IMDb RATING
7.1/10
3.6K
YOUR RATING
A woman enters the afterlife briefly after a car crash that kills her husband. But she survives - and finds herself possessing strange powers.A woman enters the afterlife briefly after a car crash that kills her husband. But she survives - and finds herself possessing strange powers.A woman enters the afterlife briefly after a car crash that kills her husband. But she survives - and finds herself possessing strange powers.
- Nominated for 2 Oscars
- 3 wins & 9 nominations total
Madeleine Sherwood
- Ruth
- (as Madeleine Thornton-Sherwood)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Ellen Burstyn is one of my favorite actresses, and this is the film that did it for me. The simplicity and power of her performance is staggering.
I was a little disappointed to see this had been remade - I didn't watch it - and even more disappointed to read that it is not yet out on DVD. This movie is a must-see.
Burstyn plays Edna McCauley, an ordinary woman who is clinically dead for several minutes after a horrific auto accident that kills her husband. Crippled, she returns to the home where she was born with her nearly silent, cold father. During a family picnic, a hemophiliac starts to bleed and Edna is able to stop the bleeding. Her grandmother (the great Eva LaGalliene) recognizes that Edna now has the power to heal. Edna is then able to heal herself. Not being a very religious person, she tells her grandmother that she doesn't know much about God, but if the power she has comes from love, that's good enough for her. Unfortunately, it's not enough for one of the townsman, who believes her healing power comes from the devil. His son (Sam Shepard), with whom Edna becomes romantically involved, has more and more trouble coping with her gift as time goes on, and it can't heal the rift between her and her father, the reason for which is not revealed until nearly the end of the film.
My favorite part is the ending - it might be my favorite ending of any film. It is there that Burstyn shows how she becomes a character - she doesn't act, she just IS this woman. She takes the character through the journey of learning how best to deal with her life and power as only she can. It's one of the most mesmerizing moments in cinema.
Made in 1980, today "Resurrection" looks like one of the many independent films being made now - small in scope and a little off-beat. It holds up magnificently as the story and performances are timeless.
There are some roles that I think are perfect fits for their portrayers - Robert Preston in Music Man, Katharine Hepburn in Lion in Winter - and Ellen Burstyn in Resurrection. A beautiful film, a great cast, see it! You'll never forget it.
I was a little disappointed to see this had been remade - I didn't watch it - and even more disappointed to read that it is not yet out on DVD. This movie is a must-see.
Burstyn plays Edna McCauley, an ordinary woman who is clinically dead for several minutes after a horrific auto accident that kills her husband. Crippled, she returns to the home where she was born with her nearly silent, cold father. During a family picnic, a hemophiliac starts to bleed and Edna is able to stop the bleeding. Her grandmother (the great Eva LaGalliene) recognizes that Edna now has the power to heal. Edna is then able to heal herself. Not being a very religious person, she tells her grandmother that she doesn't know much about God, but if the power she has comes from love, that's good enough for her. Unfortunately, it's not enough for one of the townsman, who believes her healing power comes from the devil. His son (Sam Shepard), with whom Edna becomes romantically involved, has more and more trouble coping with her gift as time goes on, and it can't heal the rift between her and her father, the reason for which is not revealed until nearly the end of the film.
My favorite part is the ending - it might be my favorite ending of any film. It is there that Burstyn shows how she becomes a character - she doesn't act, she just IS this woman. She takes the character through the journey of learning how best to deal with her life and power as only she can. It's one of the most mesmerizing moments in cinema.
Made in 1980, today "Resurrection" looks like one of the many independent films being made now - small in scope and a little off-beat. It holds up magnificently as the story and performances are timeless.
There are some roles that I think are perfect fits for their portrayers - Robert Preston in Music Man, Katharine Hepburn in Lion in Winter - and Ellen Burstyn in Resurrection. A beautiful film, a great cast, see it! You'll never forget it.
I originally saw this on the late show one night and it moved me deeply. It reaffirmed for me that spirituality has little to do with religion. It starts with a "going towards the light" death experience that although not done with high tech special effects still is the best cinematic version I've yet seen. Her healing,unknowingly, begins with just a touch and some words of encouragement from a friendly old stranger with a twinkle in his eye. Eventually fully healed and beginning to help others her ability to channel this power threatens those who don't understand it or want to control it or her. I thought the acting was first rate from everyone. A realistic and humane treament of a mysterious subject. I hope someday it is released on DVD as my VHS copy is unwatchable.
