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5.1/10
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Ilsa is an evil Nazi warden at a death camp that conducts "medical experiments." Ilsa's goal is to prove women can withstand more pain and suffering than men, and therefore should be allowed... Read allIlsa is an evil Nazi warden at a death camp that conducts "medical experiments." Ilsa's goal is to prove women can withstand more pain and suffering than men, and therefore should be allowed to fight on the front lines.Ilsa is an evil Nazi warden at a death camp that conducts "medical experiments." Ilsa's goal is to prove women can withstand more pain and suffering than men, and therefore should be allowed to fight on the front lines.
- Awards
- 1 win total
George 'Buck' Flower
- Binz
- (as C.D. Lafleuer)
Richard Kennedy
- General
- (as Wolfgang Roehm)
Wayne Beauchamp
- Prisoner
- (uncredited)
Sunny Boyd
- Nude Prisoner in Bed
- (uncredited)
Colleen Brennan
- Redheaded Prisoner
- (uncredited)
Sandy Dempsey
- Prisoner
- (uncredited)
Jacqueline Giroux
- Rosette
- (uncredited)
John F. Goff
- Nazi Guard with Mustache
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Ilsa, She Wolf of the SS is a surprisingly well-made film, given its garish title and unabashed exploitative intent. For all the gore, nudity, and laughter inducing dialogue, the film features good camera work, quality special effects, and a quick moving plot. It follows the travails of an American soldier sent to a Nazi medical camp run by Ilsa, who is obsessed with proving women's superior capacity to handle pain so that she can go to the front lines.
Ilsa represents Nazispoitation at its finest. Throwing the history book out the window, the film gives us a Nazi concentration camp populated by topless female guards and open lesbians. Just for fun, it adds gory experiments which all seem to require attractive nude women. Is it tasteless? Lords yes! But it's also fun.
What takes this a notch above other exploitation films is that genuine talent was involved. Ilsa has quality cinematography and surprisingly good special effects. (This may be because, as director Don Edmonds points out, many of the people involved were mainstream filmmakers working under pseudonyms for a quick buck.) Although no one would mistake it for Oscar material, Ilsa is a worthwhile film for all exploitation fans.
Ilsa represents Nazispoitation at its finest. Throwing the history book out the window, the film gives us a Nazi concentration camp populated by topless female guards and open lesbians. Just for fun, it adds gory experiments which all seem to require attractive nude women. Is it tasteless? Lords yes! But it's also fun.
What takes this a notch above other exploitation films is that genuine talent was involved. Ilsa has quality cinematography and surprisingly good special effects. (This may be because, as director Don Edmonds points out, many of the people involved were mainstream filmmakers working under pseudonyms for a quick buck.) Although no one would mistake it for Oscar material, Ilsa is a worthwhile film for all exploitation fans.
Most here are aware of how this one plays out. Experiments are conducted on war camp prisoners, which are all overseen by our lovely Fraulein Doktor (of title fame). This gal has a nasty habit of collecting male "forget me nots". Some collect stamps. Others, genitals. Call her an eccentric.
Anyhow, politics between the camp and Berlin come into play along with an American she can't figure out (and the requisite escape plans brewing), but those are mere plot details. No sense boring everyone with gratuitous information on the storyline when there's some juicy bits to discuss.
Torture of many respects abound in this one. Castration, gang rape, bacterial/viral injections, human lobster pots, slow hanging (mit eis schmelzen), nipple 'trodes, the list goes on and on. The production values are pretty fair in this one (the sets being left over from "Hogan's Heroes") and the makeup's not half bad. The acting's a bit over the top in "Ilsa", especially with the doktor's blonde henchwomen, but who can really fault topless floggers? Not I.
Thumbs up for me here. It's only single "X", but still some nasty fun.
Charlie.
Anyhow, politics between the camp and Berlin come into play along with an American she can't figure out (and the requisite escape plans brewing), but those are mere plot details. No sense boring everyone with gratuitous information on the storyline when there's some juicy bits to discuss.
Torture of many respects abound in this one. Castration, gang rape, bacterial/viral injections, human lobster pots, slow hanging (mit eis schmelzen), nipple 'trodes, the list goes on and on. The production values are pretty fair in this one (the sets being left over from "Hogan's Heroes") and the makeup's not half bad. The acting's a bit over the top in "Ilsa", especially with the doktor's blonde henchwomen, but who can really fault topless floggers? Not I.
Thumbs up for me here. It's only single "X", but still some nasty fun.
Charlie.
Ilsa, She Wolf of the SS certainly deserves its reputation as a nasty film. Although it is thoroughly cheesy, poorly acted, routinely directed, and extremely camp at times, the film still packs a punch due to its ability to offend and disgust at every turn; the depiction of Nazi atrocities in the name of entertainment is hard to defend (so I'm not even going to try) and this movie pulls no punches with its well executed graphic violence and horrific torture scenes.
Ilsa, played with gusto by chesty blonde Dianne Thorne, is the Kommandant at a concentration camp where she oversees medical research performed on the female prisoners. Meanwhile, she uses the males to try and satisfy her sexual needs (and when they fail, she has them castrated!). It is up to German/American stud Wolfe to lead the prisoners in a revolt against the guards whilst simultaneously gaining Ilsa's trust by rogering her senseless at every opportunity.
