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Four young soldiers waiting to be shipped to Viet Nam deal with racial tension and their own intolerance when one soldier (Mitchell Lichtenstein) reveals he is gay.

The film debut of David Alan Grier, who has become a bit of a comedy mainstay. Robert Altman, how do you find and cast such talented young actors?

Vincent Canby wrote that the film "goes partway toward realizing the full effect of a stage play as a film, then botches the job by the overabundant use of film techniques, which dismember what should be an ensemble performance." Canby's issue is that the use of close-ups take away the feeling of watching the full performance, where even the non-speaking actors are in view of the audience.

While Canby may be coming down a bit harsh (do movie viewers want the theater experience?), it is worth noting that Altman followed up this film with "Secret Honor", which very much focuses on the actor. In fact, there is not much else to focus on, making it one of the most sparse films ever made.