Spectre

This cruddy, late-80s, Italian supernatural/demonic horror sees horror icon Donald Pleasance slumming it as archaeologist Professor Lasky, who, as the result of tremors caused by subway drilling under Rome, discovers a pre-Christian tomb full of pagan carvings, including an inscription which warns that "evil will come". And come it most certainly does, in the form of an ancient demon that proceeds to attack those involved in the excavation.

Italian horror films of the 80s often displayed little regard for logic, but made up for their general incoherence with a sense of style, enthusiastic gore, and—if possible—some nudity from a good looking babe or two. This one tries on all three counts, but fails spectacularly on the first two, director Marcello Avallone's overuse of his smoke and wind machines hardly qualifying as stylish, while the splatter, most of which is saved for the film's closing moments, is frustratingly brief (blink and you'll miss it). Thankfully, Trine Michelsen as Alice, sexy girlfriend of archaeologist Marcus, is on hand for the gratuitous T&A, obligingly stripping off a couple of times in order to keep the viewer awake.

The bulk of Specters, however, consists of lots of dreary dialogue and numerous supposedly scary scenes that rarely amount to much (with the best moment being blatantly ripped off from A Nightmare on Elm Street); as such, the film proves extremely tedious and delivers little in the way of genuine frights. The demon (created by Italian FX expert Sergio Stivaletti) remains hidden until the final moments, and, to be honest, isn't really worth the wait.

3.5 out of 10, generously rounded up to 4 for the hilariously bad computer graphics used to track Marcus as he explores the tomb, and Alice's hub-cap sized earrings.

First of all I enjoyed Marcello Avallone's masterpiece "Maya" from 1989, because it was stylish,well-produced and gruesome."Specters" is his first acclaimed horror film. While a team of archaeologists lead by Donald Pleasence are digging through some ancient ruins the subway being built above causes some cave ins and new catacombs are found.This leads to the burial ground of a legendary demon who then rises to the occasion and starts dispatching his victims in gruesome ways."Specters" is obviously influenced by Lamberto Bava's "Demons".The plot is silly and offers many annoying sub-plots which lead absolutely nowhere.The photography is beautiful,but the action is slow and there is almost no gore.Only for Italian horror completists.A very generous 6 out of 10.

I wonder if, back when he was wowing audiences with great performances in films such as Cul-de-sac and The Flesh and the Fiends, Donald Pleasance ever thought he'd be starring in dross like this? Anyway, I have to say that I wasn't surprised to find that Specters is basically the film I thought it would be; namely, a poor Demons-style trashy eighties horror flick with little in the way of redeeming features. The plot is just common horror fare and features a bunch of researchers digging into places they shouldn't be digging and revealing a load of ancient catacombs that warn of impending doom. Naturally, the evil is unleashed. At the very least from this, I was expecting some decent gore; but all we actually get is cheesy crap which is matched by the trashy atmosphere and typically cheesy eighties soundtrack. The plot is a complete mess and I found it very easy to get bored. Donald Pleasance was obviously bored too, and that's not surprising considering the talent of the people he's working with; naturally, Specters features some awesomely terrible acting. It all boils down to a typically pointless ending and overall, this is one of the few films that is bettered by the lamentable 'Demons 2'!

My review was written in May 1987 after a Cannes Film Festival Market screening.

"Specters" is a disappointing shaggy-dog Italian horror film, technically okay but not delivering any scares and hardly any action until the finale. Helmer Marcello Avallone gets the technical side right but has a lot of stylistic (and pacing/construction) lessons to learn from the maestros of horror.

Story is similar to Nigel Kneale's classic "Quatermass & the Pit" (a/k/a "5,000,000 Years to Earth"): work on the subways in Rome disrupts an archaeological dig nearly run by Professor Lasky (who else but Donald Pleasence), opening an ancient vault. It takes a full hour of red herrings until the monster shows up, a barely shown imitation of the tacked-on crfitter in Jacques Tourneur's "Night of the Demon".

Topnotch lenser Silvano Ippoliti provides some nice travelling shots through the catacombs but pic is all buildup and no delivery. Pleasence hams it up as the only cast member whose English language voice fits his mug.

...and I mean that sincerely. I don't truly understand all the hate this film has received. It honestly puzzles me. I have found it much better than the low rating it has garnered here. Maybe I just have a soft spot for 80s horror (or a hard-on, whichever way you want to perceive it).

I won't discuss the plot. It's already been dissected on here, so there really is no need. I will say this however; it is not nearly as inept as some would have you believe. The film does move at a slow pace and it is cheesy. I'll give them that, but that is not necessarily a bad thing. In fact, it is that lovable 80s charm that makes this film worth watching. I will also admit it could have used a good dose of gore, but the lack of it really doesn't hinder the film as a whole.

So if you're a fan of 80s horror, specifically Italian in this case, then give it a shot. It's not a bad way to pass 90 minutes. If, on the other hand, you aren't very fond of 80s horror, then by all means give it a pass. Your loss.