La secte des cannibales

If you've never seen an Italian cannibal flick before, Umberto Lenzi's Eaten Alive might seem like the perfect slice of bloody exploitation, packed as it is with lashings of gore, sex and general nastiness. However, anyone au fait with the genre will identify many of the film's gory highlights as being stolen from earlier movies by Lenzi's contemporaries Ruggero Deodato and Sergio Martino. This is a shame, since the story has loads of potential and could have been developed nicely without resorting to pilfering footage.

Sheila, a rich young heiress from Alabama, is searching for her sister Diana, who has gone missing. When she discovers that Diana has been brainwashed by Jonas, a Jim Jones-style cult leader, and is living in a compound in the jungles of New Guinea, she enlists the help of Vietnam veteran Mark and ventures into the New Guinea wilderness on a rescue mission. But freeing Diana is a tougher job than it at first seems: the cultists will not let her go without a fight and the surrounding area is inhabited by cannibals. Only with the help of native woman Mowara can they hope to escape.

In addition to the gore, Lenzi packs his film with plenty of nudity from his female stars and includes some entertaining and gratuitous sex scenes: Mowara (Me Me Lai) is gang-banged amidst her recently deceased husband's ashes and spends most of her time topless; Janet Agren, who plays Sheila, is defiled by Jonas wielding a blood coated dildo; and Diana (Paola Senatore) gets it doggy-style from a randy cannibal.

Eaten Alive is a glorious exercise in bad taste and exploitation that would have got a higher rating from me had all of the footage been original.

Eaten Alive (by the cannibals) is the least known of the three major Italian gut-munching cannibal movies, the other two being Rugero Deodato's "Cannibal Holocaust" and Lenzi's own "Cannibal Ferox". I use the words 'least famous' carefully because this film is still highly popular among cult collectors and a definite must see for exploitation fanatics. Even though Cannibal Ferox is more notorious, it's actually Eaten Alive that tells the most intriguing story! The feared cannibals of the New Guinean jungle are secondary to the story of a mad purification sect, of which the leader – Jonas – holds a wealthy American girl captive. Her younger sister goes on an expedition to rescue her, accompanied by a nihilist desperado who deserted during the Vietnam War. Eaten Alive (by the Cannibals) features loads of nudity, repulsive gore and inhuman cruelty and it is, of course, better not viewed by the faint-hearted and/or easily offended people. Even those with the strongest stomachs will have a hard time sitting through some of the nauseating sickness featuring! I can only say: Well done Mr. Lenzi!! But, if you do love this type of extraordinary film-making, you'll be impressed by the beauty and style Umberto Lenzi brings to the screen. The anthropology aspects as well as the stunning locations and images of wildlife are some of the most intriguing shots ever featuring in controversial cinema land. And then of course, there's the score! These films are actually worth watching for the music alone. The mesmerizing tunes that guide this atmospheric jungle adventure are almost too beautiful for words. Ignorant opponents of the horror genre will most likely disagree but I think "Eaten Alive" is essential viewing for the fans of extreme shock-cinema. Just make sure you watch a fully uncut version.

'Eaten Alive' is a profoundly stupid movie, but despite that, or more accurately, BECAUSE of that it's extremely entertaining trash. It rehashes plot elements (and even footage) from previous Italian cannibal movies and adds a Jim Jones-ish death cult in for good measure. Italian exploitation star Ivan Rassimov plays Jonas, the cult leader, Janet Agren (Fulci's 'City Of The Living Dead') the sister of a missing woman, and Robert Kerman (Deodato's infamous 'Cannibal Holocaust') the man hired to find her. The cast also includes Paola Senatore and Mei Mei Lai, both favourites with cult/sleaze buffs. The version of 'Eaten Alive' I watched was the British cut which has most of the more infamous scenes censored or completely removed. I really don't know if this was a good or a bad thing. I believe most of this stuff was recycled from earlier Lenzi films or "borrowed" from my fave cannibal movie 'Mountain Of The Cannibal God', so if you're familiar with this genre you've probably seen it all before already. Anyway, most people run away screaming from this kinda stuff, but if you're into movies like this you'll find much to enjoy here. Neither the best nor the worst cannibal movie, but definitely worth a look.

Next to "Cannibal Holocaust" and "Make Them Die Slowly" Umberto Lenzi´s "Eaten Alive" is one of the greatest cannibal-movies ever brought on the screen! The film itself is a nice mixture between jungle-adventure and gut-wrenching horror, although the man-eaters are only a minor matter this time. Nevertheless director Umberto Lenzi has featured once more a dozen scenes of gore and brutal rape! The genre-typical animal-snuff is also not missing, however the killing has got a more documentary-character and is not as disgusting as it was in "Cannibal Holocaust". The cast: Robert Kerman and Me Me Lai seem to appear in every decent cannibal-flick, Swedish Janet Agren is marvelous and her acting isn´t as bad as often said (I even liked her better than in Fulci´s "City of the Living Dead"..!). Hollywood-star Mel Ferrer, who also had a stunning appearance in Lenzi´s "Nightmare City" is in, Paolo Senatore ("Emanuelle in America") plays the role of the lost sister, but the greatest part goes to Ivan Rassimov who´s giving a hilarious performance as perverted sect-guru! With "Mangiati Vivi" another well-made exploitation-flick was done, which is still an undisputed classic for its genre!!!

This is not so much a film as it is a clip-show "best of" reel with about 60 minutes of original footage to fill in the gaps. Most of this film was shot in Sri Lanka with a few (quite obvious) sections shot in southern Italy and a few completely gratuitous New York scenes thrown in to try to pass the film off as American. Mel Ferrer makes a completely pointless cameo appearance as a professor who gets to interact with two porn actors playing cops (the poor guy!).

Lenzi is usually a great director, but he clearly was not on his A-game with this Cannibal turkey. Not one scene goes by without something completely laughable happening. I'll give you a few examples.

A) one scene showing Mel Ferrer entering a police station features his voice dubbed by another actor! Ferrer then can be heard with his actual voice moments later! B) Ferrer's audio is quite obviously recorded practically, while the other actors in the scene with him are dubbed. Jarringly obvious shift in quality.

C) shamelessly over-acting police-man saying "WHAT?".

D) a scene where a Sri Lankan (well this movie takes place in New Guinea though these people don't look it at all) allows an alligator to effortlessly chomp his dangling arm off. This scene gets double the embarrassment for actually being culled from another movie! E) when the actors "interact" with the Animal cruelty scenes, it's all just close-ups of them reacting intercut with shots from a different film with different filmstock.

F) When Kerman throws a spear at a native (haphazardly), it clumsily falls sideways into the dirt. The next shot shows a screaming native with a spear sticking out of his chest! G) One of the Sri Lankan helicopter pilots (who is dubbed, even) blows his line and they left it in! H) Kerman nonchalantly knocks Agren out with a punch so she doesn't see a gory evisceration.

I) whopping continuity error involving a character's body parts magically reattaching after they were eaten.

J) said scene includes a woman missing her right leg, with a native seen nearby eating a leg... but with a LEFT foot attached to it! Seriously! The list goes on and on. This film is so riotously daft, yet oddly competent in its staging and cinematography, that it's totally unique in the annals of film. The only other film coming close to the lunacy of this is Lenzi's NIGHTMARE CITY which was far more respectable.

This film, at least, is never boring and very accessible to those unfamiliar with bad Italian cinema. Personally I find it funnier than most intentional comedies, which is why it gets such a high rating from me. Whether Lenzi had this in mind or was seriously trying to make a good film is anyone's guess.