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5.8/10
2.4K
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During her first semester at college, a co-ed finds housing at a seaside mansion where, following the death of a fellow-student, she becomes entangled in a murder mystery surrounding the pro... Read allDuring her first semester at college, a co-ed finds housing at a seaside mansion where, following the death of a fellow-student, she becomes entangled in a murder mystery surrounding the property and its secretive tenants.During her first semester at college, a co-ed finds housing at a seaside mansion where, following the death of a fellow-student, she becomes entangled in a murder mystery surrounding the property and its secretive tenants.
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Let it begin. Post-Halloween slashers are in force. But this just made it in before the major onslaught, and admirably it's a above par entry. Actually it probably has more common with "Psycho" , and touch of "Black Christmas", than most brain-dead slashers. The one-note story is quite typical and fairly bare on building much in the way of sub-plots, but it's the dreary, underlining atmosphere that smothers the gloomy seaside mansion and invokes a real unsteadiness of slow-burn tension. Even the performances lend well, and the central outlook on a dysfunctional family (who rent out spare rooms in their mansion to students) grows incredibly eerie. A silently steely Barbara Steele is memorably striking in her support role, while Rebecca Balding is competently fine as the main heroine. Cameron Mitchell and Yvonne De Carlo also show up. There's a subtle stylishness to Denny Harris' direction in many effective sequences, where obviously his less concerned about a body count and ghastly shocks. The feel is more like an old-fashioned Gothic-tale, with psychotic-drama currents. A problem though, would that there happened to be many flat (or dead-air) moments. Dead silence, and believable actions aplenty. It's low-budget shows, and minimal scope gives the film a tight, dank and creaky vibe that works. Even the vast, forlorn coastal location choices, and shadowy, cob-web house-bound settings are nailed down to perfection. Roger Kellaway's hysterically sombre music score had that familiar sound to it, but Michael D. Murphy & David Shore's murkily prying cinematography really sneaks up onto the viewer. Even within the empty passages, it still emit's a spine-tingling ambiance and workably solid performances by the cast.
When Scotty Parker and three other students move into Mrs Engels' boarding house on the coast,they soon begin to suspect that something strange is happening.Landlady Mrs Engels hides away in her attic room and her son Mason is a creepy character who likes to watch brutal TV shows.Then the students start to disappear..."Silent Scream" is pretty good.It's true that some of its elements are stolen from Alfred Hitchcock's "Psycho"(check out the shower scene!),but still the film manages to be quite creepy.The characters are reasonably appealing-a horror queen Barbara Steele is another reason to see "Silent Scream".Overall I enjoyed this little suspense horror.Check it out.8 out of 10.
This really wasn't a bad film at all. For me personally, what really kills a lot of these types of movies or at least brings them down quite a bit is the poor acting.
I mean, this is 1979, in my lowly and wretched opinion Not the very best time for films and especially for realistic or believable acting. But, the director/writers did a good job here with the story and dialog.
And, seriously... Take about 80% of all the Slashers of the 1980's and how many of them have anything even Close to good acting. Normally, they are full of paper thin stereotypes, usually completely unrelatable and not realistic whatsoever.
So, that alone to me sets this film above most later Slashers. I was quite surprised that these characters did indeed come across as real people and their interactions and dialog weren't just some superficial, 'Hip' nonsense, but interchanges that the audience could actually buy into. Overall, I feel this is quite rare in these types of low budget Horror movies, especially Slasher films.
Apart from the above average acting (and remember, most of these people other than a couple of known supporting actors like Cameron Mitchell and the rather odd choice of Avery Schreiber, were relatively unknown) the story sets a pretty good tone and mystery about what is going on.
The plot isn't terribly deep or complicated, but with the good cinematography, nice locals, and decent writing and directing, I thought it was a good, slightly above average Slasher, especially for such an early one.
If you enjoy watching commentaries, it is a fun listen with both writers and the lead actress.
So, nothing that's going to rock your world or change your viewpoint on life, but a relatively fun and engaging early Slasher that you might enjoy if you like films like this.
~~~~~~~~~~~~~~~~~~~~~~~~~~ My Particular Way of Rating:
5 - Flawed, but perhaps with a little entertainment value here and there for some.
6. A decently passable story maybe worth a watch.
7. A solid film, well made, effective, and entertaining.
And, obviously, you can probably figure out what above and below these would mean... : )
I mean, this is 1979, in my lowly and wretched opinion Not the very best time for films and especially for realistic or believable acting. But, the director/writers did a good job here with the story and dialog.
And, seriously... Take about 80% of all the Slashers of the 1980's and how many of them have anything even Close to good acting. Normally, they are full of paper thin stereotypes, usually completely unrelatable and not realistic whatsoever.
So, that alone to me sets this film above most later Slashers. I was quite surprised that these characters did indeed come across as real people and their interactions and dialog weren't just some superficial, 'Hip' nonsense, but interchanges that the audience could actually buy into. Overall, I feel this is quite rare in these types of low budget Horror movies, especially Slasher films.