This notorious sleaze classic packs so much depravity into its 96 minutes running time (uncut), that lovers of exploitation will have a field day. From the opening scene in which Ilsa's sex slave is dragged back to the camp to be emasculated, to the ending in which the prisoners exact bloody retribution, sex and violence pervades every frame. The effective make-up FX by Joe Blasco are repugnant enough for hardened gore-hounds and fans of the female form will be delighted by the copious amounts of nudity (nearly every woman gets naked at some point in the film!). And lets not forget the scene in which Ilsa pees on the Nazi general...
Thirty years after it was made, Ilsa still has the ability to shockthe mark of a true exploitation classic!
Ilsa, played with gusto by chesty blonde Dianne Thorne, is the Kommandant at a concentration camp where she oversees medical research performed on the female prisoners. Meanwhile, she uses the males to try and satisfy her sexual needs (and when they fail, she has them castrated!). It is up to German/American stud Wolfe to lead the prisoners in a revolt against the guards whilst simultaneously gaining Ilsa's trust by rogering her senseless at every opportunity.
This notorious sleaze classic packs so much depravity into its 96 minutes running time (uncut), that lovers of exploitation will have a field day. From the opening scene in which Ilsa's sex slave is dragged back to the camp to be emasculated, to the ending in which the prisoners exact bloody retribution, sex and violence pervades every frame. The effective make-up FX by Joe Blasco are repugnant enough for hardened gore-hounds and fans of the female form will be delighted by the copious amounts of nudity (nearly every woman gets naked at some point in the film!). And lets not forget the scene in which Ilsa pees on the Nazi general...
Thirty years after it was made, Ilsa still has the ability to shockthe mark of a true exploitation classic!
An exploitation classic that is a surprisingly enjoyable film. Ilsa, the Arian commandant of a secret medical facility, sets out to prove to her doubting superiors that women are able to endure greater pain and suffering than men. She does this by torturing the female inmates in increasingly diabolical ways, while trying to break the American 'sexual freak of nature', Wolfe. Cue lots of gratuitous nudity, castration, strangulation, boiling alive, magnificent pre-implant breasts, softcore sex and gang rape, golden showers, and general bloody mayhem. The German accents are hilarious, and the acting barely one step up from Hershael Gordon Lewis and early John Waters. It even has the ubiquitous 'moral message' at the beginning. But unlike so many of these movies, 'Ilsa' manages to avoid descending into tedious repetition half way through, and builds to a brilliantly ludicrous climax in which an entire camp is gunned down by machine gun fire, without a drop of blood being spilt. Brilliant.
I completely see why some people really like this movie (director Quentin Tarantino among those that do).
The movie may have been slightly cringe-worthy when I saw it (mostly the way the director relishes in the dirty art he has created), but in retrospect is fluff compared to a lot of the movies I've seen since then. Even though this movie is pure, unadulterated carnage and heinous acts throughout the entire course of the film, it had a redeeming quality.It's hard to pinpoint what made this movie so appealing to me. It was a perfect emblem of the pure sleaziness and overall decadent atmosphere of the 70's smut prevalent at this time. Like all grindhouse films, it appeals to the baser senses - filled with excess violence (grizzly and well-done) and sex. And it's shot amazingly well for such a poor film. I expected it to be grainy and imperceptible.
There's an element of immorality felt when watching films like this, but it's a healthy outlet to sublimate impure thoughts. It's sensationalist, yes. Probably no artistic merit either. But it's an appetizer of the 70's Perversia. I do think it's mostly meant to be titillating and gross for the sake of being gross. It's so blatantly in-your-face tasteless and bad that I love it. Stay away from it if you don't have a knack for the depraved.
The movie may have been slightly cringe-worthy when I saw it (mostly the way the director relishes in the dirty art he has created), but in retrospect is fluff compared to a lot of the movies I've seen since then. Even though this movie is pure, unadulterated carnage and heinous acts throughout the entire course of the film, it had a redeeming quality.It's hard to pinpoint what made this movie so appealing to me. It was a perfect emblem of the pure sleaziness and overall decadent atmosphere of the 70's smut prevalent at this time. Like all grindhouse films, it appeals to the baser senses - filled with excess violence (grizzly and well-done) and sex. And it's shot amazingly well for such a poor film. I expected it to be grainy and imperceptible.
There's an element of immorality felt when watching films like this, but it's a healthy outlet to sublimate impure thoughts. It's sensationalist, yes. Probably no artistic merit either. But it's an appetizer of the 70's Perversia. I do think it's mostly meant to be titillating and gross for the sake of being gross. It's so blatantly in-your-face tasteless and bad that I love it. Stay away from it if you don't have a knack for the depraved.
Did you know
- TriviaFilmed on the set of Papa Schultz (1965). The series had already been cancelled, and, on learning that the movie had the camp being burned down at the end, the set was given over to save the cost of demolition.
- GoofsIlsa is referred to as holding the rank of major, but her collar insignia is that of a Lieutenant Colonel or SS Obersturmbannführer.
- Alternate versionsAnchor Bay's DVD release is the complete, uncut version of the film.
- ConnectionsFeatured in Mad Ron's Prevues from Hell (1987)
- How long is Ilsa: She Wolf of the SS?Powered by Alexa
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