Les bourlingueurs

On the one hand, it is possible to view this film only as an attempt to make a star out of Ken Wahl, whose "The Soldier" had some box-office success. However, the film is infinitely more intresting if taken as an action-adventure in the mold that Spielberg would adopt for "Raiders of the Lost Ark", a film which when released around the same time, served to bury "Race" for all but the dilligent. Certainly the film is similar in certain respects, and may be seen as the first of the imitators, its plot and characters anticipating Robert Zemeckis' hit adventure, "Romancing the Stone". But it is individual enough to warrant some attention.

It was a US/Australia/New Zealand co-production, made by English actor/director David Hemmings on marvellous New Zealand locations. The story focuses on two helicopter pilots and hunters who search for the wreckage of an American plane reported missing during World War II, and carrying a large amount of gold and money. Naturally as the villains appear (led by dapper George Peppard), the film becomes a chase scenario in an agreeably old-fashioned mode, populated by eccentrics.

Donald Pleasance effortlessly steals his scenes, with a characterization resembling that in John Sturges' western epic comedy, "The Hallelujah Trail" some fifteen years earlier. And tpical of the movie's allusive nature, the music score by Brian May ("Mad Max") pays tribute to the theme from John Sturges' "The Great Escape", in which Pleasance also starred.

With sundrenched visuals, and a Europeanized use of open-frame compositions, this adventure is used by Hemmings to explore the lengths to which people are prepared to go to to justify their self-image and self-indulgence. It is less about obsession than about pride. Spielberg would also examine this theme in his later films, as would Hemmings, but to vastly different results.

In many respects, it is a minor film, and unlikely to come under any retrospective scrutiny. But for what it sets out to be, it is lean, charming and entertaining in a way that many film's strive for, but rarely achieve. A curiosity, for completists.

If you've ever wondered what the high country of New Zealand's south island looks like, this will provide decent introduction. It looks a little like the video clips we've seen of the Falkland Island, only with mountains, rocky snow-veined crags.

The story features Ken Wahl as an adventurous helicopter pilot, his bibulous side kick Donald Pleasance, and the requisite young lady who gets swept up in the race to find the Yankee Zephyr, an American C47 that crashed during WWII, carrying a cargo of Purple Hearts, whiskey, cash, and gold bars. I don't know why everyone in the movies finds wrecks filled with treasure. All the old crashed airplanes I''ve found contained nothing. The wrecked ships were worse.

In any case the three good guys are doing their best to find the wreck, the drunken Donald Pleasance not being too sure of its location. In hot pursuit are the bad guys, led by George Peppard, one of those suave villains who sounds like he graduated from college and is dead set on demonstrating it. I can't locate his accent. I won't tell you who wins.

It's all fast paced with obvious direction by David Hemmings. The editing is a bit clumsy and the film is overscore. The music is mostly generic adventure but shoehorns in a little Sibelius. Leslie An Warren looks pretty good.

It's harmless entertainment, along the lines of "High Road to China."

In a lake high in the mountains of New Zealand hunter Gibbie Gibson (Donald Pleasence) discovers a plane wreck , the contents of the stash in the cargo aircraft comprised a shipment of gold war medals, Christmas mail correspondence, a crate of 100 bottles of Kentucky-made Old Crow bourbon whiskey, 1000 gold-bars in gold bullion and the entire payroll in cash for the American South Pacific Fleet. The value of the cargo in the film's story-line was said to be US $50 million . Finding it after four decades is quite a challenge , but holding onto it is really an adventure . It puts moody Gibson , her daughter (Lesley Ann Warren) and an adventurer , a helicopter pilot (Ken Wahl), chasing the treasure hidden since 1944 in the plane wreck of the Yankee Zephyr and risking their lives thereby. Meanwhile , a nasty gang boss (George Peppard) and his hoodlums on their tails . As a group of crooks follow and threaten them .

This exciting film packs thrills , non-stop action , humor , helicopter pursuits , motorboat chases and wonderful landscapes . The picture was originally conceived as being a comic-adventure caper in the style of 1963's It's a Mad, Mad, Mad, Mad World and the film was "New Zealand's first big budget ($6 million) co-production". There's denying the energy in the frenetically paced flick but it remains flawed and sometimes unfocused. One of the big early creative decisions about the picture was whether this action-adventure-race film would be an off-road land or underwater salvage movie . The movie was re-titled 'Treasure of the Yankee Zephyr' for its distribution in the USA and it was first shown in America via pay-cable, where it carried no rating but was preceded with a warning vis-a-vis violence and strong language . The casting is frankly good , as Star Billing the followings : Ken Wahl , Lesley Ann Warren , Bruno Lawrence and special mention to George Peppard as a snarling villain and Donald Pleasence as a likable drunk . Gorgeous outdoors shot in location in the rugged terrain from New Zealand . Although the film was made in New Zealand instead of Australia due to an Australian Actor's Equity dispute , this was due to the refusal to permit four foreign actors to be cast in the film's four top-billed lead roles ,as such, this meant there would be not one Australian actor in any of these parts . Before the picture's setting was located to the South Island of New Zealand due to union disputes, the film was originally intended to be set in the rain forests of tropical north Queensland, Australia, specifically in the region of Cape York.

