Frankenstein

This is one of the many of British television's attempts at bringing Mary Shelley's horror classic to life. While it suffers from cheap production values and a pretty traditional version of the story with no real twists, the mostly Shakespearean cast is excellent (which isn't surprising.... After all, who knows how to tackle the classics better than the British?). Robert Powell makes a thoughtful Dr. Frankenstein, while David Warner makes a sympathetic monster who, in an interested change, is disfigured due to fire-burns rather than the normal stitches and decaying flesh. Carrie Fisher, who got top billing, appears in nothing short but a series of cameos.

**1/2 out of ****

Frankenstein (1984)

** (out of 4)

Elizabeth (Carrie Fisher) becomes worried that her fiancé Victor Frankenstein (Robert Powell) is spending too much time with his experiments. It turns out he's creating a human (David Warner) out of body parts and trying to bring it back to life.

This made-for-television British film isn't exactly the best version of the story that you're going to see but it does feature a nice cast as well as a couple good scenes that make it tolerable. At the same time, there's no question that there's not enough here to make it worth watching unless you're like me and want to see every version of the story out there.

There are some major issues with the film with the biggest being the fact that the direction is rather lackluster and there's just no style or energy to the picture. The movie is about as laid back as you can get and it doesn't help that it moves at a very slow pace. Even at just 73-minutes the movie drags in spots and there's no question that it needed a lot more life.

I thought Powell was rather bland as Frankenstein and Fisher is even worse as Elizabeth. She doesn't even try for an accent and she just wasn't right for the part. John Gielgud appears briefly as the blind hermit but this scene just doesn't have much of an impact. Warner was good as the monster and he's certainly one of the highlights of the picture.

I did find the ending to be good and there's a great sequence where the monster confronts his maker and asks questions about why he's the way he is. This scene was beautifully done and one wishes the rest of the picture had the magic of this scene.

Mary Shelley's horror perennial has attracted numerous talents to it over the years: this one is no exception, but the end result is largely unsatisfying and oddly forgettable! Robert Powell and David Warner (as creator and creature respectively) complement each other quite well, especially in their thoughtful (as opposed to physical) final confrontation. The latter's burnt look (while not fitted with bolts in the sides of his neck a' la the classic monster make-up, he is still brought to life via electrical charges) seems to be derived from Christopher Lee's messy visage in THE CURSE OF FRANKENSTEIN (1957), while also looking forward to Robert De Niro's in MARY SHELLEY'S FRANKENSTEIN (1994). Carrie Fisher feels out-of-place here as Elizabeth, John Gielgud is wasted as the blind hermit, and Edward Judd turns up in yet another unrecognizable character role as a procurer of Frankenstein's specimens. The essence of the tale is there, to be sure (in spite of the low-key approach)…though, at a mere 73 minutes, it comes off as rushed – with the film's visuals also proving unappetizingly drab!

This British version of Frankenstein suffers from a low budget, and it shows its lack of funding at times, but is actually not a bad movie. It does have the atmosphere of a TV movie, so it is somewhat hard to compare it to other film versions of the Frankenstein story. The makeup on the monster is rather hideous, but looks like something a novice could apply. For a low budget film, it does have great sets and period costumes. Carrie Fisher has less of a role than she is billed for but is still quite pretty and charming in this film (she does a good British accent for a native Californian). All in all, this version of Frankenstein is not nearly the classic the 1931 version was, but is entertaining and worth watching.

This a great film. It is very scary. Doctor Frankenstein creates a monster out of dead body parts. Best on the best horror book ever. This is one of the best horror movies ever. This has great story line. It also has great story line. This movie also has great acting. This movie has great special effects. If you do not get scared of this movie then know movie will scary you. Robert Pwell is a great actor. For get Jesuse of Nazareth this is his best film. David Warner is a great actor. Titanic is great film. This is better. Carrie Fisher is a great actress. Star wars is a great film. This is better. This is not as good as Frankenstein (1931) but it is close to being has good. This a great remake.