Ordinary woman, recently paralyzed in a car accident that left her husband dead, drives with her father through the California desert and meets a wily, warm old coot running a service station; he introduces her to his two-headed snake and then, without provocation, touches the top of her head affectionately. Soon thereafter, she finds she can heal the ailing--including herself--which frightens her distant father as well as the new man in her love-life. Occasionally overwrought or slow, "Resurrection" has a solid screenplay to fall back on, and a terrific actress in the leading role. Ellen Burstyn, feisty, flawed and fed up, creates a three-dimensional character here who often makes bad choices but never loses our respect. Fighting with her father for the last time, she tells him, "I am sick...to...death...of trying to get you to love me." Fine supporting performances by Eva Le Gallienne, Richard Farnsworth and Lois Smith, but Sam Shepherd isn't well cast as the new love-interest (he's supposed to be a sexy bad boy, but instead he just seems villainous, in a perpetual foul mood). The movie lays on the hick-charm a bit heavily (our heroine is Edna Mae, her grandmother is Grandma Pearl), but it has a great deal of heart and some very moving, sensitive moments. *** from ****
10lavatch
A woman suffers a nearly fatal automobile accident and loses her husband. In her recovery, she discovers miraculous healing powers. "Resurrection" does not directly address the scientific or the spiritual explanations of faith healing. Rather, it focuses on the healing properties of love.
While there is much to say about the powerful message of "Resurrection," this review will focus primarily on the acting. The entire cast effortlessly and perfectly portray their characters even in the smaller roles. Ellen Burstyn, Sam Shepard, Richard Farnsworth, Roberts Blossom, and Eva Le Gallienne evoke especially memorable performances that ring true emotionally with many layers of raw feeling exposed.
Twenty-five years have passed since the release of "Resurrection." It is especially instructive to compare this film with movies in the twenty-first century that are action-intensive with sound tracks that overwhelm both the drama and the spoken word. In "Resurrection," it is refreshing to hear every word and syllable articulated so clearly by the performers. Eva Le Gallienne, a luminary of the American theatre, is a revelation in her small role, with beautiful, crisp speech along with powerful emotional nuances.
The healing scenes in the film were sensitively portrayed. Director Daniel Petrie and screenwriter Lewis John Carlino deserve kudos for this work. However, their contributions would not be realized without the incandescent performance of Ellen Burstyn. Again, it was her sensitive vocal characterization that was so effective in the powerful moments of healing. Her character Edna Mae was able to reach out to people and to make deep personal connections primary through her vocal inflections and her powerful aura of love.
When this film first appeared on the big screen in 1980, it did not receive much acclaim. And through the years, it has been difficult even to locate a copy on video. But "Resurrection" is a minor masterpiece and in its message of love, it is a film for the ages.
While there is much to say about the powerful message of "Resurrection," this review will focus primarily on the acting. The entire cast effortlessly and perfectly portray their characters even in the smaller roles. Ellen Burstyn, Sam Shepard, Richard Farnsworth, Roberts Blossom, and Eva Le Gallienne evoke especially memorable performances that ring true emotionally with many layers of raw feeling exposed.
Twenty-five years have passed since the release of "Resurrection." It is especially instructive to compare this film with movies in the twenty-first century that are action-intensive with sound tracks that overwhelm both the drama and the spoken word. In "Resurrection," it is refreshing to hear every word and syllable articulated so clearly by the performers. Eva Le Gallienne, a luminary of the American theatre, is a revelation in her small role, with beautiful, crisp speech along with powerful emotional nuances.
The healing scenes in the film were sensitively portrayed. Director Daniel Petrie and screenwriter Lewis John Carlino deserve kudos for this work. However, their contributions would not be realized without the incandescent performance of Ellen Burstyn. Again, it was her sensitive vocal characterization that was so effective in the powerful moments of healing. Her character Edna Mae was able to reach out to people and to make deep personal connections primary through her vocal inflections and her powerful aura of love.
When this film first appeared on the big screen in 1980, it did not receive much acclaim. And through the years, it has been difficult even to locate a copy on video. But "Resurrection" is a minor masterpiece and in its message of love, it is a film for the ages.
I recently rediscovered this brilliant film. I saw it when it was released in 1980 and had not seen it since. I was taken aback at how well it has held up to the test of cinematic time. Melodrama, to be sure! Offbeat, yes a little. But when all is said and done the performances of Ellen Burstyn and the great Eva La Gallienne stun! Many films have visited this subject matter, but none with the emotional impact that we recieve from the climax of RESURRECTION. The last scene is worth the view.
Did you know
- TriviaMartin Scorsese was reportedly healed from asthma by the real-life healer who inspired this film.
- Quotes
Esco Brown: Go carefully, with peace in your heart, with love in your eyes, and with laughter on your tongue. And if life don't hand you nothing but lemons, you just make you some lemonade. That's from Book Brown, Chapter One, Verse One.
- Crazy creditsStills of different portions of the movie are shown during the credits. The final still is a part not previously seen and it shows the rock garden behind the gas station which is referenced earlier in the movie.
- Alternate versionsABC edited 8 minutes from this film for its 1983 network television premiere.
- ConnectionsEdited into Arabesque: Reflections of the Mind (1985)
- How long is Resurrection?Powered by Alexa
Details
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $3,910,019
- Opening weekend US & Canada
- $308,068
- Sep 28, 1980
- Gross worldwide
- $3,910,019
- Runtime1 hour 43 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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