La Malédiction finale

This film begins with a construction project uncovering some ancient daggers which were buried many years earlier. It is then revealed that these 7 daggers are known as the "Daggers of Megiddo" and they were made for only one purpose--to kill the Antichrist when he finally appears on Earth. The scene then shifts to a corporate CEO by the name of "Damien Thorn" (Sam Neill) negotiating with the "President of the United States" (played by Mason Adams) on his conditions for accepting the ambassadorship to Great Britain. For purely political reasons, the President gives Damien everything he wants. In the process, however, he unwittingly fulfills an ancient prophecy that the Antichrist would begin his rise to power in the British Isles. Not long afterward, a special astronomical event occurs which is interpreted by certain monks in an Italian monastery that Jesus is about to be reborn. Not only that, but in order to facilitate this event, they are now obligated to use the Daggers of Megiddo to kill the person they know to be the Antichrist--Damien Thorne. What they don't realize, however, is that Damien is fully aware of their intentions--and he is willing to do whatever it takes to ensure his claim to world power. Now, rather than reveal any more, I will just say that this turned out to be a satisfactory final installment of the Omen Trilogy as it contained some decent suspense along with solid performances by both Sam Neill and Lisa Harrow (as "Kate Reynolds"). Admittedly, I didn't much care for the rather phony religious mumbo-jumbo thrown in at various times, but even so, the film still managed to pass the time well enough, and I have rated it accordingly. Average.

Damien Thorn (Sam Neill) is now 32 years old and powerfully wealthy. He is appointed US Ambassador to Great Britain like his father. A celestial alignment proclaims the second coming of Christ. Damien organizes to kill all the baby boys born at the alignment. In the meanwhile, a group of priests attempt to kill Damien with the only weapon capable of the task: the 7 knives of Megiddo.

This is the third movie of the series and guess what, the style isn't there anymore. There isn't one memorable scene in this movie. The biggest draw is the acting skills of Sam Neill. He shows that he has power and the presence to be the antichrist. Other than him, there isn't anything there. He's very compelling as the evil Damien, but there is a lot of unreasonableness going on here. It seems that the cops would notice something is going on. And it seems that the priests should be better armed. I know only the knives can kill Damien but having guns would be very useful.

After watching the latest Damien movie The First Omen (2024), a prequel to the original The Omen with Gregory Peck I decided to rewatch all the movies about the Antichrist Damien Thorn. The prequel was not bad but not as good as the first movie. The second one was of the same quality as the prequel. The Final Conflict (The third Omen) was like I feared, just watchable but nothing else. Sam Neil is this time playing an adult Damien Thorn. Nothing wrong with his acting but you just don't get that evil feeling when Damien was a kid. Also the ominous soundtrack that was so typical in the other movies is this time of poor quality which results in just an average movie. Rarely sequels are getting better and since I just checked the ratings for the fourth movie I think I'll leave it at that. It was a fun ride, good to remember a classic horror movie. Sometimes you have to let it go instead of trying to milk a good story.

This second sequel to huge hit 'Richard Donner's Omen (Gregory Peck, Lee Remick)' centres on anti-Christ personified by Damien (Sam Neill) . Now grown-up Damien (as a teen was incarnated by Jonathan Taylor) is the only proprietary of Thorn industries , one time deceased his forested parents (William Holden , Lee Grant from Omen 2 by Don Taylor) . Damien is named American Ambassador to London by the US President (Mason Adams). A group of monks (Rossano Brazzi , Tony Voguel , among others) get the seven daggers , as Damien Thorn can now only be murdered by one of the daggers . In England Damien is helped by an assistant (Don Gordon) and he falls in love with a TV journalist (Lisa Howard) . The film talks, fundamentally, about the rebirth of Christ and confrontation to anti-Christ Damien . The devilish Damien is poised for ruling over earth supported by his underlings .

This exciting follow-up contains thrills , chills , suspense ,tension and grisly killings . The chief excitement resides in seeing what amazing and creepy murders happen every few minutes of picture . The eerie scenes range from the genuinely fantastic to the bizarre and horrifying images . The movie is quite predictable but we have seen the previous chapters but also its predictability is redeemed in part by the charismatic acting by Sam Neill , the New Zealand-born player , and an effective secondary casting . Colorful and adequate cinematography by Phil Meheux (The Zorro) . Again evocative musical score by the great Jerry Goldsmith (Planet of apes) with soundtrack-alike first entry , winner a deserved Oscar . The motion picture was professionally directed by Graham Baker (Beowulf , Alien Nation) . Followed by an inferior television movie , Omen IV (2001) , and for genre addicts only , directed by Jorge Montesi with Faye Grant and Michael Woods .

Firstly, it has a seemingly fool-proof concept: the Antichrist, now a successful corporate CEO, is appointed U.S. Ambassador to England, AND president of the UN youth council. It practically writes itself. But, no, social commentary isn't brought into it; he doesn't kill his way into the U.S. Presidency, and the country is never thrown into a third world war. And to think I believed in him! You think this might also present a good chance for some overacting- but, once again, only missed opportunities. It was quite talky; Damien plays it cool, and Sam Neill's performance mostly involved making sinister expressions (at which he's a natural, granted,) and, frankly, the big lines he delivers come out kind of funny-sounding when modulated through his fake American accent (he has one of these in Jurassic Park, too, but at least that role didn't call for any serious acting.) I blame the director more than my man Sam, but I've seen some pretty terrible movies salvaged by one good performance.

Why, this film even let down my bloodlusting side. It opens with a nice, gruesome death, but subsequent killings are either too silly to even guffaw at, or just plain uninspired- especially the climax.