IMDb RATING
5.4/10
1.5K
YOUR RATING
A director makes a movie based on a murder he committed.A director makes a movie based on a murder he committed.A director makes a movie based on a murder he committed.
Zoë Lund
- Andrea Wilcox
- (as Zoe Tamerlis)
- …
H. Richard Greene
- Leon Gruskin
- (as Richard Greene)
John Woehrle
- Studio Executive
- (as John Woerhle)
Larry Cohen
- Journalist
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Larry Cohen's "Special Effects" is an average snuff-themed horror film.Eric Bogosian plays here an on-the-decline director who murders a starlet(brilliant Zoe Tamerlis,who sadly died in 1999)on camera and decides to use a dead ringer to make a film about the killing."Special Effects" is average-the script is mediocre and the action is dull at times.Still the snuff/murder scene(the strangling)is pretty nasty!The ending is also effective.All in all I'd recommend this film for undemanding horror fans-it's really nothing special,but if you want a passable time-killer...
After making a disastrous, special-effects laden film, a movie director decides to make a low budget biography of a murdered actress. To make her murder look as real as possible the director murders the actress himself. Could have been a very good film about snuff films, but the film's direction is a letdown. Zoe (Ms. 45) Lund (in a dual role) and particularly Eric Bogosian are very good in their respective roles of the murdered actress and the actress playing her, and the Cecil B. Demented director. Brian DePalma would have had a field day with this film.
It seems like Larry Cohen was trying to emulate DePalma with this ambitious, but poorly realized knock off of "Body Double." Some nice sets and decent shots cannot change the fact that Zoe Tamerlis is the WORST actress ever captured on film. If you thought Bo Derek or Pia Zadora were bad actresses, then after seeing Zoe in THIS, those ladies will look like Kathryn Hepburn and Meryl Streep by comparison. Usually poor acting isn't too much of a distraction if the material is good, but every time Tamerlis speaks it is painful. Eric Bogasian and Brad Rijn fare much better. Larry Cohen has made so many great movies, mostly in the 1970's, which seemed to be his decade. Interestingly he made another film the same year as "Special Effects," called "Perfect Strangers," which is actually MUCH better than this one. Strangely it's not nearly as well-known, probably due to the fact that it isn't flashy, and loaded with sex and violence. You do get plenty of that in this film. My advice is to skip this one and seek out "Perfect Strangers" instead. This movie gave me a headache, and I feel like i lost some brain cells in the process.
Keefe Waterman (Brad Rijn) travels to New York to find his wife Mary-Jean (Zoë Lund), who has abandoned him and their young son to find fame and fortune as a movie actress. Mary-Jean, now going by the name of Andrea Wilcox, is none too pleased to see her husband, and escapes to the swanky pad of film director Christopher Neville (Eric Bogosian), who talks the woman into his bed. However, when the aspiring actress realises that Neville is filming their romp, she rejects him, which leads to the director strangling her to death.
The discovery of the strangled woman's body in her car on wasteland leads to the arrest of Keefe, but he is bailed out by Neville, who reveals that he is intending to make a film about the murder, with Keefe playing himself. All they need is someone to play Mary Jean. That person is Elaine Bernstein (also played by Lund), an exact double of the dead woman. The filming commences, with Neville planning to splice in the actual footage of the murder into his movie. His plan also involves setting up Keefe for an exciting final act in which the young man dies - for real!
Special Effects is B-movie director Larry Cohen's attempt at a sexy, sophisticated thriller al la Brian De Palma, a film that attempts to say something meaningful about the world of movie-making, in particular the way in which film-makers can use the medium to break down the boundaries between reality and make-believe. Perhaps if Cohen had employed better actors than Zoë Lund and Brad Rijn as his protagonists, the theme of blurring of illusion and real life might have been more effective, but at no point are his performers remotely believable. Eric Bogosian, as murderous director Christopher Neville, is a much better actor, but even he can't make this trite nonsense bearable, his character insufferable (he would have been more chilling had he been more charismatic).
True to his B-movie roots, Cohen ensures there's some nudity, sex and a modicum of violence, and one can't help but feel that, in trying to be stylish and classy, the director is punching way above his weight, and that things would have been much better had he just been out and out exploitative in his approach.
