Leningrad Cowboys Go America

This is the funniest rock `n roll polka road movie ever made! Although based around an actual band of Finnish descent (who still get airplay on MTV Europe), it sees our heroes come from the Tundra Wasteland to America, seeking fame and fortune. Not having much luck in their homeland with their unique style of folk pop, the band are advised to conquer the US ("go to America" says the guy, "they buy any old s**t there"), being exploited constantly by their greedy manager Vladimir. They "learn" rock `n roll, drink beer, go to jail, beg on the streets and play seedy pubs. Not exactly the American dream. And the most eyecatching piece, has to be those massive quiffs and even bigger winklepicker shoes!

The dialogue is funny, but its not this that makes you laugh. Just one look at the band will have you rolling. And if you can`t speak Finnish, don`t worry. The director cleverly overcomes this, by getting the band to learn English on the plane to America! And if you`re not tapping along to their rendition of "Born To Be Wild" at the end of the movie, you`ll be humming that "polka" music for a long time to come.

Siberian rock band Leningrad Cowboys go to the USA in pursuit of fame.

After the film was released, the fictional band transformed into a real band, complete with ludicrous hairstyles. This seems to be something that happens... if I am not mistaken, Spinal Tap also ended up touring following the popularity of their film.

American director Jim Jarmusch has a cameo as a car dealer. The film also includes cameos by blues guitarist Duke Robillard and American Rockabilly Hall of Famer, Colonel Robert Morris, with his wife Irene. I recognized Jarmusch instantly, and he seems like the sort of person who would show up in these films. I cannot imagine anyone else who was so supportive and synonymous with independent film in the 1980s.

This is not so much a movie as it is a test of your campiness quotient. The CQ has a mean of 100. If you fall below 85, you live in a really sad world and as you advance above 100 you are able to extract the comical and farcical aspects of life with increasing ingenuity. After auditioning for a Russian apparatchick (who listens stony-faced to their music, then says "no good - try the US" and departs) the band departs for the US. As they travel from New York to the South, the music changes through a range of pop/rock genres. As another reviewer noted, the music is far more enjoyable than it has a right to be and the dead-pan stoicism of the characters is a hoot. From Steppenwolf to Mariachi music, you will hear and see it all. Try the movie again a year later and it will be even more enjoyable because now you can attend to the hilarious detail which you have missed first time around.

The most politically inclined and intellectual viewer would analyze this movie as a political satire, and they would be right. However, this movie is more enjoyable if seen as a road movie and a look at America through the eyes of a foreigner. Funny and poignant.

Deep in the icy heart of the tundra reside a rock band known as the Leningrad Cowboys. With their long winklepickers and impossibly high quiffs, they resemble something that crawled out of a radioactive Berlin sewer in the 1980's- and sound like it too. Their style of rock is not appreciated in their native land, except by the village idiot, Igor; whom they shun. Striving for success, they fly to America- carting their frozen guitarist with them, who succumbed to the tundra's biting nighttime temperatures. Travelling across the land of opportunity, the band play honky-tonks and bars, nightclubs and weddings, tracked by Igor all the way. Will the Cowboys find fame and fortune, or will their ballad end in misery?

Written and directed by Aki Kaurismäki- and based on a story by Sakke Järvenpää, Kaurismäki and Mato Valtonen- 'Leningrad Cowboys Go America' is a musical-comedy-cum-road-movie as surreal as it is uproarious. Original and heart-warming, the film paints a whimsical portrait of life on the road as a stranger in a strange land as enthralling as Werner Herzog's 'Stroszek,' albeit less profound and more comedic. Kaurismäki's characters- especially the band manager Vladimir- are idiosyncratic fellows fond of beer and song, both of which they partake in frequently. Watching them on their odyssey is endlessly enjoyable, unexpected and entertaining.

One of the most striking features of Kaurismäki's film is the use of music as a form of expression and communication. The Cowboys play a variety of songs, from traditional Russian folk tunes to rock classics, adapting their style and instruments to suit the different audiences and venues they encounter. The music not only showcases their versatile talent, but also reveals their emotions, aspirations and struggles. When they play 'Born to Be Wild' at a biker bar, for instance, they are expressing their rebellious spirit and desire for freedom. Counter that with their playing 'Knockin' on Heaven's Door' at a funeral, which conveys their grief and hope for redemption. The music also serves as a bridge between cultures, as the band and the Americans they encounter bond over their shared appreciation of music, despite language and cultural differences.

Throughout 'Leningrad Cowboys Go America', composer Mauri Sumén's score works brilliantly, heightening the mood and atmosphere of each scene- whether comedic, dramatic or sentimental- whilst bolstering the ironic contrast between the band's musical style and the American landscape and culture they encounter. Just as eccentric as the Cowboys' appearance, Sumén's work is consummate and right in keeping with the film's quirky tone.

As is Timo Salminen's cinematography, which captures the band's journey with a simple, minimalist style, making great use of static shots, natural lighting and muted colours. A frequent collaborator of Kaurismäki's, Salminen also creates a visual contrast between the band's eccentric appearance and the ordinary surroundings they encounter, as well as one between the vast, barren landscapes of Siberia and America with the cramped interiors of the musical venues and vehicles. Striking and memorable, 'Leningrad Cowboys Go America' contains visuals that continuously impress.

As do the performances from the cast. Matti Pellonpää does particularly fine work as Vladimir the band manager, showcasing much depth of character and emotional perspicuity; making him feel real and multifaceted. Kari Väänänen also impresses as Igor and will surely have you laughing anytime he's on screen. As for the band themselves, whether performing musically or not, they're each and all odd and excellent. Furthermore, the cameo appearances by Richard Boes, Jim Jarmusch and Nicky Tesco are each commendable in their own way- with Tesco's being especially notable.

A strange, surreal musical comedy, Aki Kaurismäki's 'Leningrad Cowboys Go America' is a whole lot of fun from start to finish. Featuring great music and a strong narrative criss-crossing America- as well as stunning cinematography from Timo Salminen- the film plays a little like a funny, musical 'The Straight Story,' or indeed 'Stroszek'. Well-acted and deftly directed, 'Leningrad Cowboys Go America' is a ballad you'll want to hear again.