S.O.B.

This is one of the greatest all-star comedies around. It focuses on the lives of Hollywood movie moguls and their decision to make a G-rated flop into an X-rated box-office smash. Featuring many comedic talents including Richard Mulligan, Robert Preston, Julie Andrews, Loretta Swit, Robert Loggia, Robert Vaughn, Robert Webber, William Holden and Shelley Winters. Also, look for a shocking scene depicting sweet and innocent Julie Andrews being not so Mary Poppin-like. A fast-moving great ride. I didn't want to get off. Highly recommended!

Director Felix Farmer (Richard Mulligan) directs a kids movie with his wife Sally Miles (Julie Andrews) in it. It bombs and Felix goes crazy. However he thinks he can save the movie by having Sally bare her breasts.

Vicious satire on Hollywood. Writer/director Blake Edwards just lashes out at Hollywood and all its executives. He also got a very talented cast in it--there's William Holden (in his last film), Robert Preston, Larry Hagman, Robert Vaughn, Shelly Winters, Loretta Swit and Robert Webber. They're all enjoying themselves and it rubs off on the audience. They're all good but Holden and Preston are excellent. This is primarily known as the film where Julie Andrews swears AND bares her breasts but it's got more going for it then just shock value. It does derail at the end getting way too dark and morbid but most of the way through it's a lot of fun. This was not a big hit which is too bad but I think it was too cruel for mainstream audiences.

In this satirical look at Hollywood, a film producer tries to commit suicide after a big-budget flop, but then decides to reshoot it as porn. It has some very funny moments but runs out of steam long before its excessive running time. It boasts a terrific all-star cast, but Preston steals the film as a wise-cracking doctor. Andrews, playing a wholesome actress not unlike herself, flashes her breasts in an attempt to boost the box office of the reshot film. Mulligan plays her husband, presumably modeled after Edwards. In his final film, Holden plays a hard-drinking, hedonistic director. In a sad irony, the actor drank himself to death months after the film was released.

I never quite figure out Blake Edwards as a filmmaker. He had a side that was as sophisticated and poignant as it was funny. Think "The Party" or the first Pink Panther, the other side was pure commercialism without any regard for its audience. SOB is a blatant example of that. Here he even uses his characters to badmouth "Last Tango In Paris" - The premise is terrific for a biting Hollywood satire but a premise is just a premise. He has to resort to farting during a sequence that should have been a comedy showstopper. Hey he got his wife to go topless and his wife was Julie Andrews - he must have heard cash registers in his mind like Richard Mulligan's character when he decides to put his wife in a porno=erotic something or other to make zillions of dollars. Richard Mulligan plays his suicidal director like he was in a Mack Sennett routine. Outrageous and I'm tempted to say, unforgivable. I must also confess that made me uncomfortable to see William Holden in the middle of it all. Shelley Winter, Robert Preston, Stuart Margolin, Larry Hagman, Robert Vaughn even a glimpse of the very young Rossana Archette keeps the film going. Loretta Swit - of MASH fame - plays a gossip columnist in such a way that may very well explain why she didn't have much of a film career. So, even if I'm aware I've spent a couple of hours with a bunch of characters I hope I never meet in real life, SOB deserves to be seen if only because it is a piece of film history solidly set on its day.

People may hate this movie for the exact reason it was made: it blew the facade off Hollywood, exposing it for the cutthroat atmosphere that it is. Both Julie Andrews & Blake Edwards had every reason to hate Hollywood for what they did to them (chastising Blake for his indulgence, boxing Julie into a corner with sticky-sweet roles), so this wicked satire was their way of firing back & people either got the joke & were offended or didn't get it & just hated the movie for what it was. No doubt the film industry had the former reaction, proved by the little publicity the film received. Moviegoers probably thought more the latter, causing it to flop at the box-office & not exactly giving Julie & Blake the better opportunities they were looking for (both have found it difficult to find films outside of the stereotypical ones they made their name with). Some thought the famous breast-baring shots of Julie were gratuitous & shameful, yet they were the point of the film: wanting to evolve in the name of art & being talked out of it in the name of commerce. A movie like S.O.B. might actually play better today because such diatribes against the movie industry by its employees can find an audience who are now much wiser to the evil workings of the business (notice how THE PLAYER & SUNSET BOULEVARD are classics today, recognized as such by the industry they set out to skewer).