Comme un cheval fou

Molly Ringwald, softer and more contemplative than in her John Hughes/high school comedies, plays a shady girl from the wrong side of the tracks who meets and has an affair with preppy Cincinnati college kid Andrew McCarthy; the fact his rich friends disapprove and she has such a questionable background may prevent things from going further. Not a terrible movie, but filled with self-defeating clichés and occasionally overwrought dialogue. Ringwald struggles a bit with her redneck accent, and McCarthy does nothing to elevate his pinched, emotionally-parched persona, but the look of the film is quite vivid and the atmosphere is well-captured. Perhaps it was a good idea to re-team the teen lovers from "Pretty in Pink" in a more grown-up setting, but the filmmakers didn't go far enough with the idea, and the coy finale seems a little undernourished. ** from ****

This movie was filmed in Cincinnati and northern Kentucky, where I was living at the time. I hung around some of the days of shooting, as the house where Molly Ringwald "lives" stands right outside my town.

Andrew McCarthy was a darling who signed autographs, talked to whomever was around as if they were lifelong friends and even joined us for lunch. He won some lifelong fans during those days. However, Molly Ringwald was too grand for the likes of us

Kentuckians; she snubbed everyone and hid in her trailer. She kept stopping production during the cold weather because she was absolutely adamant about not being filmed with a red nose.

I have to admit, when the film was shown, we laughed until we cried when we noticed that her nose was Rudolph red -- a lot.

That is my fondest memory of this waste of good talent (McCarthy's). They should have saved the money and spent it on nose makeup for Ms. Ringwald. Or maybe charm

school.

I just wanted to add a few more thoughts to the comment that I left last year, which a few people have cited to. Again, I will say that this is by no means a great film. Much of what happens is, at least to me, unrealistic and unconvincing. Molly's speech in the cabin to McCarthy and his friends, about her childhood, is also somewhat laughable. But the movie has quite a few elements which make it worth watching. Many scenes are memorable. Ones that stick out in my mind are the pool party and the conversation afterwards, the scene where Ben Stiller talks to McCarthy about how difficult it is to make friends at their age, and the strange scenes where McCarthy goes to the house in the woods and meets Jewel and her female friend. I am still uncertain as to what exactly was going on out there, as to why these kids were hanging out at such a remote location. The film looks visually stunning and makes you want to visit these places. As for the title, I believe that at one point Stiller compares Molly to a worn out nag and says that McCarthy needs a "fresh horse" to ride, or something like that. I agree, the title makes little sense. But I recommend the movie.

I saw this movie in the theater when it first came out. I was in love with Ringwald at the time as she was(and is still if the laws of physics still apply) about 5 years older than me. I really liked it then, and have been trying to get this on DVD for years.

I was afraid that the film wouldn't be as good as I remembered, and it wasn't in the WAY that I remembered, but it was BETTER in ways that I didn't have the experience or maturity to appreciate at the time.

While aspects of the film are dated, namely the syrupy, St. Elmo's Fire-ish theme song in the opening/closing credits, it held up surprisingly well. The only thing that keeps me from giving this higher marks is the unfortunate 80's gloss that works so well for the John Hughes films, but keeps this one from transcending the rat-pack genre.

If this film were made today, it would never be filmed or sold as a "box-office" film, but would rather go through Sundance, IFC, etc., and the style would be more raw, more gritty. By and large though, that just didn't happen with "Teen Stars" in the 80's, and I'm amazed they got this film made at all! Also, for the people who don't seem to get the "Fresh Horses" reference, my take on it is not definitive, but there is a line where Ben Stiller is talking to Matt (McCarthy) and says something to the effect of letting a tired horse go, and getting a "fresh horse" in reference to dropping Jewel.

It seemed to me that the metaphor was that while the characters all cared about each other, each relationship("horse") had more selfish/cynical motivations behind them. In effect, the relationships were being used to move themselves from one-point to another towards their goals/desires, whether or not they themselves understood or acknowledged them.

Ringwald uses McCarthy to get out of her marriage, McCarthy uses Ringwald to get out of his engagement, Stiller seems to use his friendship with McCarthy to avoid growing up and getting serious, McCarthy seems to be trying to fulfill an image of himself as a white-knight, though he finds that he doesn't have the character, he also seems to need the superiority he feels over Jewel due to her lack of education and so on....

Unfortunately for most(it seems!), the movie required you to do a little thinking, and probably drew the wrong crowd due to its co-stars, who were maybe expecting Pretty in Pink II, or Pretty In Pink "for adults", but I do not agree with that view of the movie.

If you haven't seen it, give it a shot. Just go in with a blank slate and take it as it comes....

After watching this film I had some questions. What does the title refer to? There are horses in this film but are they fresh? Does it refer to the couple at all? And what does that have to do with the love story? Who comes up with these movie titles? And why?

Silly questions aside, Fresh Horses is a film with an adult story aimed at using the onscreen chemistry of Andrew McCarthy and Molly Ringwald, (who were first paired as everyone knows in the excellent Pretty In Pink) in a serious love story. Ringwald is Jewel, a mysterious country girl, all pink lips and tousled curly hair. She meets Matt (McCarthy) a college upper middle class guy with a pretty stable and boring life. He's engaged to the perfect women, and has your typical annoying university friends. She has a past and a reputation, but he becomes smitten with her and attempts to change his life so they can be together.

As my Video and Movie Guide said, this film is just an adult version of Pretty In Pink. He's more classy than her, she knows who she is and he has to learn to be worthy of her, not the other way around. I don't know about that judgement. Yes, it is the same couple. Yes, the story is similiar, but with sexual themes. But the more I think about the ending, the scenery and the sets of this film the more its intelligence shines through. The film is about pushing you to change, propelling someone to see their life through other's eyes and making you believe in yourself.

As someone said in the messageboards, the settings are eerie, and the characterisations are spooky. Viggo Mortensen is great as Green. Ben Stiller, as Matt's friend is weirdly creepy. We never quite know what people's motvations are, and although the dialogue is terribly clunky in moments between the two leads, this is a film that knows it is not formulaic. For the plastic period the 80's, Fresh Horses sits nicely jagged in its themes and story. They should not be all be standard and set.