Osôshiki

A look at how Japanese deal with death, with a humourous twist. It is much darker and less light heartedly funny as Itami's other efforts, like Tampopo or A Taxing Woman. The movie still takes a somewhat irreverent look at the whole funeral process in Japan. I would recomend this movie if you like his other ones.

I have never seen a film quite so strange to me as this , but it made a real impression, at times very funny, sometimes sad but always watchable and endearing.

The scene where the kids are looking in on the cremation of the body,was at first unnerving,but also hilarious.

The little details in the script make it worth watching again and again.This was the first Itami film I saw and afterwards I sought out as many as I could get hold of.

The acting was superb, at times I felt as though I was intruding on the family, and felt almost embarrased.

As we all know, the three most significant events for most people and that give the greatest insight into their cultures are births, weddings, and funerals. Ososhiki tells the story of how a family conducts and behaves at the funeral of one of their relatives. The director does a great job of presenting the ridiculous, absurd, and selfish behaviors they exhibit as well as beautiful, emotional, and loving behavior.

. . . from the other comment on this movie. When I first saw THE FUNERAL, for the first forty-five minutes or so, I was disappointed. The video cover can lead one to believe it is a rollicking comedy, perhaps a sex farce. Yet the more I got into the movie, and went with its flow, and immersed myself in its world, the more I enjoyed it. There are parts that I find laugh-out-loud funny, but most of the humor is of a gentle kind, and there are parts that I find very touching. Since that first viewing, I have watched the movie several times, and enjoy it more each time I see it. And it is one of those movies that, each time I see, I notice some little detail that brings me pleasure. I have never been able to sit through A TAXING WOMAN, but I enjoyed TAMPOPO; and I like THE FUNERAL even better.

Told by Wabisuke Inoue (Tsutomo Yamazaki), this is a story about his father in law's sudden death from a heart attack and the ensuing arrangements for the wake and funeral, culminating with the actual rituals themselves. This film runs the gamut of emotions, and that is where its brilliance is. At times you laugh at the sometimes zany characters, but then there are moments so touching you find yourself, if not in tears, at least becoming part of the moving experience. For anyone who has ever been involved in the planning of a wake/funeral, here it is: The quibbling over the cost, the obnoxious relatives (one guy, Aoki, brought his video camera), the squabbling between the principal characters on "what he would have wanted", the people who are drinking and enjoying themselves too much to leave etc. But, when you feel there is a point where this is all absurd, there is a moment where someone really feels the loss. That, to me, is what makes the film so great. It has a smile on its face, but sometimes pain in the heart. Enjoyable and moving, its a real gem.