Times Square

Times Square is a film inspired by a young woman's diary found by director Allen Moyle. It was many years before I was finally able to obtain a copy of 'Times Square,' although I was ultimately disappointed with what has established itself as a steady cult classic (to no surprise) that represents the old days of real New York (filmed entirely on location) and the emergence of New Wave (not so much punk, despite the "official" synopsis).

Robin Johnson plays gutsy social street misfit, Nicky, who is placed in a hospital because, for some reason, "reasonable" doctors have attributed her crude behavior with some sort of mental defect. There, she befriends quiet, shy Pamela (Trini Alvarado) who is being tested by doctors in the hospital much to the urgings of her wealthy, but misunderstanding father who is unwilling to listen to Pamela and realize that she's just a normal kid that needs some attention and natural affection.

Nicky, never willing to be held down (as characterized by her "Feed Me/I'm A Dog" song later in the film), helps Pam bust out of their little prison to become street nomads, doing what they have to for cash. But, they become youth idols and popular rebels when Pam's father gets together his team of social workers and legal aid to track Pam down under the assumption that she has been kidnapped. With the help of Nicky and their assorted troublemaking around New York, Pam eventually breaks out of her shell while speaking back to her father through local radio DJ, Johnny LaGuardia (Tim Curry!), among other things.

It's the typical punk rock ethic movie, though not done quite as harshly nor probably as honestly as other punk rock ethic films have (such as Suburbia or the more light-hearted selections). That is, the tales of the misunderstood youth who try to vocalize their frustrations to the very people (usually some form of dogged authority such as parents or school officials or law enforcement) through some of revolt. Here, it happens to be a culturally motivated one. The story, then is nothing new, and could've been much more enjoyable, at least for me, if there was more variety within the story. As the movie progresses, it becomes too much about Nicky, and I know that this was obviously done for a reason--because while Pamela can reform to at least some sense of normal, this is something that Nicky has never really known (or no longer knows) and has no one else to turn to. Besides, her personality means that she would never acquiesce as easily as Pam did (although Pam had her reasons, too).

However, Tim Curry fans or cult classic fans, particularly those who enjoyed cult classics motivated by the punk/new wave culture themes of youth alienation and good-natured rebellion and alienation (like Suburbia, Repo Man, Rock N' Roll High School, Tokyo Pop, and, outside of this music-influenced genre, The Legend of Billie Jean), then this is at least worth giving a try.

I watched the whole movie on YouTube and thought this is actually really entertaining. The critics complained about it being overblown. I disagree... The script is a bit patchy in places, same with the direction, but I've seen a lot worse, believe me. The soundtrack was what made this movie, it was fantastic. I prefer classical music, but this music was good because of the content and it was catchy.

The performances were really good also. Tim Curry is really cool as Johnny LaGuardia, who sort of succumbs to a change of heart. One minute he is all wild, then he is comforting Pamela. The girl who played Pamela was also convincing, though not as good as her co-star Robin Johnson, who was easily the best actress in the movie. Their scenes while corny at times were on the most part touching. When Nicki suffers a breakdown, I had tears in her eyes, because she was so convincing. Why is she no longer acting?

One thing that gets me mad, Why is the rating so low? It isn't actually that bad. Sure it mayn't be to everyone's taste but it is definitely the most underrated of the 1980s movies.

7/10 in respect to the players. Bethany Cox (I wish I could give it higher but I've only seen it once)

I grew up in the Detroit area - there was an underground punk scene in the city, but I didn't know much more about punk until I saw this movie.

My name is Pam, and my best friend and I called each other Nicky and Pammy for months after seeing this movie. Great teen rebellion flick, great gritty scenes of NYC. The concert at the end is awesome - Damn Dog was my favorite song. Loved Trini Alvarado. Surprised she didn't do a lot more acting.

I wish I still had the album; it is even better than the movie. I'm looking in used record stores for it, and hopefully will find it.

This was a huge favorite of mine as a teenager. I have been looking for a copy of the film for the longest time and finally found one in Germany. It's strange that it's so hard to get a copy of a big cult film like this one.

The film captures well the essence of punk. It is about Nicky and Pamela, two teenage NYC girls. Nicky is from the streets with a dark past and from a broken home. She has serious anger issues but is street smart and has artistic talents. Pamela is from a rich (political) family, with the security that Nicky never had but suffers because her father does not understand her. She is a great poet and full of empathy but has never dared to live her life or take a chance. They meet at a hospital and run away. Together they start a mini punk renaissance in New York CIty.

Into this mix comes a radio host called Johnny LaGuardia (played by Tim Curry) who got a letter from Pamela before she ran away. When he finds out that Pamela is living on the streets he decides to use it to get a small scoop but also to fight against the politics Pamela's father stands for. Johnny LaGuardia wants NYC to stay as it is while Pamela's father wants to clean up the streets. Tim Curry is the weakest link in this film. It's hard to tell if it is because of the script or because he or the director did not understand Johnny LaGuardiahe. Tim Curry plays him as some kind of prophet while everything points to him being a self serving, fame seeking egocentric megalomaniac. Tim Curry is at least never a convincing prophet and we never get the feeling that Tim Curry is playing him sarcastically either.

Not every scene works in this film and it does not hold perfectly together but it has a very rich soul and a desire for sincerity which is very contagious. It also captures well the culture of NYC in the late 70s/early 80s and the reason why punk spoke to the youths. And it has one of the best sound track ever (including The Ramones, The Cure, XTC, Lou Reed, Gary Numan, Talking Heads, Garland Jeffreys, Joe Jackson, Suzi Quatro, Roxy Music, Patti Smith and The Pretenders.) and a lot of wonderful poetry, like this one:

"Dear Daddy, I am not kidnapped. I am me-napped, I am soul-napped, I am Nicky-napped, I am happy-napped.

We are having our own renaissance."

People who love:

• depictions of New York City's Times Square (and New York City, for that matter) as gritty-as-you please and before it was remade as a family theme park

• Tim Curry (see him here as a late-night radio DJ speaking to nocturnal urban denizens in verse from the center of Times Square)

• movies about youthful rebellion that are half tongue-in-cheek

will get a kick out of this movie. I recommend it, especially if you don't require that you grow spiritually or expand your vocabulary every time you invest 90 minutes in a movie.