Calamari Union

After seeing most of Aki Kaurismäki's films and then veering back to his second film, it almost felt like I was watching an all-star cast because most of the actors he collaborated throughout his career is here. And, boy, did I miss my favorite Finnish actor, Matti Pellonpää.

I'm just happy Kaurismäki didn't continue directing while drunk.

It also reminded me of Reservoir Dogs. Did Tarantino saw this movie?

Kaurismaki followed on the dour and heavy drama of his debut Crime and Punishment with the often funny, significantly more light-hearted, absurdist fare of Calamari Union. Fifteen guys named Frank and their retarded companion Pekka (who speaks English for some reason) decide to leave their seedy downtown neighborhood and dead-end lives behind and move to the suburb of Eira, on the other side of the city. Eira immediately acquires a quasi-mythic status, equal parts promised land and elysian fields, and their trip through the hostile, soulless city landscape is beset with hardships worthy to a trip filled with such religious allegories.

There's not much of a plot to speak of. The Franks make their way through the city and is every man out for himself. Once in a while they stop to comment on their surroundings, sleep in phone booths, trees and other strange places, offer nuggets of wisdom about vanity, inactivity, time and age, part scathing social critique and part insights into human nature; they also stop to hijack members of the parliament, a hearse, get free rides in a taxi or on top of a car, sleep in a beach or under a table and last but not least, die funny or just plain random deaths.

That is Calamari Union in a nutshell and there lie both its charms and failures. It has the improvised feeling of a freejazz piece - like them, sometimes it works, sometimes it doesn't. It can be inspired, infectiously cool and funny but it can also be meandering and aimless. You take the good with the bad I guess.

This is the only film I have seen in cinema twice in three days. I really loved it, it being very absurd. 17 Finnish-speaking men all named Frank, and one English-speaking(quite poorly) man named Pekka are on their way to the other side of the town -Eira, the escape from the dirty streets of Helsinki (where the night never seems to end), a task that turns out to be harder than one should expect.

This is the only film Kaurismäki has made either drunk or having a hangover, and he is not satisfied with it, but that shouldn't be a reason not to see it. It is very funny, and you ought to look out for details if you get the chance to see it, one example being a woman walking out from an airport, coming right out on a small street in the city.

Lots of dangerous grins, dark sunglasses, and no problems remembering the characters names. Great!

Following up a successful first movie can be a difficult struggle; Kaurismäki deflected it after "Crime And Punishment" by quickly doing this one, completely different and very funny. We're treated to a number of Finnish derelicts and lower-class guys in a poor suburb of Helsinki, as they decide to mount an expedition to reach the Mayfair of the city (just get there, that is). You'll immediately notice that they talk of this as if there lay a strange and superhuman challenge in just reaching the place. As their trials begin, we realize that maybe Helsinki _is_ a really dangerous city.

The film is full of scenes of weird comedy and pinpoint satire, and as an extra accent every one of the men is called Frank, except one. The film really rocks, and you'll keep wondering what happens next.

Aki Kaurismäki's career began with the masterpiece Crime & Punishment. However, instead of making something similar immediately afterwards, he chose to follow it with an unconventional, black and white satire, Calamari Union.

The film begins in a bar, a pivotal place in Kaurismaki's movies. It is here we first meet our sixteen protagonists: fifteen men (including Matti Pellonpää, Kari Väänänen and Sakari Kuosmanen) all named Frank (apparently, the director was too lazy to come up with different names for everyone) and a guy named Pekka (Markku Toikka). These people represent the lowlife of Helsinki and, aware of this fact, they decide to go to Eira, the decent part of the city. The journey is described as if it were perilous, and in fact things will take unexpected turns.

Calamari Union is a strange film, as it doesn't follow the rules of conventional plotting. What we see is rather a series of separate, quite amusing incidents involving the Franks and Pekka, the dry, very Finnish humor being an anticipation of Kaurismäki's musical satire Leningrad Cowboys Go America (speaking of music, there's an interesting use of the song Stand By Me - a year ahead of Rob Reiner's eponymous movie).

This may not be the kind of movie people watch on a regular basis, but once it's been seen, it doesn't escape your memory. Perfect for a "different" cinema experience.