Puberty Blues

On the surface, this film can be seen for what it is, a stark realization of teen angst in Cronulla, at the start of the eighties. Inseparable friends, Debbie and Sue, want to travel with the cool gang, but first must endure the humiliation and sucking up to get there. Granted, these scenarios were very real in that very real time. PB is a very realistic movie, with lot a laughable moments, because they're relatable. It also has one tragic moment too. PB is very entertaining, I must says and deals with real teen issues. But to be honest, I couldn't stand the guys of this popular group, more a bunch of rude surfie pigs, which to be part of em', guy or girl, wouldn't be worth the trouble. After all, I have my pride. In fact, they got more annoying, as the movie went on. The message sent here, is "be you for you are, and don't conform to fit in with others, while letting your real values or talents suffer". When the two girls finally excel in their tries of surfing, it's a morning of victory, despite some of the negative reactions from those pigs. Great opening wide shot of Cronulla beach, crawling with beachgoers, plus I like Bruce's meeting with Debbie's olds. Almost priceless, as also the interior walls of his panel van, filled with lewd pictures. Also, watch how quick it takes for a whole cake to go off, when devoured by those thankless pigs. Very real performances that are in no way great, but convincing, the older veteran stars better. Much alike, FJ Holden you could say, that should of also spawned a t.v. show, but this movie is too basic, and simplistic, especially if viewing it, in today's times, with not the most original dialogue.

Yeah, I agree with the previous comment that this film was probably meant as a serious way to reach teenagers at the turn of the 80s, but now is surely filed in the 'cult' section of most video stores and hired out by trash-lovers as a nifty snapshot of suburban middle-class Sydney and surfie-culture in the late 70s. Classic lines include: 'don't hurt him, i'll screw ya, i'll screw the lot of ya's!!', 'aw, she's just a moll', and 'comin' out the back for a root?' Embarrassing-skeletons-in-the-closet awards must go to Tim Finn (Split Enz etc.) for writing the title song, and Les Gock (currently of Popstars fame - you know, he's the one that manages new pop sensation Scandal-us) who was also responsible for some of the music. Fans of Aussie trash such as Prisoner CBH will love this - everyone else, steer clear, you'll just think it's boring and crap.

Well-paced, evocative and entertaining story of two high school girls who successfully ingratiate themselves into the cool surfer gang. There they are introduced to a world of cheating on exams, smoking, lying to parents, sexism, drinking, perfunctory sex, and drugs.

Though ostensibly the story of best friends Debbie (Nell Schofield) and Sue (Jad Capelja), this is Debbie's story. Debbie is the more dominant of the two actively rejecting the nerds and pushing for inclusion in the cool gang. Sue seems pretty happy with the status quo, but will tag along with Debbie. This keeps the story simpler as Debbie has two troubled relationships, becomes disillusioned, and yearns for a more fulfilling existence. Sue quickly takes up with the most sympathetic of the boys, Danny (Tony Hughes), for a much quieter life.

Apart from Debbie you don't get much insight into the characters though there is some exploration of the troubled Garry (Jeffrey Rhoe). The adult characters seem like caricatures, but this is Debbie's story and that's probably how they seemed to her.

The unmannered performances from the young cast are generally good, adding to the sense of realism, while Schofield is excellent. The music is good and well-used. A few overt comedy scenes seem forced and the film much more effective when it sticks to drama.

Puberty Blues is a movie about being a teenager.. unlike it's American, high budget counterparts such as Pretty in Pink or Fast Times at Ridgemont High, it is a very honest look at life as a teenager. It centres around two girls who are trying to fit in with the "surfie chick" crowd and to do so must participate in the usual teenage antics (sex, drinking, cheating on History tests etc.). What the film lacks in plot, budget and acting it makes up for with sheer honesty - there's no ultra happy "feel-good" ending like in the formentioned counterparts, but instead you are left with the impression that life really was like that for them. All in all, one to be seen, but forgotten.

This is an early effort from acclaimed Aussie director Bruce Beresford. It was made during the period of the "Australian New Wave" of the 70's and early 80's when there was a proliferation of both of government-sponsored artistic fare and more commercially-minded genre fare emerging from Down Under. The story concerns two teenage girls who decide to join the popular clique at school, even though that mostly seems to mean lying around sunbathing with their most beautiful but most vapid female peers or having embarrassing sex with dimwitted male surfers in the back of a boogie van at the drive-in while all their friends sit in the front.

This is a well-made and fairly realistic film, but it suffers from the same problems as a lot of the teen-oriented movies made in other countries. First off, both the female and male characters look at least five years too old to be teenagers and they are all unusually attractive. One of the female leads kind of approaches ordinary-looking, but the other one, and about every other actor in the cast (even the supposed "nerds") is extraordinarily good-looking. Frankly, it would be easier to sympathize with these virginal girls being taken advantage of by muscle-headed male surfers if they didn't all look like Nichole Kidman (who isn't in this, but would have blended right in). Beresford's camera also spends so much time lingering on barely clad, nubile bodies that I sometimes felt like I was watching a David Hamilton film. Not that there's anything wrong with that necessarily, but it does kind of detract from the seriousness of the film a little bit.

On the plus side, this is an interesting portrait of the late 70's Australian teen surf culture, and it is certainly well-crafted as a film. There was a reason Beresford would go onto to international fame with films like "Breaker Morant". This is somewhat flawed, but an interesting film nevertheless.