IMDb RATING
5.7/10
6.6K
YOUR RATING
Former police detective Matthew Scudder, still recovering from his alcohol addiction, is seemingly drawn into the Los Angeles criminal underworld after stumbling upon a local drug ring.Former police detective Matthew Scudder, still recovering from his alcohol addiction, is seemingly drawn into the Los Angeles criminal underworld after stumbling upon a local drug ring.Former police detective Matthew Scudder, still recovering from his alcohol addiction, is seemingly drawn into the Los Angeles criminal underworld after stumbling upon a local drug ring.
- Awards
- 1 nomination total
Wilfredo Hernández
- Hector Lopez
- (as Wilfredo Hernandez)
Henry O. Arnold
- Homicide Detective
- (as Chip Arnold)
Featured reviews
Jeff Bridges portrays author Lawrence Blocks' character Matt Scudder in this picture, and his able performance is one of its few virtues. Matt is a detective for the L.A. Sheriffs' Department who is also an alcoholic. Ultimately, his drinking costs him his marriage and his job. However, he is soon approached by a hooker named Sunny (Alexandra Paul) to remove her from her unhappy life, and when he gets involved, he incurs the wrath of a smug drug kingpin (Andy Garcia) and a powerful pimp (Randy Brooks).
Sadly, this was the final theatrical credit for editor turned director Hal Ashby. A recovering substance abuser himself, he had little to no creative control over the final product. He wanted something grittier and closer to the novel (which this movie barely resembles), the producers wanted a feature film version of 'Miami Vice'. But what really hurts it is the poor script (credited to Oliver Stone and R. Lance Hill (a.k.a. "David Lee Henry"), which moves at a snails' pace and doesn't encourage us to really care about the characters.
The lack of success is not for lack of effort on Bridges' part. He, the intense Brooks, and the amusingly slimy Garcia entertain the viewer sufficiently. But Paul is miscast, and Rosanna Arquette, as one of Sunny's co-workers, looks like she couldn't care less. Familiar faces in supporting roles and bits include Vyto Ruginis, James Avery, Tommy 'Tiny' Lister, Rosalind Allen, and Loyd Catlett.
Absolutely gorgeous photography, good use of locations, an atmospheric score by James Newton Howard (one of his earliest), stunning helicopter shots, and some jarring violence work in the films' favor. But it goes on too long (especially that climactic confrontation in the warehouse, which becomes unbearable rather than tense), and has too much inane dialogue.
The man who made "Harold and Maude", "Coming Home", and "Being There" deserved a better theatrical swan song than this.
Five out of 10.
Sadly, this was the final theatrical credit for editor turned director Hal Ashby. A recovering substance abuser himself, he had little to no creative control over the final product. He wanted something grittier and closer to the novel (which this movie barely resembles), the producers wanted a feature film version of 'Miami Vice'. But what really hurts it is the poor script (credited to Oliver Stone and R. Lance Hill (a.k.a. "David Lee Henry"), which moves at a snails' pace and doesn't encourage us to really care about the characters.
The lack of success is not for lack of effort on Bridges' part. He, the intense Brooks, and the amusingly slimy Garcia entertain the viewer sufficiently. But Paul is miscast, and Rosanna Arquette, as one of Sunny's co-workers, looks like she couldn't care less. Familiar faces in supporting roles and bits include Vyto Ruginis, James Avery, Tommy 'Tiny' Lister, Rosalind Allen, and Loyd Catlett.
Absolutely gorgeous photography, good use of locations, an atmospheric score by James Newton Howard (one of his earliest), stunning helicopter shots, and some jarring violence work in the films' favor. But it goes on too long (especially that climactic confrontation in the warehouse, which becomes unbearable rather than tense), and has too much inane dialogue.
The man who made "Harold and Maude", "Coming Home", and "Being There" deserved a better theatrical swan song than this.
Five out of 10.
"8 Million Ways to Die" is a movie about crime that has action and suspense. It is directed by Hal Ashby and stars Jeff Bridges. The story is about a man who used to be a police officer, but now has problems with alcohol. He gets involved with bad people who sell drugs and have prostitutes. He tries to solve a case and things get dangerous. The movie has intense and dark scenes, and the actors do a good job, especially Jeff Bridges. The movie is not perfect because sometimes it is slow and the story is confusing. However, it is still a good movie that shows how bad life can be in the city and how addiction can hurt people. It makes you think about how people can change and find hope. If you like crime movies with action and realism, you should watch this one. I give it a 7 out of 10 stars.
