Le retour de l'étalon noir

A great family film, about a boy from the U.S.A. and a horse from Arabia. The boy meets and befriends Arabs and Muslims and rides the horse in a grueling Arab marathon horse race.

What is most important about this film is that it is that rare gem: a Hollywood film that shows Arabs and Muslims realistically: as human beings, instead of depicting them as terrorists or fanatics, which is what Hollywood usually does (see the documentary "Reel Bad Arabs" for more about that topic). After all, the reality is that most Muslims are not terrorists or fanatics.

This film helps people to appreciate ethnic diversity, instead of hating what is different... therefore, unlike many media portrayals of Arabs and Muslims, the film helps to increase peace and harmony in the world.

Berbers come to New York to get their prize stallion back and Alec (Kelly Reno) pursues them to the desert wilderness of Morocco and possibly Algeria. Vincent Spano plays his Moroccan companion.

I like "The Black Stallion Returns" (1983) slightly more than the first one. It's not as artistic, but it's dramatically compelling and definitely more adventurous. It's like "Lawrence of Arabia" (1962), but with a boy & his horse and faster-paced.

No, it's not epic or refined like "Lawrence" but, if you're in the mood for a youth-oriented Saharan adventure, it fills the bill. The stowaway part is well done and I appreciated the inclusion of raven-haired beauty Jodi Thelen.

Some viewers complain about the ending, but it fits. Think about it.

The film runs 1 hour, 43 minutes, and was shot in New York City, Djanet, Morocco, Algeria, Abiquiu, New Mexico, Italy, Santa Clarita & Los Angeles.

GRADE: B-

For some unknown reason those whose profession it is to write reviews didn't think highly of this picture, but I found it amazingly well done. Kelly Reno was superb in his portrayal of a teenager who travels from New York all the way to the desert in Morocco in an attempt to retrieve his horse, kidnapped in New York and taken to Morocco. While the story is implausible, the ACTION and the filming and music are superb. See it, if you can.

"The Black Stallion Returns" is one of my favorite novels, and one of my favorite films. Readers familiar with Walter Farley's saga will note several discrepencies between the books and the films, but that certainly does not detract from the enjoyment to be derived from this film. The cinematography is spectacular, and the Black is as gorgeous as ever, played by horses who capture the true spirit of Farley's legendary stallion. Kelly Reno's skills as an actor have vastly improved in this film, and it is wonderful to see the wide variety of characters that people the Black's world. In many ways, this film is richer than its predecessor ("The Black Stallion"), particularly in its soaring soundtrack that seems to have been custom-composed for the equestrian. Viewers who enjoy this film may also be interested in "The Miracle of the White Stallions," "The Man from Snowy River," and the 1994 production of "Black Beauty."

I also do not understand how this film did not get better reviews. This is a movie I grew up with and one of the few films in that category that I do not just keep around for sentimental reasons; I love it just as much as an adult as I did the first time I saw it. The filming location is wonderful, Kelly Reno's acting is superb, and it has the most amazing score that always tugs on my heart and makes me want to close my eyes and throw my arms wide just to feel the wind on my face. As a result, it is one of the few sequels that is better than the original. In short, The Black Stallion Returns is a thoroughly interesting and enjoyable movie; a great watch for everyone.