland, brings a credible chemistry with Griffith, adding depth to their romantic storyline. Liam Neeson stands out with a dignified and charismatic performance as a complex Nazi officer, balancing sensitivity and ruthlessness. Sir John Gielgud, as always, commands the screen with his presence, adding a layer of gravitas to the scenes he inhabits.

From a technical perspective, the film's pacing and direction often hark back to the old-fashioned thrillers of the 1930s and 1940s. While some plot elements may stretch credibility-such as the notion of sending an untrained secretary on a critical espionage mission-the film compensates with its suspenseful and engaging narrative. The tension is maintained through well-executed action sequences and moments of dramatic peril that keep the viewer invested.

The music and score complement the film's tone, enhancing the emotional beats and the suspenseful undercurrents. The sound design and editing are competently handled, contributing to the film's overall immersive experience.

Despite its flaws, "Shining Through" remains a captivating watch, especially for those who appreciate wartime romances. The film's blend of espionage, romance, and historical drama offers a nostalgic return to a bygone cinematic style, making it a worthwhile experience for fans of the genre. While it may not achieve classic status, it is an entertaining film that succeeds in its primary aim: to tell a gripping and heartfelt story set against the tumultuous backdrop of World War II.

This has to be the best film ever to "win" a Razzie for Worst Picture of the Year. It may be flawed but it remains a good old-fashioned piece of romantic spy entertainment with many great sequences and impressive work by all departments of the production.

Shining Through has everything one could ask for in a movie -- big stars, great acting, suspense, drama, and a fine score. But first and foremost, Shining Through is all about Melanie Griffith, the only real female mega-star of our time (sorry, Julia). This is one of Melanie's meatiest roles and she is at her absolute peak of physical beauty. I'll admit she may not be the greatest actress to grace the silver screen but she does a wonderful job here and I am certain that this performance will win over many of her detractors. Although the secretary-from-Queens-becomes-international-WWII-spy premise might strain credibility a bit, once you get into it you can sit back and enjoy the ride.

Michael Douglas is superb, as always. I was also blown away by Joely Richardson as Margrete and wish that her relationship with our Melanie could have been developed further. Would love to see more of her! Liam Neeson seemed a little too wimpy for a high-ranking German Officer but, what the hell, it's only a movie. Ludwig Haas's portrayal of Adolf Hitler marked the crowning achievement in his long and distinguished career -- a far sight better than his appearance in Zärtliche Chaoten.

Bottom line from Claudia: A real movie-lover's movie.

I love this film! I know it is widely panned by critics and movie-goers alike, but I love it. Sure, it has implausible elements in the story, but the relationship between Ed Leland (played stoically by Michael Douglas) and his lady love, Linda Voss (played seductively by Melanie Griffith) is thrilling. Joely Richardson plays a complicated character who provides some interesting plot points. Melanie, who isn't known for subtlety, gives a rich and layered performance, especially in the development of the romantic storyline. Michael Douglas is a bit over the top, playing the stolid soldier and unlikely spy to the hilt. Liam Neeson is amazingly handsome and charismatic -- despite playing for the other side as a top Nazi officer. It's a fun recreation of the 1940s romance-war-spy dramas -- exciting and definitely romantic. Romance is the focus of this drama, not the spy plot. Watch the relationships unfold and it won't disappoint. It's worth a second look by many. Give it another try!

I loved this movie. I saw it for the first time when I was 21, and I've watched it several times a year ever since. Melanie Griffith gives one of the best performances of her career, and Michael Douglas is, of course, wonderful. Although this movie is presented as a action/drama set in WWII, the romantic story is what makes this movie so powerful. Griffith and Douglas have great, believable chemistry. The set decoration and cinematography are a throwback to the old 40's movies, which is ironic because those movies are mentioned throughout the film (Griffith's character is a huge fan of war movies that were shown at that time.) If you like great romantic stories with just enough action thrown in, watch this one. You will not be disappointed.