Puberty Blues

Yeah, I agree with the previous comment that this film was probably meant as a serious way to reach teenagers at the turn of the 80s, but now is surely filed in the 'cult' section of most video stores and hired out by trash-lovers as a nifty snapshot of suburban middle-class Sydney and surfie-culture in the late 70s. Classic lines include: 'don't hurt him, i'll screw ya, i'll screw the lot of ya's!!', 'aw, she's just a moll', and 'comin' out the back for a root?' Embarrassing-skeletons-in-the-closet awards must go to Tim Finn (Split Enz etc.) for writing the title song, and Les Gock (currently of Popstars fame - you know, he's the one that manages new pop sensation Scandal-us) who was also responsible for some of the music. Fans of Aussie trash such as Prisoner CBH will love this - everyone else, steer clear, you'll just think it's boring and crap.

Unintentionally hilarious? Well sometimes yes, but it's also a film that deserves to be more than just "forgotten" Why? because it depicts, in a fairly accurate manner, a slice of Australian culture from the 1970's. Based on the book of the same name by Kathy Lette & Gabrielle Carey, it's the story of two teenage girls growing up near the beachside suburb of Cronulla. Watching the film today, you wish that the characters weren't so one-dimensional, and that a more balanced view of society wasn't shown, but this is the girls' story & it's told from their perspective. Anyone who lived near a beach or even just went to school in Australia around that time can surely recognise some of the scenes depicted. Other people may be merely baffled however, as films with a strong cultural relevance sometimes have little or no meaning to outsiders. Good or bad though, this is not an Australian film to simply dismissed.

This is an early effort from acclaimed Aussie director Bruce Beresford. It was made during the period of the "Australian New Wave" of the 70's and early 80's when there was a proliferation of both of government-sponsored artistic fare and more commercially-minded genre fare emerging from Down Under. The story concerns two teenage girls who decide to join the popular clique at school, even though that mostly seems to mean lying around sunbathing with their most beautiful but most vapid female peers or having embarrassing sex with dimwitted male surfers in the back of a boogie van at the drive-in while all their friends sit in the front.

This is a well-made and fairly realistic film, but it suffers from the same problems as a lot of the teen-oriented movies made in other countries. First off, both the female and male characters look at least five years too old to be teenagers and they are all unusually attractive. One of the female leads kind of approaches ordinary-looking, but the other one, and about every other actor in the cast (even the supposed "nerds") is extraordinarily good-looking. Frankly, it would be easier to sympathize with these virginal girls being taken advantage of by muscle-headed male surfers if they didn't all look like Nichole Kidman (who isn't in this, but would have blended right in). Beresford's camera also spends so much time lingering on barely clad, nubile bodies that I sometimes felt like I was watching a David Hamilton film. Not that there's anything wrong with that necessarily, but it does kind of detract from the seriousness of the film a little bit.

On the plus side, this is an interesting portrait of the late 70's Australian teen surf culture, and it is certainly well-crafted as a film. There was a reason Beresford would go onto to international fame with films like "Breaker Morant". This is somewhat flawed, but an interesting film nevertheless.

Puberty Blues is a movie about being a teenager.. unlike it's American, high budget counterparts such as Pretty in Pink or Fast Times at Ridgemont High, it is a very honest look at life as a teenager. It centres around two girls who are trying to fit in with the "surfie chick" crowd and to do so must participate in the usual teenage antics (sex, drinking, cheating on History tests etc.). What the film lacks in plot, budget and acting it makes up for with sheer honesty - there's no ultra happy "feel-good" ending like in the formentioned counterparts, but instead you are left with the impression that life really was like that for them. All in all, one to be seen, but forgotten.

Yes, Bruce Bereford's 1981 drama does explore the "blues" of schoolgirl Australians at a Sydney school. Except they must have gone through puberty at least four or five years earlier.

This colourful beach'n'surf high school drama follows a group of late- teen girls who are itching to infiltrate the world of surfer dudes who are their male idols. Much in the same almost clichéd way that U.S. football players are the supposed target for cheerleaders, this disparate bunch just want to lose their virginity and be accepted as young adults.

Neighbours and Home & Away (not that I really watched those soaps) it is not. Back thirty years ago, the natural dialogue must have seemed fresh and both invigorating or shocking, depending on your age and such. I can imagine the home teen audience then (here 15 certificate) flocking to see it. However, this isn't a competitor for those knowing, amoral and sassy American 'youth' dramas, from the likes of John Hughes.

Firstly, the characters are all a bit colourless, with no-one standing out as having any charisma to speak of. The awkward fumblings of half- hidden sex scenes arrive within twenty or so minutes, all totally unromantic and un-erotic. Secondly, we've all seen (& most probably tried) the usual experimenting with cigarettes, alcohol and soft drugs, with headmasters going off on one, and so these scenes are just regurgitating the same old stuff.

Finally, the film looks and feels dated. It won't capture the imagination of today's late teenage audience and holds no trump cards for us older ones to latch onto. There's precious little actual surfing, so it's not for them, either. There are some nice scenes at the start with beautiful bodies on golden sands getting as many inches of their bodies exposed to the sun as legally possible, but you can (sort of) get that in a holiday brochure.

There are some attempts at comedy, such as a fight on the beach, with dubbed-on karate chop noises but just aren't funny, at least now. It does end on an upbeat note though, which is actually quite welcome. One of the (few) highlights, for me, at least, were a couple of female-sung cover versions of Split Enz songs, one of my favourite bands and in the early 80's were popular over here as well as their native New Zealand. Pleasantly odd when two of your favourite songs start playing and they fit perfectly, lyrically - and mood-wise - into the narrative.

I watched it as part of the 12 disc box set 'Australian Cinema Collection'.