a young woman modelling in South America is kidnapped for ransom in the jungle when a Vietnam veteran is going to rescue her only to find out that the jungle is filled with cannibalsa young woman modelling in South America is kidnapped for ransom in the jungle when a Vietnam veteran is going to rescue her only to find out that the jungle is filled with cannibalsa young woman modelling in South America is kidnapped for ransom in the jungle when a Vietnam veteran is going to rescue her only to find out that the jungle is filled with cannibals
- Laura Crawford
- (as Ursula Fellner)
- Jack
- (as Robert Foster)
- Thomas
- (as Antonio de Cabo)
- The Devil
- (as Burt Altman)
- Girl on Yacht
- (as Victoria Adams)
- Pablito
- (as Leonardo Costa)
- Cannibal Priestess
- (as Lynn Mess)
- Jack
- (English version)
- (voice)
- (uncredited)
- …
Featured reviews
Gorgeous blonde Ursula Buchfellner plays movie star Laura Crawford who is abducted by a gang of ruthless kidnappers and taken to a remote tropical island inhabited by a savage tribe who worship the 'devil god' that lurks in the jungle (a big, naked, bulging-eyed native who likes to eat the hearts of nubile female sacrifices).
Employed by Laura's agent to deliver a $6million ransom, brave mercenary Peter Weston (Al Cliver) and his Vietnam vet pilot pal travel to the island, but encounter trouble when the bad guys attempt a double-cross. During the confusion, Laura escapes into the jungle, but runs straight into the arms of the island's natives, who offer her up to their god.
Franco directs in his usual torpid style and loads this laughable effort with his usual dreadful trademarks: crap gore, murky cinematography, rapid zooms, numerous crotch shots, out of focus imagery, awful sound effects, and ham-fisted editing. The result is a dire mess that is a real struggle to sit through from start to finish (It took me a couple of sittings to finish the thing), and even the sight of the luscious Buchfellner in all of her natural glory ain't enough to make me revisit this film in a hurry.
The best part of this flick is the goofball dialogue and dubbing. Anthony Mayan's character, for instance, talks like Gabby Hayes for some reason and keeps having Vietnam flashbacks, even though he looks a little young to have been in 'Nam. One of the kidnappers shouts obscenities at everybody and seems genuinely disturbed by the "wild vegetation" (he makes Giovanni Lombardi Radici's character from "Cannnibal Ferox" seemed well-mannered and soft-spoken by comparison). When asked by reporters what she thinks of the men in their, country Fellehner's character responds in true bimbo fashion, "I have no opinion of men. I just love them." Later one of the mercenaries tells her stay put. Her response: "Huh?!"
Naturally, the special effects are laughably un-special, and the public domain copy I saw was obviously ported from a Japanese source since it "optically fogs" Fellehner's pubic region (which is quite a job since the German Playboy Playmate barely spends a minute of her screen time with any clothes on). But despite the rampant (albeit partially "fogged")nudity from Fellehner and other assorted bimbos, this movie really fails to live up to its foreign title "Sexo Cannibal" (the cannibal doesn't get any sex, nor does anyone else really). Amazingly, this rather tame item was one of only two Franco films that were banned in Britain back in the "video nastie" days.
Of course, I'm sure an overpriced "uncut" and subtitled version will someday appear for all the spendthrift masochists, i.e. Jess Franco fans, out there. But frankly I don't think they can improve on the unintentional hilarity of this public domain version (aside from "unfogging" Fellehner's pubes, of course).
The plot is a loosey goosey combo of superior films like "Cannibal Ferox" and "Cut and Run." Chick gets kidnapped in the 'jungle' by a 'tribe' of 'savages.' The jungle looks more like a park somewhere in Mexico. The tribe is like a group of hippies who walk around in Party City-style Halloween costume renditions of tribal garb. And the savages range in race from white to Asian to black to hispanic. I suppose Franco just grabbed anyone who looked even slightly ethnic for this romp.