This was second of two Australian theatrical feature films that were directed by David Hemmings in the early 1980s , the first was The survivor (1981) . Both films were made with producer Antony I. Ginnane and both movies featured an airplane as a central story element . David Hemmings replaced Richard Franklin as director. The latter was the film's original director but withdrew from the production when the filming location changed from Australia to New Zealand . This was last cinema movie directed by David Hemmings for around eleven years until 1992's Dark Horse (1992). Hemmings' only other theatrical feature after that movie was 1996's Lone Justice 3 (1996). In between these three pictures Hemmings did direct in television such as A Team (1983), Airwolf (1984), Magnum P.I. (1980) and Quantum Leap (1989).

Race for the Yankee Zephyr is a typical low-budget adventure film from the 80s. It looks in one breath, vaguely resembles films about Indiana Jones (but only by concept, comparing them is certainly stupid). Race for the Yankee Zephyr has a classic plot, love arc and caricature villain and predictable ending. If the film at least somehow surprised the viewer, and so you literally know what will happen next. You can watch the film as a family, there is humor and funny scenes. But this is a completely passing film that will be forgotten the next day, it will literally be made according to the template and with a small budget.

First and foremost I just have to state that nobody – and I do mean NOBODY – could depict a jolly old drunk like Donald Pleasance could! I already worshiped his alcoholic character in "Wake in Fright" (also an Aussie movie and quite possibly the most underrated film of all time), but that was a serious motion picture whereas "The Race for Yankee Zephyr" is more of a light-headed and comical treasure hunting adventure. Either way, Pleasance effortlessly steals every scene he's appearing in as the unintelligibly mumbling and heavily drinking poacher Gilbert Carson. His delicious and infectious laughter alone is enough reason to seek out this sadly forgotten early 80's flick as far as I'm concerned! Along with his "business" partner Barney, Carson is out in the beautiful New Zealand Mountains when a deer hunt goes awry and he falls from the shoddy helicopter into a lake. When he recovers, he actually notices that he stumbled upon the remains of an old American WWII aircraft named Yankee Zephyr. Now, during the brilliantly nostalgic opening sequences, we learned that this aircraft carried on board the Christmas gifts for all overseas fighting soldiers, including many cases of Whiskey, army decorations and a damn big load of gold bars! Carson hardly has the time to convince Barney and his estranged daughter Sally to help him bring back all this richness, as suddenly the obnoxious British millionaire Theo Brown arrives in town to claim the gold. Carson alone knows the exact location, but he definitely doesn't intend to share the gold – let alone the whiskey – with Brown, thus the race for Yankee Zephyr begins. I've read quite a number of negative and complaining reviews about this movie, but I seriously can't figure out why that is. Sure the production values aren't on the same level as other contemporary adventure movies (like "Raiders of the Lost Ark" or "Time Bandits") but it's nevertheless an exhilarating and enthusiastic effort that put a vicious grin on my face from start to finish. What's not to like in fact? There are numerous chase sequences on the land, in the air and on the water! There are Aussie bar fights and astounding landscapes to admire. And apart from Pleasance delightful over-the-top performance, there's also George Peppard who clearly enjoyed portraying an exaggeratedly stereotypical British villain. Heck, the film even shamelessly copies the legendary theme music from "The Great Escape"! Especially since I've seen the downright genius documentary "Not Quite Hollywood: The Wild, Untold Story of Ozploitation!" (if you consider yourself to be a cult-movie fanatic and you haven't yet seen this documentary, first of all shame on you and, secondly, hurry up) I've been moderately obsessed with Australian exploitation cinema and this one is a stellar entry. Quite the "dream team" was involved in this, notably writer Everett De Roche ("Razorback", "Long Weekend", "Roadgames"…) and David Hemmings in the director's chair. The latter is mainly known as a great actor ("Deep Red", "Blow-Up") but he also directed a couple of remarkable titles, like "The Survivor" and of course this little gem. Search for it! Unless you're a sourpuss, I guarantee you will not regret it!