L'enfant de la ville

I'm rarely moved to comment on a movie, but the Earthling is one of my favorites. I like thought-provoking and heart-touching movies, this film aims right at my emotional core and gets me in the breadbasket.

It's not a family film in the Disney sense, but it's a true family film in the spiritual sense. Sometimes the happy ending teaches that life is hard, suffering has a cause and an end, and within us lies the answer to the cessation of suffering: We can endure and find happiness, so long as we remember to find love.

Holden's performance was right-on, playing the embittered but compassionate mentor to Shroeder's traumatized child. The cinematography was outstanding, the Australian landscape was full of color and the story line quite refreshing.

Most of this film consists of the interaction between William Holden (Patrick Foley) and Ricky Schroder (Shawn Daley). Foley goes back to Australia after many years to revisit the homestead where he was raised. This is Holden's penultimate film and Schroder's third. The contrast in ages and experience makes this an interesting film, but the beauty of the Australian wilds is the real star of this film.

I am a fan of Holden, but I prefer the film "Walkabout", released in 1971. Both films are worth seeing and both concern journeys that deal with survival and awareness.

Schroder would name his first child Holden in tribute to his older costar. This was the last film directed by Peter Collinson.

The story of the making of The Earthling might in itself prove to be as interesting a film as The Earthling itself. The film tries, but doesn't quite make it to the top rung of films that William Holden did. As it sadly turned out The Earthling was the next to last film that Holden completed before he died the following year.

Only in the movies could we have the strange tale about one of the two protagonists dying of cancer, directed by someone who was himself dying of the same. Peter Collinson was terminally ill and knew it when he was directing The Earthling. I'm sure his cast didn't know it though. His own plight might have been what attracted Collinson to the project.

According to the Citadel Film series book, The Films Of William Holden, Collinson was especially hard on young Rick Schroder during the making of The Earthling. So much so that Holden had to intervene and the two bonded.

Which may have helped the film because three quarters of it is only dealing with Holden and Schroder on screen. The two really play well together.

Holden has returned to Australia to die where he grew up in a very rugged part of the Blue Mountains of New South Wales. Heading in the same general direction are Jack Thompson and Olivia Hamnett with their child Rick Schroder on a camping holiday. But when their camper goes off a cliff killing the parents and Schroder is left alone in the wilderness, he's lucky to find Holden.

But Bill proves to be a stern taskmaster. He can't tell him that it would be worse to go back, that it's farther than his old homestead. He has to teach Schroder and hope he learns well, the tools needed for survival in the wild. The bulk of the film is concerned with just that.

Collinson died and some scenes were shot afterward, the ending you see is not what Collinson had in mind. But who knows what he did have in mind as the disease ruled him as surely as it ruled Holden's character. The viewers will have to judge for themselves.

Rick Schroder never forgot William Holden and when he married, he named his first child Holden Schroder in honor of the movie legend who was also battling some demons of his own, but took time to help and befriend a young child player.

I think if Rick Schroder reads this review he'd like me to honor William Holden as well. And so this review is dedicated to William Holden one of the cinema's brightest stars.

Most people I talk to perceive this as a bad or downbeat movie. And, yes I concur that it has a very sobering but uplifting point to make. I was 14 years old when I first saw this movie and I found it to be very telling. Most people can't seem to take care of themselves by the time they're in their late 20's, but here is a kid who through a very strict but realistic mentor not only learns to take care of himself, but to be totally responsible for himself. I find it quite refreshing to see a movie, or any other popular culture, advocating that young people not only can but should accept responsibility for themselves and their actions. We, as a culture, tend to treat all kids under the age of 18 as if they can't possibly understand or be responsible for the actions. Very sad! This story tries to shatter that image, and in my opinion, does a wonderful job at it while telling a tale that if focused on correctly can be a great inspiration to a young person today.

This is an "idea" film with a plot. It is deeply existentialist, and tries to drive home the point that we are alive and that this is beyond miraculous, that we must each make our way in this cold universe, ultimately dependent upon no one else. Through life is is hard, and we face death at the end, the struggle to survive is also deeply satisfying.

Holden's character Patrick Foley passes these concepts onto the boy played by Schroeder. The photography is magnificent; the acting is good. The script is incredible. A truly underrated movie.