Apart from the above average acting (and remember, most of these people other than a couple of known supporting actors like Cameron Mitchell and the rather odd choice of Avery Schreiber, were relatively unknown) the story sets a pretty good tone and mystery about what is going on.
The plot isn't terribly deep or complicated, but with the good cinematography, nice locals, and decent writing and directing, I thought it was a good, slightly above average Slasher, especially for such an early one.
If you enjoy watching commentaries, it is a fun listen with both writers and the lead actress.
So, nothing that's going to rock your world or change your viewpoint on life, but a relatively fun and engaging early Slasher that you might enjoy if you like films like this.
~~~~~~~~~~~~~~~~~~~~~~~~~~ My Particular Way of Rating:
5 - Flawed, but perhaps with a little entertainment value here and there for some.
6. A decently passable story maybe worth a watch.
7. A solid film, well made, effective, and entertaining.
And, obviously, you can probably figure out what above and below these would mean... : )
College student Scotty Parker waits too long to apply for on campus housing and as a result must rent a room at a spooky seaside mansion owned by the equally spooky Engels family. Soon, one of the other college student renters is brutally murdered and Scotty unknowingly begins to unravel the secrets of the Engels family and the murders.
The creepy, atmospheric little gem is a homage to Psycho through and through. Though it is a slow-burner, there is always an uneasiness present as the viewer is made aware through minor clues that something is not right with the Engels family. There is little to no gore; instead the focus on on building tension leading into the frantic and frenzied climax. Barbara Steele steals the film without saying a word and her performance will certainly give you chills. Highly underrated and one of the better entries into the early 80's slasher genre, though today's audience may be turned off by the slow pace.
FrightMeter Grade: B
The creepy, atmospheric little gem is a homage to Psycho through and through. Though it is a slow-burner, there is always an uneasiness present as the viewer is made aware through minor clues that something is not right with the Engels family. There is little to no gore; instead the focus on on building tension leading into the frantic and frenzied climax. Barbara Steele steals the film without saying a word and her performance will certainly give you chills. Highly underrated and one of the better entries into the early 80's slasher genre, though today's audience may be turned off by the slow pace.
FrightMeter Grade: B
This movie scared the bejezzus out of me when I was a kid. I think I was scarred for life. I haven't seen the movie since I was a kid, but at that age I went to see a movie more than once so I still recall the movie pretty well. Silent Scream was one of the first psycho killer on a rampage' kinds of horror movies I had ever seen. Most of my childhood movie experiences were supernatural gore fests. I had gone through life blissfully believing that all things horrific where relegated to the realm of the supernatural, where they couldn't hurt me. That ended for me in the summer of 1980: the year Silent Scream and Friday the 13th came out. I was glued to my seat, eyes like saucers, watching some wacked-out person hacking people up with a butcher knife or trying to pull them through a hole in the attic wall so they could hack them up. It was pure magic for an adolescent boy. It didn't matter that there was no mystery to figure out. All that mattered was that I was getting the you-know-what scared out of me and loving it. I look back now and think of how truly silly those kinds of movies were but, hey, they were great summer entertainment for a junior high school kid. I still have a soft place in my heart for all of those mindless slasher movies. I would recommend Silent Scream for anyone who loves classic 80's horror (the best decade for horror in my opinion). Here are some other recommendations for horror/thriller from my childhood (I'll try to stick to the less well known ones): Humanoids from the Deep, The Boogens, The Boogeyman, Sleepaway Camp, Dead of Winter,Evil Speak, Scanners (well known but a must), Mausoleum, Motel Hell, Blood Beach, Happy Birthday to Me, April Fools Day, Sole Survivor, Galaxy of Terror. There is also from the seventies: Suspiria, Alice Sweet Alice, The Other, Burnt Offerings, Children Shouldn't Play with Dead Things, Piranha and Giant Spider Invasion: most of which I saw in the eighties. There are a lot more that don't come to mind right away but suffice to say that I made it my goal to see all the horror movies I could when I was young and there were a ton of them. I'm sure I loved them all. Please feel free to contact me for any recommendations to give or receive.
Did you know
- TriviaThe film was originally shot in the summer of 1977. However, the original version was considered unreleasable. Director Denny Harris turned to screenwriters Jim Wheat and Ken Wheat to help improve the story, but they had the radical idea to reshoot the bulk of the film. The actors and actresses who played the college students were brought back for reshoots in March 1978. Yvonne De Carlo, Barbara Steele, Cameron Mitchell, and Avery Schreiber were all brought in during reshoots for name-recognition value, replacing the actors who originally played their roles. In the end, only 12 minutes of footage from the original version was retained in the final finished film.
- GoofsWhen Mason and Mrs. Engle are struggling to gain control of the pistol, several shots are fired. In the close ups, you can see that the hammer is forward. The pistol used is a model 1911 variant and will not fire unless the hammer is cocked to the rear.
- Quotes
Mason Engels: [to Mrs. Engels] Why did you have to rent those rooms?
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