3.5/10, rounded down to 3 for the extremely intrusive and irritating synth score.
The discovery of the strangled woman's body in her car on wasteland leads to the arrest of Keefe, but he is bailed out by Neville, who reveals that he is intending to make a film about the murder, with Keefe playing himself. All they need is someone to play Mary Jean. That person is Elaine Bernstein (also played by Lund), an exact double of the dead woman. The filming commences, with Neville planning to splice in the actual footage of the murder into his movie. His plan also involves setting up Keefe for an exciting final act in which the young man dies - for real!
Special Effects is B-movie director Larry Cohen's attempt at a sexy, sophisticated thriller al la Brian De Palma, a film that attempts to say something meaningful about the world of movie-making, in particular the way in which film-makers can use the medium to break down the boundaries between reality and make-believe. Perhaps if Cohen had employed better actors than Zoë Lund and Brad Rijn as his protagonists, the theme of blurring of illusion and real life might have been more effective, but at no point are his performers remotely believable. Eric Bogosian, as murderous director Christopher Neville, is a much better actor, but even he can't make this trite nonsense bearable, his character insufferable (he would have been more chilling had he been more charismatic).
True to his B-movie roots, Cohen ensures there's some nudity, sex and a modicum of violence, and one can't help but feel that, in trying to be stylish and classy, the director is punching way above his weight, and that things would have been much better had he just been out and out exploitative in his approach.
3.5/10, rounded down to 3 for the extremely intrusive and irritating synth score.
"Special Effects" is a thriller that delves into the darker aspects of Hollywood, where reality and illusion collide. The film tells the story of a megalomaniacal movie director, Neville, who murders a young actress and then casts her husband as the patsy in a film about the crime.
While the premise is intriguing, the execution falls short. The film's pacing is slow, and the acting is uneven. Zoe Tamerlis's performance is particularly cringe-worthy, making it difficult to watch her scenes without wincing.
However, Eric Bogosian and Brad Rijn fare better, bringing some much-needed depth to the film. Larry Cohen's direction is also noteworthy, as he attempts to emulate the style of Brian De Palma.
Despite its flaws, "Special Effects" is a thought-provoking commentary on the darker side of Hollywood. The film's exploration of the blurred lines between reality and illusion is both fascinating and unsettling.
Overall, "Special Effects" is a mixed bag. While it has its moments, the film's poor acting and slow pacing make it a chore to sit through. However, fans of Larry Cohen and those interested in a behind-the-scenes look at Hollywood's darker side may find it .
While the premise is intriguing, the execution falls short. The film's pacing is slow, and the acting is uneven. Zoe Tamerlis's performance is particularly cringe-worthy, making it difficult to watch her scenes without wincing.
However, Eric Bogosian and Brad Rijn fare better, bringing some much-needed depth to the film. Larry Cohen's direction is also noteworthy, as he attempts to emulate the style of Brian De Palma.
Despite its flaws, "Special Effects" is a thought-provoking commentary on the darker side of Hollywood. The film's exploration of the blurred lines between reality and illusion is both fascinating and unsettling.
Overall, "Special Effects" is a mixed bag. While it has its moments, the film's poor acting and slow pacing make it a chore to sit through. However, fans of Larry Cohen and those interested in a behind-the-scenes look at Hollywood's darker side may find it .
Did you know
- TriviaOne of the head shots Neville and Detective Delroy look through is Dustin Hoffman as Dorothy Michaels in Tootsie
- GoofsAndreas hair changes from wavy to curly in each scene
- Alternate versionsThe UK video version was cut by 30 secs and edits shots from the stranglings of Andrea and the blackmailer, as well as heavily reducing a scene of Neville watching film footage of Andrea's murder.
- ConnectionsFeatured in King Cohen: The Wild World of Filmmaker Larry Cohen (2017)
- SoundtracksJust A Face (But Just The Same)
Performed by David Snider and The Defiel Band
Music and Lyrics by Michael Minard
©1984 Minard Music Company-ASCAP
- How long is Special Effects?Powered by Alexa
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