Supergirl
- 1984
- Tous publics
- 2h 4m
IMDb RATING
4.4/10
26K
YOUR RATING
After losing a powerful orb, Kara Zor-El, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch.After losing a powerful orb, Kara Zor-El, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch.After losing a powerful orb, Kara Zor-El, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch.
- Awards
- 3 nominations total
Lynsey Beauchamp
- Ali
- (as Linsey Beauchamp)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I feel this movie was really given a bad first impression. I personally love the movie,I have always liked it and still continue to watch it. I recently bought the re-release that has the extra scenes. I am a fan of the Superman series and I feel if the creators of the Superman movie ( which I feel are the same people) had given Supergirl a better release date it would of had been a box office smash. I know there are certain scenes that could of had been fine tuned, but overall it is a great movie, I know people say Faye Dunnaway was overacting(melodramatic) I still think that she did great, after all she was a witch. I was though a little stunned with the coloring of the movie, yes it was back in 1984 however you still see movies that had great clear coloring.I wish the people who edited the movie had kept all the scenes in , because I feel it would of made a huge difference!
I first saw this movie when i was still a kid, and I enjoyed it then, as would all other children. I have seen it again, and cannot in all honesty understand why it failed. Helen Slater played the role of Supergirl perfectly, and had a strong supporting cast. Perhaps it was not the right time for it, because the macho-male action hero sterotype was still very much prevalent in the 80's. Chances are that movies like G.I. Jane and Alien would also have flopped at the box-office if they was released in the early 80's.
Supergirl was and still is a great film for people of all ages, despite what the critics may have said.
Supergirl was and still is a great film for people of all ages, despite what the critics may have said.
Apart from the witchcraft, I LOVE this movie!
This was the first time I ever saw Helen Slater, and rightaway I knew she was the most beautiful lady in the world! (Sorry ladies!)
I think there are some classic lines that have been overlooked: I remember when the Tractor went wild in Midvale, and Linda/Supergirl was searching for a place to change into her costume, she spied the Ladies' Room, and dashed toward it at super-speed, plowing into a woman who was just coming out. Linda apologized, "Sorry, I'm in a rush!" and shot inside. The woman looked wry. "I know what you mean!"
Perhaps Zaltar (Peter O'Toole) wasn't as important as he could have been. Although I thought Faye Dunaway was perfect as Selena (a little type-casting courtesy of Mommie Dearest), I prefer to wonder what would have happened if Zaltar had been just a little more complex (he's an artist, after all!) and a little more selfish, and actually followed through with his plans to see Outer Space with the assistance of the Omegahedron.
Then he might have been the villain of the piece, and the most dangerous kind of villain: the villain an audience can sympathize with. Then the audience would have been torn between wanting Zaltar to succeed, and wanting Kara/Supergirl to stop him before the loss of the Omegahedron destroys Argo City.
Oh! And I would've liked to see how Argo City was torn away more or less whole from Krypton as the planet detonated, and wound up in Inner Space, trapped in a warp that only Kal-El's little spaceship was equipped to navigate and exit.
I don't think it's over for Supergirl, her story could be REtold (a la Batman), but I'd only be interested in a remake if the filmmakers would remain true to the style of THIS movie (Supergirl (1984), rather than opting for a trendy, dark, angst-ridden "hero" (I use the term loosely) in a demented action "adventure". I miss the bright, cheerful style of the old Superman comics, from the 50's, 60's and 70's, and I'd love to see that back on the big screen, like Superman The Movie and Superman II, and . . . naturally, Supergirl - The First Adventure.
This is a beautiful, dream-like jewel of a movie, a real Pink Panther (I refer, of course, to the diamond).
That breath-taking, emotional moment as Supergirl arrives on Earth, and discovers her powers and her new environment, in my humble opinion, is unmatched in all the Super-movies.
Jerry Goldsmith's score, especially the Supergirl March and the Love Theme are stirring and moving respectively, and easily equal to John Williams' contributions to the Superman movies. I have Jerry's score on CD (thanks to Silva Screen Records) and the Supergirl Main Theme is my Favorite Movie Theme of all time.
(Superman was and is my hero, Superman II (1980) was THE defining movie of my youth, and I can probably sing you the entire score to Superman III, but I love the Supergirl themes more.)
And if a widescreen, remastered version of this movie ever becomes available "Down Under" , I want to see it!
This was the first time I ever saw Helen Slater, and rightaway I knew she was the most beautiful lady in the world! (Sorry ladies!)
I think there are some classic lines that have been overlooked: I remember when the Tractor went wild in Midvale, and Linda/Supergirl was searching for a place to change into her costume, she spied the Ladies' Room, and dashed toward it at super-speed, plowing into a woman who was just coming out. Linda apologized, "Sorry, I'm in a rush!" and shot inside. The woman looked wry. "I know what you mean!"
