Sticky Fingers

STICKY FINGERS is a slight "caper comedy" with a twist: It was directed by a w woman (Catlin Adams), who co-wrote the film with Melanie Mayron, who co-stars in the film with Helen Slater. Mayron and Slater play a couple of hipster doofus women named Leila and Harriet but who go by hipper Lolly and Hattie. They are classical musicians trying to make it in New York but end up playing in the park for spare change. A friend asks them to stow a bag while she goes out of town, and the gals are shocked to find it contains $900,00. After their apartment is robbed and their violin and cello are taken, they "dip" into the bag to buy new instruments (they have an audition coming up). The exhilaration they feel when plunking down more than $90,000 for new instruments goes to their heads and they can't resist going on a massive shopping spree. Of course the money belongs to the mob and strange men start following them around town.

Certainly not a classic, but this is a fine little comedy with some great moments. Thugs and cops aside, the cast is made up of mostly women. Eileen Brennan plays the cranky landlady and Carol Kane is her nutty sister. Loretta Devine plays the money woman, Danitra Vance plays their street-wsie friend, Shirley Stoler plays a neighbor, and Gwen Welles plays a weird stalker who follows Mayron and her boyfriend (Christopher Guest) around the city. Contemporary reviews were really snarky and dismissive and really missed the comic energy Mayron and Slater bring to this romp.

Mayron had reinvented herself by losing weight and that frizzy hairdo she sported in films like HARRY AND TONTO and GIRLFRIENDS. She had landed on the hit TV series THIRTYSOMETHING (and won an Emmy) but she retained that wry sense of always being the outsider but accepting that fact.

Worth a look if you can find it.

I gave this film a 2 mostly because it does actually have an ok cast but the film itself is just so (insert unusually rude word beginning with the sixth letter of the alphabet)-ing pointless that I felt bad that at the time I voted for it its lowest vote was a three.

Very predictable plot....two nare-do-well musicians have no money and plenty of money problems. However when a friend leaves a bag full of money (that belongs to drug dealers) in their care they of course spend it and then the "fun" begins.

Not an original idea in this whole film.

If this movie was Spielberg would have had more. Since these strontium on the assumption that a film must be beautiful to be directed by big names like Spielberg, Lucas, Jackson, Cameron. .. All these assessments are wrong you understand the level of bad opinion of this site. Only films for intellectuals can be saved. This film was produced with many dollars and the optimal use of special effects make the place as among the best science fiction film Americans. Finitela of using double standards when judged as a movie, try to be objective because they give 3.8 a film of its kind and reward a crap how terrible sin city with 8.2 is really a 'offense. Vote 8.0

I don't understand why this movie was made. There was a good idea there. Two down and out female musicians end up with $900,000 in drug money accidentally. They go on a shopping spree but plan to pay it all back. When it comes time to return the money, they can't pay it back, and the stories turn into a chase, where the bag becomes lost numerous times. It was awful.

I reached a point where one of the characters was running across the street and almost got hit by two cars. I wanted her to get hit by the cars. There was a sub-plot with some other lady in the apartment complex and a parking lot attendant that did not make any sense.

Another point. I strongly hate movies that blatantly explain where the title comes from. The drug dealer states to the two females about her bag of money, "And keep your sticky fingers out of it!" I recommend WHAT'S UP DOC? a better film about bags that get lost.

"Sticky Fingers" stars Helen "Supergirl" Slater and Melanie "thirtysomething" Mayron as a couple of quirky but poor New York City street musicians who come upon a satchel filled with ill-gotten money.

Slater, who is stunningly pretty, also shows a surprisingly deft comic ability. And Mayron, an often dull actress, holds her own well in a film she co-wrote.

The supporting cast is also made up of beautiful comediennes, including the always adorably funny Carol Kane and the late Danitra Vance, the first black female "Saturday Night Live" cast member, who lost her life to breast cancer in 1994. I still swoon at her smile.

Late character actress Eileen Brennan also stands out as the leads' impatient landlord.

Though the movie was written and directed by women, co-writer/director Caitlin Adams is no Susan Seidelman or Joan Micklin Silver. Her director's hand is unsure. She allows what should be a humorous take on female empowerment to be undone by protagonists who are classic screwball-comedy bubbleheads, and a plot that devolves into a standard caper film.

But I love it for its '80s style, its funny leads and supporting cast (I'd watch Carol Kane read the phone book), and the funky way it captures my beloved New York City, in a similar to, but somewhat lesser way than Seidelman's "Desperately Seeking Susan" did.

But see, I've always found "Desperately Seeking Susan" a bit of a bore. "Sticky Fingers" is flawed, to be sure. But it's enjoyable enough to watch all the way through.

For me, more than once.