L'enfant de la ville

This was on ShowTime or HBO a number of times in the early 80s when I saw it and whenever it was on I would stop down to watch it. Little Ricky Schroder is excellent at a young age and counters William Holden's maturity for an interesting balance of young and old. I'm not sure why the rating shows a 5.6 since over 60% of the votes for this film were over a 7 and the majority voted a 10. It is definitely worth a watch if you're a Holden fan like I am. While the premise seems unrealistic at first as we go through the movie we find there is much more to this than expected. I liked this movie for the outdoor scenery and the beautiful backwoods areas of Australia. If you get a chance to see this film, please do.

I'm rarely moved to comment on a movie, but the Earthling is one of my favorites. I like thought-provoking and heart-touching movies, this film aims right at my emotional core and gets me in the breadbasket.

It's not a family film in the Disney sense, but it's a true family film in the spiritual sense. Sometimes the happy ending teaches that life is hard, suffering has a cause and an end, and within us lies the answer to the cessation of suffering: We can endure and find happiness, so long as we remember to find love.

Holden's performance was right-on, playing the embittered but compassionate mentor to Shroeder's traumatized child. The cinematography was outstanding, the Australian landscape was full of color and the story line quite refreshing.

The Earthling is the last film of director Peter Collinson and he was actually in the last stages of terminal cancer during the production of this film. It is also the penultimate film of the great William Holden, and he's quite enjoyable to watch as a hugely insensitive, selfish and hard-to-please old man.

In a story that mirrors the real-life illness of Collinson, an old American returns to his boyhood home in the Australian outback. He has been diagnosed with cancer and has decided to see out his final days in his favourite place. However, the trek to his old family home is a long and arduous one, deep into the outback. En route, he happens upon a young boy whose family have been killed in a horrific camper van accident. Initially annoyed to be lumbered with the boy (Schroeder), the old man eventually teaches him the art of survival in the wilderness and actually grows to love him.

This strange outdoor adventure film feels like it was originally conceived as a family production. However, somewhere along the line it became tougher than that. Perhaps Collinson had directed too many violent thrillers (The Sellout, Open Season, The Penthouse) to judge the tone needed for a family film. Perhaps his imminent death had made him cynical and bitter. Either way, the cruel attitude evident in Collinson's direction - via Holden's character - lends the film a highly unusual element of grittiness. Some critics feel that the film suffers as a result, but I disagree. The film suffers from an over-reliance on wldlife shots and occasional dull stretches, but not because of the tough edge of its main character. The Earthling isn't great, but it's certainly interesting enough to be worth a viewing or two.

In the tradition of great outdoor films like "Jeremiah Johnson" and "The Edge", this is an emotional film about human survival and love. Great performances by both actors, wonderful cinematography, and a really tight script make this improbably story believable. This can be a hard movie to find, but go to any good video store (not Blockbuster) and they should have it. It seems like nobody knows about this movie, but it is really one to catch on a Saturday afternoon.

"Cute" he may have been, but Rick(y) Schroder -- before puberty -- was one of filmdom's most sensitive and skillful child performers. And William Holden, far from being one to "add to" a list of modern man-and-boy bonding stories, in this 1980 film virtually founded the category.

I've seen this excellent film three times -- always on late-nite TV. Leonard Maltin gives it two-and-a-half stars: "OK family drama." Yet, over half of its IMDB viewers rated it a 10. Why on earth hasn't it received wider public acclaim??!

At 62 (this was his next-to-last film), Holden looks like he really is terminally ill. The cockles of his heart never are warmed to the kid (that we can see, anyway).

He's bone-weary, making his painful way to the ruins of his long-deserted family home to die, But this squalling, spoiled, self-centered kid is stranded. The man would like to ignore him, but the boy's obvious vulnerability won't let him. And as his strength fails, he could use some help himself.

So they make their way, conjointly, to his dying-place. And on the way, he tries to teach the boy how to survive in the wilderness -- for the child will soon be utterly alone -- and reach civilization.

How and what he teaches him is fascinating -- both practical and subtle. He plunges the city-bred boy from pampered narcissism to basic verities and respect for life and Life. In turn, the child's unevadable need forces this bitter, used-up man to dredge up his humanity and, with his last energy, give it out; to do the right thing.

Both of them change and grow. And it's quietly beautiful. In a sense, this is a coming-of-age film with no age boundaries. Maybe it's a "coming-into-humanity" film. See it. And grasp again (or for the first time) the dignity and beauty that humanness can be.