To make matters worse, this film has ultra-minimal gore, no real scares and a lot of unnecessary penis. Not fun. I can find something to like in just about any sleazy Italian or Euro-trash film; this one just fell WAY short.
2 out of 10, kids.
Devil Hunter is nigh on incomprehensible for the first half an hour. The kidnap by strangers of a white woman who seems to be a model or film star is intercut with a bunch of native action in South America. There's lots of naked writhing, dancing, and endless repeated zoom-ins on an ugly totem pole. You need to get used to the repetitive zoom-ins and the technique of cutting back to the same shot about three times in a row right away, as these are Franco's main methods of extending a film out to feature length.
The monster who looks like the totem pole is actually kind of scary. He has raw bug eyes and his presence is always signalled on the soundtrack by cacophonous groaning, apparently recorded in an echo chamber. Early in the piece he chews on a native lady strapped to a tree, and it's hard to know what really happens here but I think he ate her stomach (or her genitals, sweet Jesus!).
Anyway, the adventure begins properly when a studly guy and his freaked out Vietnam vet pal are sent to the island to recover the white girl from the kidnappers. The flakey guy has an accent which, as dubbed, is half Brooklyn-American, half English-Liverpudlian and all retarded. All of the dialogue and dubbing is ridiculous and laughable, making for another layer of the film which can somehow hold your interest.
Not too much really happens from here on in, and it happens pretty sluggishly, studded with the odd bit of outrage like a rape. The nebulous action is fleshed out (haha!) by acres of 360 degree nudity from the natives and the two female leads, and even from the monster himself. That he walks around with his penis exposed makes wrestling him an unappetising prospect for the tough guy hero, but it's gotta be done at some point, and it's nice to note that the director will show anyone's genitals on camera.
The best feature of Devil Hunter is the location filming. Franco can be extremely cheap with the structural and story aspects of film-making, but he doesn't muck around with sets. You get real islands, jungles, helicopters and mountains, all in widescreen. This is something that is really cool to experience in these days of crappy CGI sets and backdrops ad nauseam.
Ultimately, issues of recommendation where this film is concerned seem moot. If you're trying to see all the Video Nasties, you will have to watch this at some point, and you'll be made as restless as I was. If you like Franco, you'll watch this anyway. If you fall into neither of the above categories, the odds are you'll never come across this film. Copies of it aren't just lying around, and I could hardly recommend the seeking out of it. It's Franco. Lazy, crazy Franco.
Did you know
- TriviaThe demon's bug-eyes were created with ping-pong balls that had tiny holes poked in them to allow the actor to see.
- GoofsA woman is chained to a tree in, supposedly, the jungle. The tree is completely covered in carved names of lovers and was here people.
- Quotes
Jack: [having a flashback] Peter!
Peter Weston: What's the matter, Jack?
Jack: It was just like this place... all those bombs. Oh! Oh my poor head. I hate the jungle and its humidity.
Peter Weston: Come now. It's all over now.
Jack: ...and these shadows...
Peter Weston: We're not in Vietnam now.
Jack: This heat...
Peter Weston: Come on!
Jack: The blood was all over the place. I can't take it. Not again. Get me outta here. I can't get these painful memories out if my head
Peter Weston: Calm down. Come on... you most control yourself
Jack: Wait a minute. Let me take a pill.
[moans]
Peter Weston: OK?
Jack: That'll be better. It'll steady my nerves.
Peter Weston: Come on!
Jack: I'm sorry, Peter. But I just can't get it out of my mind. I was the only one who survived. You know that? The only one!
Peter Weston: I know, I know. You'll get over it in time. I promise.
- Alternate versionsThere were two videos that were banned in the UK as 'video nasties'. Both were released by 'Cinehollywood'. Both are uncut.
- ConnectionsFeatured in Video Nasties: Moral Panic, Censorship & Videotape (2010)
- How long is Devil Hunter?Powered by Alexa
Details
- Release date
- Countries of origin
- Language
- Also known as
- Chasseurs d'hommes
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 42m(102 min)
- Sound mix
- Aspect ratio
- 1.85 : 1