Perhaps Zaltar (Peter O'Toole) wasn't as important as he could have been. Although I thought Faye Dunaway was perfect as Selena (a little type-casting courtesy of Mommie Dearest), I prefer to wonder what would have happened if Zaltar had been just a little more complex (he's an artist, after all!) and a little more selfish, and actually followed through with his plans to see Outer Space with the assistance of the Omegahedron.
Then he might have been the villain of the piece, and the most dangerous kind of villain: the villain an audience can sympathize with. Then the audience would have been torn between wanting Zaltar to succeed, and wanting Kara/Supergirl to stop him before the loss of the Omegahedron destroys Argo City.
Oh! And I would've liked to see how Argo City was torn away more or less whole from Krypton as the planet detonated, and wound up in Inner Space, trapped in a warp that only Kal-El's little spaceship was equipped to navigate and exit.
I don't think it's over for Supergirl, her story could be REtold (a la Batman), but I'd only be interested in a remake if the filmmakers would remain true to the style of THIS movie (Supergirl (1984), rather than opting for a trendy, dark, angst-ridden "hero" (I use the term loosely) in a demented action "adventure". I miss the bright, cheerful style of the old Superman comics, from the 50's, 60's and 70's, and I'd love to see that back on the big screen, like Superman The Movie and Superman II, and . . . naturally, Supergirl - The First Adventure.
This is a beautiful, dream-like jewel of a movie, a real Pink Panther (I refer, of course, to the diamond).
That breath-taking, emotional moment as Supergirl arrives on Earth, and discovers her powers and her new environment, in my humble opinion, is unmatched in all the Super-movies.
Jerry Goldsmith's score, especially the Supergirl March and the Love Theme are stirring and moving respectively, and easily equal to John Williams' contributions to the Superman movies. I have Jerry's score on CD (thanks to Silva Screen Records) and the Supergirl Main Theme is my Favorite Movie Theme of all time.
(Superman was and is my hero, Superman II (1980) was THE defining movie of my youth, and I can probably sing you the entire score to Superman III, but I love the Supergirl themes more.)
And if a widescreen, remastered version of this movie ever becomes available "Down Under" , I want to see it!
It could be because I was six the first time I saw it and had a crush on the girl that played supergirl for a long time thereafter, but I enjoy the movie. The special effects are horribly dated compared to what we have become use to in movies, and the acting is not much better. Unless you really like the superman movies, or are under the age of six, the movie would probably be utterly boring. The only good thing that I can say about the movie is that I like it, but I don't know why.
I am surprised at the high percentage of very low votes for this movie, SUPERGIRL. While it is by no means a great movie, it IS a good film which makes a comic book story come to life. Helen Slater was only 19 when she played Supergirl and it is hard to imagine a better choice. She is pretty and innocent, but has a fine figure and very athletic legs, very believable as Superman's cousin, come to Earth to return the omegahedron to her society, while Superman is on self-imposed exile. For a 1984 film the production values are very high, not one wire is shown in the scenes where Supergirl flies, unlike Superman IV which is very poor in comparison. And, except for the drawn-out ending, is paced very nicely. I have the director's cut, which is 2 hours and 13 minutes of film, and another 5 or 6 minutes of credits.
Faye Dunnaway is also excellent as the archrival, evil sorceress. To me that is the best type of role for her. The DVD has a remarkably good video transfer and is an altogther fun movie, for fans of the Super series of comic book characters.
And, at 1:45 into the film, several newly-introduced Honda Sabre motorcycles were escorting Dunnaway's car.
Faye Dunnaway is also excellent as the archrival, evil sorceress. To me that is the best type of role for her. The DVD has a remarkably good video transfer and is an altogther fun movie, for fans of the Super series of comic book characters.
And, at 1:45 into the film, several newly-introduced Honda Sabre motorcycles were escorting Dunnaway's car.
Did you know
- Trivia(at around 35 mins) Christopher Reeve bowed out just before filming began. He was slated to make a cameo as Superman, but was unavailable. The film still features a picture of Reeve in costume in a brief cameo.
- Goofs(at around 58 mins) During the "monster tractor" sequence, a boom operator is visible in the wrecked bar's mirror.
- Crazy creditsIn the beginning credits real silver is flashed at you.
- Alternate versionsIn the US advanced screening version, there was more dialog between Selena and Supergirl. Selena tells Supergirl she will make her name known all over the world, and that she herself, should fear. Supergirl replies to this, saying she will only bow to truth and justice, and Selena shows some black magic.
- ConnectionsEdited into The Flash (2023)
Details
Box office
- Budget
- $35,000,000 (estimated)
- Gross US & Canada
- $14,296,438
- Opening weekend US & Canada
- $5,738,249
- Nov 25, 1984
- Gross worldwide
- $14,296,438
- Runtime
- 2h 4m(124 min)
- Aspect ratio
- 2.35 : 1
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