Class

This was like the first movie for stars like Rob Lowe, Andrew McCarthy, Alan Ruck, and John Cusack. The movie was kinda cheap, but the plot was cool, the lines made me laugh, and the actors were cute. This is just a fun movie to watch and you would wish that you could do the things that they did. 7.6 out of 10.

The naive and clumsy Jonathan (Andrew McCarthy) joins the prep school Vernon Academy expecting to go to Harvard. He befriends his wealthy roommate Skip (Rob Lowe) and soon he sends Jonathan to Chicago to lose his virginity. Jonathan meets the thirty and something years old Ellen (Jacqueline Bisset) and they have a love affair. Jonathan lies to her about where he studies and he falls in love with her. When they decide to travel to New York, Ellen accidentally discovers that Jonathan studies at the Vernon Academy and she vanishes. In the Christmas break, Skip invites Jonathan to spend the holiday with his family, and Jonathan has a huge surprise finding who Ellen is.

"Class" is a pleasant movie that begins very funny, with Andrew McCarthy, Rob Lowe, John Cusack and Virginia Madsen very young. Jacqueline Bisset is extremely beautiful and fits perfectly to the role of Ellen. Unfortunately the story is lost between comedy and drama with a disappointing conclusion. My vote is six.

Title (Brazil): "Uma Questão de Classe" ("A Question of Class")

Believe it or not, CLASS is the first feature film for the likes of Rob Lowe, Andrew McCarthy, John Cusack, and Alan Ruck, all of whom have gone on to do a lot of good (and in my opinion, largely underrated) acting in numerous films. The beautiful and similarly prolific Virginia Madsen even has a bit part here in her second film. I can't think of any picture that was such a breeding ground for so many stars. As a bonus, Jaqueline Bisset has a leading role at the peak of her sultriness (although the sex scenes are relatively chaste and unrevealing).

While the plot is nothing to write home about, the dialog is well done, and the direction is pretty good. View this film if you are a fan of any or all of these brat-packers.

Okay, I must admit, it is difficult for me to remain entirely rational about this film, because it evokes sentimental memories. But I love this film, I love it, what can I say. For me it has everything, the ivy league ambience, the lovable-I-own-the-place-swagger of Rob Lowe, the appropriate witticisms, at the appropriate times read by a cast to kill for.

The film begins and ends with the "kids" in complete control, theres no PC screwing around either, all of the students do drugs, with most of the action taking place at a prep boarding school there's poker games and smoking after lights out. I tried to re-enact the John Cussack 'tip truck' smoking trick for almost a decade, in fact it was the prime reason I took up smoking in the first place.

The New Renaissance has been indicated by many social historians as the years 1982 to 1987 with the peak beginning with the opening night of the movie ET, and the end coinciding with the closing ceremony of the 1984 LA olympics. This film, having been made in 1983, stands as a virtual document to the affirmations and values of Western Culture at its peak. The scene of the triumphal holiday return of Rob Lowes character to his ancestral home is resplendant with a punk version of 'the little drummer boy', as he tears through New England countryside in his Porshe charger......breathtaking.

Nothing since the death of communism comes close to replicating the self confidence that shimmers off this film with the possible exception of "The Chocolate War". This film is not to be taken as a trite story but should be viewed in the light that reflects what it is, an artistic vision of the height of teen existence at the height of human existence, not too big a call I'm sure you'd agree.

This movie - one of many early 1980's movies used as vehicles for the likes of Rob Lowe, Andrew McCarthy, Judd Nelson and Matt Dillon - conveys many distinct qualities, which countless teen films of late seemingly lack.

What is immediately evident, is the way in which the director skillfully juxtapses the moody atmosphere with the hilarious antics of the Ivy League school boys. Regarding this movie from the point of view of intertextuality, a number of other texts immediately spring to mind: 'The Graduate', 'Animal House' and J.D. Salinger's 'Catcher in the Rye'. Lowe (The Outsiders, Youngblood, Oxford Blues), and McCarthy (St. Elmo's Fire, Mannequin, Catholic Boys) turn out meritable performances: one being the typically egotistical teenager(Lowe), and the other(McCarthy)conveyed as the naive, withdrawn 'new boy'. Jacqueline Bisset is, as always, aptly cast as the sultry seductress who, with an overbearing husband (Cliff Robertson) and a subsequent case of neurosis, seeks contentment in the shape of a teenage boy. Other striking performances come from - at the time, unknown actors - John Cusack and Alan Ruck.

'Class' is dark and moody at times, and the direction and setting conveys this aspect of the film aptly: the fight between Skip(Lowe) and Jonathan(McCarthy) takes place in the woods outside the school on a cold, grey afternoon during the fall. In contrast to this, there is the bright lights and bustle of New York City, where Jonathan embarks on a mission to apparently gain his manhood and 'save face' with the other students(here, there is that connection with the students in 'Catcher in the Rye' taking weekend trips to New York and the character 'Ackley' who is always boastful of his conquests with women). The film further depicts the antics of the school boys; for example, the incident at the neighboring girls' school and Jonathan's initiation on his first day. 'Class', like 'Oxford Blues', 'Youngblood', 'The Breakfast Club', 'Catholic Boys' and 'St. Elmo's Fire', to name but a few, is the quintessential movie for teenagers; it has depth and feeling, as well as displaying good comical dialogue.

This film is simply 'Class'.