A US professor of archaeology and his young research team uncover a sealed ancient pagan tomb under the mausoleum of the real life Roman Emperor Domitian. This unleashes an evil deity that s... Read allA US professor of archaeology and his young research team uncover a sealed ancient pagan tomb under the mausoleum of the real life Roman Emperor Domitian. This unleashes an evil deity that starts haunting people involved with the dig.A US professor of archaeology and his young research team uncover a sealed ancient pagan tomb under the mausoleum of the real life Roman Emperor Domitian. This unleashes an evil deity that starts haunting people involved with the dig.
John R. Pepper
- Marcus
- (as John Pepper)
Trine Michelsen
- Alice
- (as Katrine Michelsen)
Erna Schürer
- Catacomb guide
- (as Erna Schurer)
Marco Tullio Cau
- Evil deity
- (uncredited)
Featured reviews
I'm guessing you've got like late-era Italian films to enjoy this, but I liked this film a lot more than anyone that's reviewed this film here.
Why? For all the reasons listed as negatives elsewhere, that's why! Sure, the plot doesn't make much sense, and barely exists. Sure, there's bad eighties hair, bad eighties music, and bad eighties everything else, but come on, these are good points! I had a good laugh with this one. I loved the way the first guy they sent down the tomb had to crawl for ages to get to it, but by the time Donald Pleasance et al got down there, it was as easy as walking into your back garden! Brilliant.
It's suspenseful in places, with a good atmosphere and setting. I've been down to the catacombs in Rome and they really do warn you not to wander off. I thought that was because they were so large, but after watching this film, I guess it was to stop me falling foul of a demon.
Good stuff, if you know what to expect.
Why? For all the reasons listed as negatives elsewhere, that's why! Sure, the plot doesn't make much sense, and barely exists. Sure, there's bad eighties hair, bad eighties music, and bad eighties everything else, but come on, these are good points! I had a good laugh with this one. I loved the way the first guy they sent down the tomb had to crawl for ages to get to it, but by the time Donald Pleasance et al got down there, it was as easy as walking into your back garden! Brilliant.
It's suspenseful in places, with a good atmosphere and setting. I've been down to the catacombs in Rome and they really do warn you not to wander off. I thought that was because they were so large, but after watching this film, I guess it was to stop me falling foul of a demon.
Good stuff, if you know what to expect.
My review was written in May 1987 after a Cannes Film Festival Market screening.
"Specters" is a disappointing shaggy-dog Italian horror film, technically okay but not delivering any scares and hardly any action until the finale. Helmer Marcello Avallone gets the technical side right but has a lot of stylistic (and pacing/construction) lessons to learn from the maestros of horror.
Story is similar to Nigel Kneale's classic "Quatermass & the Pit" (a/k/a "5,000,000 Years to Earth"): work on the subways in Rome disrupts an archaeological dig nearly run by Professor Lasky (who else but Donald Pleasence), opening an ancient vault. It takes a full hour of red herrings until the monster shows up, a barely shown imitation of the tacked-on crfitter in Jacques Tourneur's "Night of the Demon".
Topnotch lenser Silvano Ippoliti provides some nice travelling shots through the catacombs but pic is all buildup and no delivery. Pleasence hams it up as the only cast member whose English language voice fits his mug.
"Specters" is a disappointing shaggy-dog Italian horror film, technically okay but not delivering any scares and hardly any action until the finale. Helmer Marcello Avallone gets the technical side right but has a lot of stylistic (and pacing/construction) lessons to learn from the maestros of horror.
Story is similar to Nigel Kneale's classic "Quatermass & the Pit" (a/k/a "5,000,000 Years to Earth"): work on the subways in Rome disrupts an archaeological dig nearly run by Professor Lasky (who else but Donald Pleasence), opening an ancient vault. It takes a full hour of red herrings until the monster shows up, a barely shown imitation of the tacked-on crfitter in Jacques Tourneur's "Night of the Demon".
Topnotch lenser Silvano Ippoliti provides some nice travelling shots through the catacombs but pic is all buildup and no delivery. Pleasence hams it up as the only cast member whose English language voice fits his mug.
...and I mean that sincerely. I don't truly understand all the hate this film has received. It honestly puzzles me. I have found it much better than the low rating it has garnered here. Maybe I just have a soft spot for 80s horror (or a hard-on, whichever way you want to perceive it).
I won't discuss the plot. It's already been dissected on here, so there really is no need. I will say this however; it is not nearly as inept as some would have you believe. The film does move at a slow pace and it is cheesy. I'll give them that, but that is not necessarily a bad thing. In fact, it is that lovable 80s charm that makes this film worth watching. I will also admit it could have used a good dose of gore, but the lack of it really doesn't hinder the film as a whole.
So if you're a fan of 80s horror, specifically Italian in this case, then give it a shot. It's not a bad way to pass 90 minutes. If, on the other hand, you aren't very fond of 80s horror, then by all means give it a pass. Your loss.
I won't discuss the plot. It's already been dissected on here, so there really is no need. I will say this however; it is not nearly as inept as some would have you believe. The film does move at a slow pace and it is cheesy. I'll give them that, but that is not necessarily a bad thing. In fact, it is that lovable 80s charm that makes this film worth watching. I will also admit it could have used a good dose of gore, but the lack of it really doesn't hinder the film as a whole.
So if you're a fan of 80s horror, specifically Italian in this case, then give it a shot. It's not a bad way to pass 90 minutes. If, on the other hand, you aren't very fond of 80s horror, then by all means give it a pass. Your loss.
I wonder if, back when he was wowing audiences with great performances in films such as Cul-de-sac and The Flesh and the Fiends, Donald Pleasance ever thought he'd be starring in dross like this? Anyway, I have to say that I wasn't surprised to find that Specters is basically the film I thought it would be; namely, a poor Demons-style trashy eighties horror flick with little in the way of redeeming features. The plot is just common horror fare and features a bunch of researchers digging into places they shouldn't be digging and revealing a load of ancient catacombs that warn of impending doom. Naturally, the evil is unleashed. At the very least from this, I was expecting some decent gore; but all we actually get is cheesy crap which is matched by the trashy atmosphere and typically cheesy eighties soundtrack. The plot is a complete mess and I found it very easy to get bored. Donald Pleasance was obviously bored too, and that's not surprising considering the talent of the people he's working with; naturally, Specters features some awesomely terrible acting. It all boils down to a typically pointless ending and overall, this is one of the few films that is bettered by the lamentable 'Demons 2'!
Poor Donald Pleasence! He's been in a lot of really awful films, and this is one of the worst. He was known for putting in good performances even when handed a bad script, but in this disaster, he doesn't even try. In addition to the apathy of the cast, the scriptwriter obviously didn't care too much since this film makes absolutely no sense whatsoever. There are fissures bursting open at random, men running around in Creature from the Black Lagoon costumes, a gratuitous song, a mysterious dagger, lots of tunnels, but no logic.
Did you know
- TriviaFirst of only two horror films by Italian director Marcello Avallone. The other one is "Maya" (1989).
- ConnectionsReferenced in Emma and I - A Portrait by Marcello Avallone (2021)
- SoundtracksNever Change
Written by P.I. Germini - A. Cicco
Arranged by A. Valente - A. Cicco
Performed by Blue Visconti
Details
- Runtime1 hour 32 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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