Sahara
- 1983
- Tous publics
- 1h 51m
IMDb RATING
4.9/10
2.3K
YOUR RATING
Intent on winning a competition in place of her distinguished late father, beautiful young heiress Dale takes on the guise of a man and competes in his spot, embarking on a car race that cro... Read allIntent on winning a competition in place of her distinguished late father, beautiful young heiress Dale takes on the guise of a man and competes in his spot, embarking on a car race that crosses the unforgiving Sahara desert.Intent on winning a competition in place of her distinguished late father, beautiful young heiress Dale takes on the guise of a man and competes in his spot, embarking on a car race that crosses the unforgiving Sahara desert.
- Directors
- Writers
- Stars
- Awards
- 1 win & 2 nominations total
Yosef Shiloach
- Halef
- (as Joseph Shiloach)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Okay, so it's no Academy Award winner. The writing is poor, some of the movie is just plain silly, but there is a lot to enjoy.
I love the chemistry between the Brooke & Lambert Wilson... the seductive and emotional nature of their scenes together. Lambert Wilson takes my breath away! He did in 1983 when I first saw the film (okay, I'll admit -- a few times). I just finally found a copy recently and watched it again for the first time in 23 years or so, and he STILL takes my breath away! Brooke is beautiful and he is terribly handsome -- his face, his eyes, his voice -- he looks at her as if he's going to drink her. It's incredible. Mesmerizing. In my book, this is one of the sexiest movies ever (and without actually having any sex in it).
I looked up Lambert Wilson on IMDb and realized I didn't recognize him 20 years later in "Matrix Reloaded" or the newer "Sahara" (but it had been a long time -- the french accent and clean-shaven face threw me off). It looks like he's been working steadily in France all along, thank goodness. I'm thrilled to know he's been a success. I hope he'll do more American films. Oh, and the score was haunting. It added a lot to the film.
And one more thing: Brooke was practically a child when she did this film. I thought her acting was fine, especially considering her age and the poor script with which she had to work.
I love the chemistry between the Brooke & Lambert Wilson... the seductive and emotional nature of their scenes together. Lambert Wilson takes my breath away! He did in 1983 when I first saw the film (okay, I'll admit -- a few times). I just finally found a copy recently and watched it again for the first time in 23 years or so, and he STILL takes my breath away! Brooke is beautiful and he is terribly handsome -- his face, his eyes, his voice -- he looks at her as if he's going to drink her. It's incredible. Mesmerizing. In my book, this is one of the sexiest movies ever (and without actually having any sex in it).
I looked up Lambert Wilson on IMDb and realized I didn't recognize him 20 years later in "Matrix Reloaded" or the newer "Sahara" (but it had been a long time -- the french accent and clean-shaven face threw me off). It looks like he's been working steadily in France all along, thank goodness. I'm thrilled to know he's been a success. I hope he'll do more American films. Oh, and the score was haunting. It added a lot to the film.
And one more thing: Brooke was practically a child when she did this film. I thought her acting was fine, especially considering her age and the poor script with which she had to work.
OK, I am a big Brooke Shields fan (that's why I have bought a DVD of this movie), but, honestly, I can understand why she was nominated for a Razzie award for this one... But it's not only the unfortunate Brooke, (except for C. Lambert, who plays the Arabic sheik in love with Brooke's character) the acting is uniformly bad in this movie. The parts where there are attempts at "humour" are the worst parts. The parts where there are attempts at drama come a close second worst. Or maybe the parts where there are attempts at romance. Nevertheless, the movie picks up some strength towards the end. The tribal battle scene is very good and the scene where Brooke is placed in a pit with black panthers and leopards is marvelous. For a western-made movie set in the Orient, I also liked the idea that the male protagonist was a non-westerner: you don't have a heroic white guy saving the white damsel in distress. Brooke's character is not the typical weakling damsel in distress either, she is a strong character herself.
It's a shame that everybody knocks this movie, because it really is good. Sure, it is cheesy in parts, but hey it's a 1983 Brooke Shields movie, what do you expect? The best way to describe this movie is probably that it is very much like a Harlequin romance in many ways. Brooke Shields gives a very good performance, as does movie veteran Sir John Mills. It seems with this movie you either like it or you don't. Personally, I liked it and do recommend it. So go ahead, get some junk food, and a friend who likes romance flicks, and watch it on a rainy day.
Ludicrous bodice-ripper starring the wooden Brook Shields as the kind of plucky romantic heroine who can change outfits in mid-kidnapping. Features such silliness as nomadic Bedouin chiefs who keep stone dungeons on hand, other Bedouin who have frosted lipstick and gold lame party outfits lying around, more Bedouin going on a human hunt using leopards instead of hounds (the leopards are kept on leashes where they can't chase anything), hairstyles that range from 1910 to 1983 (story set in the 1920's), incredible continuity problems with the trans-Sahara race that forms the basis of the plot (Brooke spends about a week in one spot, and suddenly the other drivers all appear at once; her two assistants appear and disappear randomly) etc. etc.
Just about the dumbest, silliest, most badly acted, worst plotted excuse for a movie you'll ever see. Young Brooke Shields is so bad that you swear she couldn't get the lead in a a high school play, much less a real movie. Even by the low standards of the romance genre, it's pathetic.
Just about the dumbest, silliest, most badly acted, worst plotted excuse for a movie you'll ever see. Young Brooke Shields is so bad that you swear she couldn't get the lead in a a high school play, much less a real movie. Even by the low standards of the romance genre, it's pathetic.
i don't understand why this film has been given so much stick.it is a corny 1983 adventure like all the others in the eighties and does a good job as a film of it nature and genre. there's lots of cheese,granted,but isn't that what these kind of films are suppose to be full of? Brooke Shields looks absolutely stunning through out,and although her gender bending sequence was a bad idea,its not her fault.how can you make such a stunning woman pass for a man.the water fall scene makes up for it all though. Brooke's performance was fine,as were the performances of her co stars though nobody stands out.
this was a fun and enjoyable adventure film,just as it was made to be and deserves a lot more credit.
this was a fun and enjoyable adventure film,just as it was made to be and deserves a lot more credit.
Did you know
- TriviaMGM was the one who invested and put up all of the money for this movie's advertising and post-production. This was also the last The Cannon Group, Inc. movie with which they were involved, calling it "Dry as the Sahara desert...it was awful."
- GoofsTwice in the opening sequence, Dale (Brooke Shields) slides off the race course on a corner, and the wide view shows her race car hitting a hay bale barricade, but both times in a close-up shot inserted between the long views, her car hits a barricade made of tires.
- ConnectionsFeatured in Reel Bad Arabs: How Hollywood Vilifies a People (2006)
- SoundtracksCharleston
(uncredited)
Written by James P. Johnson and Cecil Mack
Performed by The Pasadena Roof Orchestra
- How long is Sahara?Powered by Alexa
Details
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $1,402,962
- Opening weekend US & Canada
- $550,848
- Mar 4, 1984
- Gross worldwide
- $1,402,962
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