"8 Million Ways to Die" is a perfect example of why Jeff Bridges is one of my favorite actors. The overall movie might be muddled (even bad) but he always brings a laser focus to the job; more often than not, he keeps things alive and kicking. Here, he's playing an alcoholic cop who only really develops an interest in the case after he fails to keep his employer alive. And he really sells the self-loathing that comes with addiction.
This is one of those mid-'80s noirs, comparable to "Against All Odds" and "To Live and Die in L.A." (although not as good as either of those). The plotting is scattered throughout, but it starts out very nicely (a beautiful aerial opening) and sees a few startling lows (a snowcone negotiation and a frenzied warehouse shouting match). Trivia has it that the production was troubled by rewrites and studio interference, and that certainly shows in the final product. Ultimately, it just reminds me of better movies.
5/10
This is one of those mid-'80s noirs, comparable to "Against All Odds" and "To Live and Die in L.A." (although not as good as either of those). The plotting is scattered throughout, but it starts out very nicely (a beautiful aerial opening) and sees a few startling lows (a snowcone negotiation and a frenzied warehouse shouting match). Trivia has it that the production was troubled by rewrites and studio interference, and that certainly shows in the final product. Ultimately, it just reminds me of better movies.
5/10
This film is consistently rated at or below the median for it's genre and period. In my opinion, this is an unfair rating... the film is better than it has been portrayed.
Jeff Bridges plays Matt Scudder, a down on his luck detective who is suspended by the LAPD after a violent confrontation with a suspect.
Bridges life spirals down (in something of a preview of the character he would later play in perhaps his best film, 1991's The Fisher King) into chronic alcoholism. He receives an unexpected invitation to a party hosted by Angel Maldonado (Andy Garcia in an early role) and there the story proper begins.
Scudder is drawn into the dark side of LA's party scene by "Sunny", one of Maldonado's erstwhile hangers on. Through this connection, Scudder determines to bring down Maldonado's drug empire - and make off with Maldonado's favourite girl...
All standard hollywood stuff, but reasonably well done. The mid 80's seems to have been a fairly soft time for truly good films, but this one is worth watching. I give it 7/10 on the public scale...
Jeff Bridges plays Matt Scudder, a down on his luck detective who is suspended by the LAPD after a violent confrontation with a suspect.
Bridges life spirals down (in something of a preview of the character he would later play in perhaps his best film, 1991's The Fisher King) into chronic alcoholism. He receives an unexpected invitation to a party hosted by Angel Maldonado (Andy Garcia in an early role) and there the story proper begins.
Scudder is drawn into the dark side of LA's party scene by "Sunny", one of Maldonado's erstwhile hangers on. Through this connection, Scudder determines to bring down Maldonado's drug empire - and make off with Maldonado's favourite girl...
All standard hollywood stuff, but reasonably well done. The mid 80's seems to have been a fairly soft time for truly good films, but this one is worth watching. I give it 7/10 on the public scale...
I saw this film a couple of nights ago. I only bothered as it was a Hal Ashby movie & I'm a big fan. He didn't let me down. Ok it's not a masterpiece or even amongst his best but it's still a powerfully intense thriller. Superficially similar to Scarface it is less showy, more personal & more convincing. Garcia's stylised gangster with his 'Gaudi' affectations almost unsettles the realism but is compulsive. Bridges turns in another superb performance as the hard-boiled, ex-cop battling with alcoholism & other demons. Ashby's Chandleresque take on 80's LA is familiar but beautifully vivid nevertheless. What raises it above the plethora of dark 80's thrillers is it's old-fashioned 70's values like complex character and troubled hero not in control of the narrative over fast-pace, shallow action & irony. To the post-Star Wars generation '8 Million Ways' may look meandering and indulgent but this says more about their limitations as film fans than it does about the film.
Did you know
- GoofsWhen Scudder shoots Hector in the chest, a small amount of blood leaks out of the wound, and there is no blood on the blue door behind Hector. This suggests the bullet stayed inside Hector's body. Hector continues standing for several seconds, with a small amount of blood trickling. The next second, Hector drops and the front of his shirt is drenched in blood, as well as the door behind him. This suggests an explosive through-and-through shot.
- SoundtracksCachumbambe
Written and Performed by Miguel Cruz
From the album, "Musico Poeta y Loco" by Miguel Cruz and Skins (1982)
- How long is 8 Million Ways to Die?Powered by Alexa
Details
Box office
- Budget
- $18,000,000 (estimated)
- Gross US & Canada
- $1,305,114
- Opening weekend US & Canada
- $609,955
- Apr 27, 1986
- Gross worldwide
- $1,305,114
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