J'ai tué Jesse James

it reminds the Biblical stories. or damned characters of Dostoievski.in fact, it is an inspired western, proposing a hero, a coward mate and the fall of dreams, a show as remind of guilt and the public contempt. a film who did not demonstrate anything. only gives a large picture about gestures and fragile and obscure border between bad and good. and this transforms "I Shot Jesse James" more than a B western but a demonstration about values and expectations and illusion and friendship. the noble Jesse James and the knavish Ford. a story with moral veil who remains nice demonstration about limits and falls.

Sam Fuller's directorial debut is more of a character study than a traditional western. John Ireland stars as Bob Ford, who kills his friend Jesse James in order to get immunity for his past crimes so that he can settle down with the girl he loves. Wracked with guilt and feelings of inadequacy, Ford pursues the girl in the face of a rival for her heart. Fuller hasn't fully developed his dynamic style yet, in fact, this feels more like a low budget Nicholas Ray film than a Fuller film. A scene where Ford forces a dude to sing the ENTIRE song about Jesse James being killed by "that coward Robert Ford" is priceless and worth the price of admission.

This is Samuel Fuller's first effort;it is a western and it's got something bizarre,something unusual which we find in every work of this director,whatever he films :films noirs ("underworld USA" ),melodramas ("the naked kiss" ) ,thrillers verging on horror ("shock corridor" ) or westerns ("run of the arrow" and "forty guns").

They say that Fuller approved of Robert Ford's attitude.But his movie is not so simple.It seems that Jesse really WANTS to be killed ;we might take the lines "what are you waiting for?here's my back " literally.

Once Robert Ford has taken the plunge ,his fate is sealed;there's no coming back,no hope for the life he dreams of with his gorgeous girl.Anyway,Cynthy's love has turned to despise at worst ,pity at best.

The scene on the stage is some kind of mirror ,where Ford fully realizes what he has done -a scene which contains an unusual inventive use of the flashback-,as is the folk singer who performs his "ballad of Robert Ford": when he sings his last verse ,he may be frightened,but it's Cain's eye all over again.

I do not have to kill you,Jesse's brother says ,you're already dead.

a good work, interesting western, smart story. in fact, more than adaptation of an American modern history episode, it seems be adaptation of Ahasverus myth. because it is portrait of a sin committed with noble intention. and that fact is basic virtue of that drama. it does a simple movie, mixture of love and revenge, who can impress first for its deep roots. it is a a film remarkable for actors performance because the acting is , in this case,precise tool not for present a story but to discover the profound human side of characters. and that fact has a correct result and the force of seduction for large public. it is a good work. and that thing is a real admirable virtue for the manner to expose the story in inspired light. and , for that fact, the merit of John Ireland is not little.

A film which uses a lot of medium close ups. Fuller's medium close-ups of John Ireland are wonderful and stress the emotions of Robert Ford "the Coward," the character Mr Ireland plays. So also the Fuller brings out the best in another actress Barbara Britton in this film. I am once again convinced that Fuller brought out great performances with almost all the actresses he chose to direct.

The high point of the film was the innocent balladeer singing his popular ballad which paints Bob Ford as an evil coward to Bob Ford himself without realizing his identity.

A very engaging and intelligent script with notable performances by both Ireland and Britton. Arguably one of the best performances of Ireland along side his performance in the spaghetti western "Hate for Hate."